Sentences with phrase «future generations of artists as»

Not exact matches

It also aims to promote youth awareness about modern media forms, as well as to foster and nurture a future promising generation of creative artists in media and film.

As it currently stands, it will jeopardise the future success of our creative industries by significantly reducing opportunities for the next generation of musicians, technicians, designers, artists, actors and all the other vital roles in the industry.

So, not only are you supporting the student artists, you are supporting the NMSU Department of Art clubs, as well as the future generations of art students at NMSU.

More unexpected is the discovery that an artist so closely identified with abstraction and with enlarging the possibilites for her own and future generations - with what her friend Anthony Caro calls «the onward of art» - should have looked not only to her lived visual experience as a starting point for her work but also to the art of the distant and recent past.

Her pioneering, immediate approach widened the practices of abstract expressionists and went on to inspire Color Field abstract painters such as Morris Louis and Kenneth Noland and generations of future artists.

His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»

A collection long identified with social and financial clout as well as its fundamental role in seeding a generation of celebrated Mexican artists, the Fundación Jumex and its new museum will henceforth have to choose a credible, sustained and coherent direction for its future.

It served as a challenge to future generations of artists, writing, in part, «In sum, my goal is twofold: first of all, to register the trace of human sentimentality in present - day civilization; and then, to register the trace of fire, which has engendered this very same civilization — that of the fire itself.»

On the opening night artist group AAS will present performance, Farming The Young / On The Mirrors Of Yukon, described as «a fractal palimpsest of data for future generations»Of Yukon, described as «a fractal palimpsest of data for future generations»of data for future generations».

The three artists included in this year's residency exhibition extend this notion to explore how communities themselves can influence the ways in which art is produced, whether through incorporating images that document change and progress, questioning the contexts of cultural and physical representation so as not to repeat history's mistakes, or archiving materials from a community's past in order to benefit future generations.

In the short time since its opening, the gallery has emerged as a leading platform for a future generation of artists, especially those with a focus on multimedia art.

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?&artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?&Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

As a Postgraduate Diploma in Arts Pedagogy and Practice candidate, you are concerned with developing your contemporary arts practice and nurturing future generations of emerging artists.

Side by side with one of the greatest names of the 20th - century art, George Braque collaborated along with Pablo Picasso creating iconic works that were used as the direction for the future generations of artists.

«Galleries have to think about the future and the next generation of artists» as modern art supplies diminish.

Referencing a quote by Beat Generation poet William S. Burroughs, When You Cut into the Present the Future Leaks Out echoes approaches attributed to cut - up poetry, early hip hop, spoken word, and the sculptural practice of artist Gordon Matta - Clark, who sliced into urban spaces as social commentary.

Fadda examines the landscape of the UAE's vanguard artists and the institutional framework that laid the ground for three future generations of contemporary artists in the UAE, among whom Mohammed Kazem, featured artist for the National Pavilion of the UAE at the 55th Venice Biennale, is acknowledged as a key member.

As part of the public programme accompanying the show, Ginevra Elkann, today the President of the Pinacoteca Agnelli, and Hans Ulrich Obrist invited a new generation of Chinese artists to Turin for a marathon talk on the future of China produced with Philip Tinari, now Director of the Ullens Center for Contemporary Art.

Committed to artists, the nonprofit 501 -(c)(3) foundation believes that artist books, like the artwork that inspires them, serve as a vital source of knowledge and cultural insight for current and future generations.

Starting in the early 1950s, together they built a collection that continues to inspire and educate future generations — from the elegance of Richard Serra's «Schulhof's Curve» to Eduardo Chilida's ironworks and works on paper by artists such as Robert Smithson, Mark Rothko, and Cy Twombly.

The museum largely thinks of itself as a museum dedicated to living artists, so one of things that is, I feel, important — and that the institution takes on too — is to engage with future generations of living artists.

While no one is trying to claim the mantle of true originality here, especially since many of these works find their predecessors in the likes of Duchamp and roots in O.G. resistance to the Salon de Paris, it's nice to see an exhibition, especially in a place like MOCA (L.A.'s «artist museum»), highlighting new ways of contextualizing and exhibiting art that will hopefully inspire today's generation of artists, as well as many more in the future.

As an MA Arts Pedagogy and Practice candidate, you are concerned with developing your contemporary arts practice and nurturing future generations of emerging artists.

Last Saturday in Kiev, Angolan artist Nástio Mosquito and Colombian artist Carlos Motta were chosen out of a short - list of 20 artists as split winners of outspoken Ukrainian collector Victor Pinchuk's 2014 Future Generation Art Prize, taking home $ 30,000 in cash and $ 20,000 to produce new work, The Art Newspaper reports today.