Sentences with phrase «future film ideas»

Not exact matches

Though there may be ideas for a sixth film, the series may quickly become the new «Land Before Time,» and see its future head to video on demand.

The partnership will officially launch at the 5th Annual ARRAY Soiree at this year's Sundance Film Festival where DuVernay and Indiegogo co-founder, Danae Ringlemann, will host 50 industry influencers, executives and creatives for a discussion on the present state of diversity in film as well as brainstorming ideas for the future.

«Humans have long been fascinated with the idea of replicating nature through machines, from Leonardo da Vinci's famous mechanical knight to speculative fiction of future androids like Philip K. Dick's «Do Androids Dream of Electric Sheep» that inspired the Blade Runner film,» Gu says.

Spike Jonze's latest film Her takes the idea further, depicting a future in which phone operating systems are advanced enough to substitute a real romance.

I don't think Wedding Crashers is a great film, and I have no idea how well future generations will view it.

Both he and Thor sat out of Captain America: Civil War for this adventure, and while they weren't missed in that film, their presence will likely be much desired in future entries, as their banter and interplay in this version that injects some energy into their antics rejuvenates stale ideas.

Good sci - fi has all these things, of course, but «bigger» isn't better, and most of the «big» idea movies use «the future» as a setting for action and adventure, whereas true sci - fi films (and books) use that setting to tell human stories in new ways; human relationships (with others, with self, with the environment, etc...) are are the core of the best sci - fi movies we've seen.

The future of blockbuster films such as these lie with directors like Coogler (and Patty Jenkins, and Taika Waititi), ones who are bringing much - needed new life and ideas to the superhero genre.

Same factory line plot about the future and it does look pretty similar to other films with the same idea but the cast sets it apart.

As a sci - fi film, Winterbottomâ $ ™ s works because of the ideas that get transmitted through the dialogue â $ «a feasible anti-virus chatter about not so distant future epidemics combined with a curious use of the English language that minces word with other foreign languages.

The idea behind its story is quite simple, but the execution is well done, and it would later set the stage for future genre films.

Now two new featurettes dive into the fascination that Disney himself had with the innovations of the future, and the ideas he had in order to make civilization more efficient, not to mention the narrative in the film as well.

The film tells the tale of college freshman Tracy (played by the resplendent Lola Kirke) who, feeling lonely and down in the dumps, calls up her future step - sister / whirling dervish of energy and business ideas Brooke (played by the transcendent Greta Gerwig, who also co-wrote and produced this film) for a night on the town.

In the style of «An Inconvenient Truth», «What the Bleep Do We Know», and «Waking Life», our film explores ideas about what the immediate future may hold, symbolized by the myths and prophecies of the Mayan culture of Mexico.

Asked whether Powell would produce again — or even direct — the Oscar winner admitted that she does have an idea for a future film, «but it's a bit of a terrifying prospect.»

As a fan of director Ridley Scott's original 1982 neo-noir sci - fi film, set in a dystopian future in which humans and androids live side - by - side, Deakins was excited about the idea of working on the long - discussed sequel.

But reviving the film is not a bad idea from a sociohistorical perspective: Humbled by the previous decade's grotesque materialism, Nineties filmmakers generally felt like they were living down the Eighties and made a concerted effort to protect their product from dating itself *, but Reality Bites, with its Hughesian affectations, at least strives to be seminal — only Cameron Crowe's Singles, the Brady Bunch movies (which star Stiller's future wife, Christine Taylor), and the excrescent Empire Records so unabashedly embrace their pre-Internet moment.

Child's Play creator Don Mancini never fails to surprises fans when it comes to unique twists for possible future Chucky films, and his latest idea might...

But the film is worth a watch on its own merits, even for those who aren't intrigued by the idea of taking a look at the early work of a couple of future A-listers.

Purportedly, this is what Hayao Miyazaki mused aloud as he brainstormed ideas for future Studio Ghibli films, after having finished Porco Rosso in 1992.

Another film about atonement, its very existence and execution betray the idea that the past must be dealt with, the better to face the future; you compare the whole of it to the five minutes Tommy Lee Jones commands the screen at the end of No Country For Old Men, or how no more than sketches animated in Marjane Satrapi's Persepolis convey the painful humanity of time's labour's lost, and you realize there's no one authentic chord in The Kite Runner.

He then went on to add: «I'm always thinking about the future, and decided to create a trailer for this film that would encapsulate the total idea of it.

Although the idea of a future where time is literally money is ripe with potential, Niccol's heavy - handed sociopolitical message never really gives the film a chance to develop beyond the initial setup.

The idea is that box office success for a movie centered on a nonwhite superhero and cast could inspire Marvel to produce and create more movies like Black Panther in the future (the studio's previous 17 films have all featured white men as the superhero leads).

I next saw Arrival a few days after the election, when the film's ideas about facing fearsome and unknown futures and seeing the end from the beginning were all the more moving.

Visions may lack some of the atmosphere of Jessabelle, which used its Louisiana locations to great effect, and Fisher lacks the compelling, quirkier presence of the earlier film's Sarah Snook, but Visions serves as further evidence that Greutert is one of the most interesting mainstream horror directors around — I can easily see a The Conjuring - style success in his future — and that despite its many diminishing - returns franchise films (Paranormal Activity, Sinister, Insidious, et al.), Blumhouse is far from running out of ideas.

Comic Book Resources chatted with «Days of Future Past» comic book writer Chris Claremont, who commented on the unconfirmed rumors of Apocaplypse appearing in the film, a character who did not appear in the original story arc, and how the idea of adapting his stories originally came to be.

«If I had to keep just one film to give future generations the idea of what the art of cinema was in the twentieth century, I would choose The Little Theater [of Jean Renoir], because all of Renoir is contained in it, and because Renoir contains all of cinema.»

With James Mangold and star Hugh Jackman continually emphasizing the idea that The Wolverine - which we know is based after the X-Men trilogy - is a standalone film, does Millar's words mean that it may not be as standalone as we think and that the studio will take advantage of the opportunity to at least tease the story of X-Men: Days of Future Past?

It's a science - fiction film in J.G. Ballard's barest definition of the genre — an exploration of time, space, and identity set in the near future in a cloud of languages and ideas — that periodically soars like invention can when it's raised from a foundation of familiar catastrophe and intimate calamity.

That's a cool idea for a film, because not a lot of people know about it and it hasn't started yet — it's like a look into the future.»

I'm really happy here doing Gymkhana Grid at the moment, and we have all sorts of ideas of places to film future Gymkhana videos.

In this interview with the artist, Philippe Parreno talks about his relationship to Basel (where he showed Zidane in the city's football stadium), how he got the idea to the film Marilyn, how the different works in the exhibition are connected with each other, and about future projects.

Seemingly named for the luxury hotel chain, the film sees actors in a variety of suburban and rural spaces in Mali talk about their ideas of the future under the buzz of artificial light.

This exhibition will focus on the decade when our artists, very much alongside our photographers, film stars, musicians and fashion designers, captured the world's imagination, creating the idea of «Swinging London», the city that was the symbol of all that was new and exciting for a generation finally throwing off the trauma of the Second World War and facing the future with an optimism born from prosperity and political freedom, despite the shadow of nuclear proliferation and the continuation of the Cold War.

The film offers a naively hopeful and optimistic vision for a Palestinian future contrasting sharply with all the elements that are currently eating away at the very idea of a viable Palestinian state.

Taking place from 9th — 18th March in Austin, Texas, SXSW will as ever be the talk of the tech, film, music and media worlds as an array of experts, innovators and artists come together to explore the future of human creation and ideas.