Sentences with phrase «future house projects»

So i look forward to your future post, and definitely look forward to future house projects!!!

The groups say all the uncertainty over when the funds for supportive housing will finally be released is making it harder to plan for any future housing projects, while the number of homeless New Yorkers is growing.

Not exact matches

The multi-faceted mission of Project 7 is: Heal the sick; save the earth; house the homeless; feed the hungry; help those in need; build the future; hope for peace.

And Edgebrook's future may well depend on whether Fair Oaks, the public - housing project, can survive.

«This is not only an investment in affordable housing projects, but a critical step towards developing safer communities, stronger local economies and brighter futures for all New Yorkers.»

Lansing and Mareane said it is likely that as a part of any agreement to restore the variance, the State will require the County to undertake studies that will project the future population of the jail and to design expansions that could house that population without resorting to boarding out inmates.

Council Member King, who reviewed his 12 - Point Plan for the 12TH Council District with more than 700 Bronx residents, friends and special guests in attendance, discussed upcoming and future projects, which include affording housing for working families through a partnership with Habitat for Humanity, the renovation of Agnes Haywood Park, capital funding to schools in the 12th Council District, expense funding to community - based organizations, funding for NYCHA developments and youth programs as well as DOT and DSNY needs in the 12th Council District.

This is Almat's first step into the affordable housing arena, and we hope to bring more positive economic and social impact projects to the forefront in the future.»

She also questioned why the town needed a master plan, which included the suggestions of future cluster and affordable housing projects.

But NIH watchers are dubious of anything more than the 2 % that the White House has projected for future years.

According to George Brown, chairman of the House of Representative's Committee on Science, Space and Technology, that money is likely to be available for other projects in future years.

Taking place on Wednesday 16th May at the prestigious Winstanley House in Leicester, this one - day showcase will to bring together academic scientists, clinicians and businesses from across the globe, to forge engagement opportunities, identify «two - way people exchanges» and future research project ideas for development.

Taking place on Wednesday 16 May at Winstanley House in Leicester, an upcoming one - day showcase will to bring together academic scientists, clinicians and businesses from across the globe, to forge engagement opportunities, identify «two - way people exchanges» and future research project ideas for development.

While my house has more of a modern cottage vibe, I found myself bookmarking many of Liz's cozy farmhouse - style projects for future reference including a stenciled linen pillow cover.

My article appears for BFI Sight & Sound online, «Mark Jenkin's short movie about the Cornish housing crisis was crafted by hand at every stage, so it was a genuine pleasure to see it projected on film for the first time, and to anticipate more analogue marvels in the future.»

In the spring, each eighth - grader completes a cross-curricular project identifying a future career plan, necessary academic steps, and the fiscal impact of these decisions — the kinds of houses they might be able to purchase, and what a budget might look like with different numbers of kids.

Both House and Senate leaders had said an override session was all but certain on SB229, a bill earmarking some 30 percent of future state revenues for road projects.

It should also be understood that no solution is future proof: developers that work on custom in - house projects leave or retire, third - party software vendors go out of business or sunset application suites and cease their support, and technology changes... consider that 5 - 6 years ago, universities would have placed their entire mobile focus on BlackBerry devices.

The future of the residential housing market continues to look bright, with more than 88 % of markets projecting an upward trend in average property price.

The demolition of the warehouse made room for the seed lab and other future components of the project including greenhouses, a shade house, a new education and volunteer center, and a Field Stewardship Center to be housed in a rehabilitated historic building.

Alila Villas Uluwatu is designed by award - winning Singapore architectural firm, WOHA, which has built a global reputation for innovative design for projects in tropical environments earning it the Royal Australian Institute of Architect's (RAIA) International Award at the 2006 National Architecture Awards in Brisbane for their House on Rochalie Drive in Singapore, and Architectural Review MIPIM future projects award for The Met, a high - rise condominium in Bangkok, to name a few.

According to Andrew House, the president of Sony Computer Entertainment, the PS4's future is based around three key tenets: Playstation Now - style streaming technology, wearable lifestyle and fitness technology and making our first real steps into the world of virtual reality through Project Morpheus and other such projects.

Simbin are also proving their business savvy when it comes to their in - house development processes, even creating an in - house graphics engine called LIZARD ™, according to Simbin this gives them a powerful and flexible development tool that can also potentially be adapted to use on other genres, including announcing their possible intentions for potential projects on the Playstation 3, either way this as with all development processes will see a period of evolution as Simbin refine and push the possibilities of current and future gaming hardware.

Housed within the mammoth complex at LA's Hercules Campus, built by Howard Hughes to facilitate his Spruce Goose project, it was a noisy and confident briefing with tantalising glimpses at the future of the franchise's vital online component.

Our Autumn season is formed of exhibitions and projects that contribute to the urgent debate around the future of housing.

In the case of Doomocracy, an immersive installation and performance in the form of a house of political horrors conceived by Mexico City — based artist Pedro Reyes, doom is employed as part parable and part prophesy — a way to evoke certain political, social, and economic realities as well as to project a potential future to come.

Selected exhibitions include: «UK / raine» at Saatchi Gallery (2015), «Whispers» curatorial project at Ronchini (2015), «Home» solo show at Ronchini (2014), «Time to Hit the Road» at Leila Heller, New York (2014), «Articulate» at Victoria Miro (2013), «The London Project» curated by Gerson Zevi at Yorkshire Sculpture Park (2013), «The Uncanny» curated by James Putnam at Ronchini (2013), «Dead Inside» at Bleecker St Arts Club, New York (2013), «The Future Can Wait» at Victoria House (2013), «Dividing Line» curated by Sumarria Lunn at High House (2012), «The Threadneedle Prize» at the Mall Galleries project at Ronchini (2015), «Home» solo show at Ronchini (2014), «Time to Hit the Road» at Leila Heller, New York (2014), «Articulate» at Victoria Miro (2013), «The London Project» curated by Gerson Zevi at Yorkshire Sculpture Park (2013), «The Uncanny» curated by James Putnam at Ronchini (2013), «Dead Inside» at Bleecker St Arts Club, New York (2013), «The Future Can Wait» at Victoria House (2013), «Dividing Line» curated by Sumarria Lunn at High House (2012), «The Threadneedle Prize» at the Mall Galleries Project» curated by Gerson Zevi at Yorkshire Sculpture Park (2013), «The Uncanny» curated by James Putnam at Ronchini (2013), «Dead Inside» at Bleecker St Arts Club, New York (2013), «The Future Can Wait» at Victoria House (2013), «Dividing Line» curated by Sumarria Lunn at High House (2012), «The Threadneedle Prize» at the Mall Galleries (2012).

Irish Channel, future site of St. Thomas housing project, St. Thomas and Felicity Streets, New Orleans, c. 1936 Gelatin silver print 11 X 14 inches

Irish Channel, future site of St. Thomas Housing Project, St. Thomas and Felicity Streets, New Orleans, c.1936 - 38 9 1/4 x 12 3/4 inches Gelatin silver print; printed c.1936 - 38

Irish Channel, future site of St. Thomas Housing Project, St. Thomas and Felicity Streets, New Orleans, c.1936 - 38

SEKAER, Peter Irish Channel, future site of St. Thomas housing project, St. Thomas and Felicity Streets, New Orleans, c. 1938 Gelatin silver print; printed c. 1938 6 3/4 X 9 3/8 inches

62 / October 2012 «Petrit Halilaj's new project for Kunsthalle St. Gallen», Michele Robecchi, Kunstbulletin, 7-8/2012 «Future Greats», Giovanni Carmine, Art Review, issue 57, March 2012 2011 «Die Zeit zurückdrehen», Dorothea Nikolussi - Salzer, Der Standard, October 2011 «Eine Himmelsscheibe, die die Zeit zurückdreht», Ivona Jelcic, Tiroler Tageszeitung, October 2011 Ingeborg Wiensowski, Loch der Erinnerung, Spiegel Online, July 25, 2011 «Ernste Tiere» im Bonner Kunstverein, General Anzeiger Bonn, July 15, 22011 «Art Basel», Quinn Latimer, Art Agenda, June 17, 2011 «Petrit Halilaj — Zeitschrift zuschnitt 42» Stefan Tasch, Obendrauf, June 2011 «Petrit Halilaj, by Johan Lundh, Metropolis M, no. 3 June / July 2011 «Petrit Halilaj — Brand New», Laura Cherubini, Flash Art International, March - April 2011 2010 «Best of 2010», Christine Macel, Artforum, December 2010 «Where Is Petrit's Real House?»

She proudly pointed to the site of the future vegetable garden, the pond and the wall of an old house that will be used to project movies.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

The backdrops in Contemporary Business seem carefully chosen to reflect upon Shanghai's and China's complicated past, its rapid present transformations, and its undecided future, as the merry band of outsiders groove in front of a massive, drab communist style housing project, dance on the Bund along Shanghai's Huangpu River, a vibrant promenade lined with handsome Neo-Classical, Beaux - Arts and Art - Deco buildings (former banks and financial houses from the 19th and early 20th centuries) that are beautiful relics of Shanghai's colonial past and emblems of the city's cosmopolitan present.

The Estonian Pavilion Without Walls features newly commissioned performances by Flo Kasearu, Anu Vahtra, and Kris Lemsalu who will collaborate with New York - based musician and artist Kyp Malone, Vahtra's project is based on the legacy of the legendary artist Gordon Matta - Clark and his group Anarchitecture; Kasearu presents a site - specific performance in the Estonian House New York, exploring the past and future stories of this members - only club; and Lemsalu and Malone will conceive a durational performance with ceramic costumes, music, and video projections.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Angela Darby interviewed the Satis House curators Eoin Dara and Kim McAleese to gain further insight into their intentions and future plans for the project space.

333 montezuma arts (Santa Fe) Ambach & Rice (Los Angeles) Ana Cristea Gallery (New York) Anat Ebgi (Los Angeles) Andrew Edlin Gallery (New York) Anna Meliksetian │ MJBriggs (Los Angeles) Artspace111 (Fort Worth) Barry Whistler Gallery (Dallas) Beatriz Esguerra Art (Bogotá) BILL BRADY / KC (Kansas City) BLACKSTON (New York) Brand New Gallery (Milan) C. Grimaldis Gallery (Baltimore) c.nichols project (Mar Vista) CANADA (New York) Carrie Secrist Gallery (Chicago) Cernuda Arte (Coral Gables) Charlie James Gallery (Los Angeles) Churner and Churner (New York) CLEARING (Brooklyn) Coagula Curatorial (Los Angeles) Conduit Gallery (Dallas) Cris Worley Fine Arts (Dallas) David Richard Gallery (Santa Fe) DC Moore Gallery (New York) Deborah Colton Gallery (Houston) DUTTON (Austin / New York) Edel Assanti (London) Eric Firestone Gallery (East Hampton) Et al. (San Francsico) Franklin Parrasch Gallery (New York) Future Gallery (Berlin) Galerie Forsblom (Helsinki) Galleri Urbane Marfa + Dallas (Marfa / Dallas) Gallery Henoch (New York) GAMO GALLERY (Seoul) Halsey McKay Gallery (East Hampton) HEXTON │ modern and contemporary (Chicago) Hionas Gallery (New York) Hosfelt Gallery (San Francisco) Howard Scott Gallery (New York) HUS Gallery (London) Jack Geary Contemporary (New York) James Fuentes (New York) Jeff Bailey Gallery (New York) Jessica Silverman Gallery (San Francisco) Jonathan Viner (London) Josée Bienvenu Gallery (New York) Josh Lilley (London) KANSAS (New York) KLAUS VON NICHTSSAGEND (New York) Klemens Gasser and Tanja Grunert (New York) Klowden Mann (Culver City) Koenig & Clinton (New York) Laura Rathe Fine Art (Houston) Lennon, Weinberg, Inc. (New York) Lisa Cooley (New York) Luis De Jesus Los Angeles (Los Angeles) LYNCH THAM (New York) M+B (Los Angeles) Madison Gallery (La Jolla) Mark Moore Gallery (Culver City) Marlborough Chelsea (New York) Martos Gallery (New York) MISAKO & ROSEN (Tokyo) Mixed Greens (New York) Morgan Lehman Gallery (New York) Nancy Hoffman Gallery (New York) Nathalie Karg (New York) Newzones (Calgary) Nicelle Beauchene Gallery (New York) OHWOW (Los Angeles) PITT Projects / Division of Labour (Worcester) RE Gallery (Dallas) Ribordy Contemporary (Geneva) Ro2 Art (Dallas) Salomon Contemporary (New York) Samsøñ (Boston) Talley Dunn Gallery (Dallas) taubert contemporary (Berlin) The Green Gallery (Milwaukee) The Journal Gallery (Brooklyn) Thomas Solomon Gallery (Los Angeles) TRISTIAN KOENIG (Melbourne) Turner Carroll Gallery (Santa Fe) Valley House Gallery & Sculpture Garden (Dallas) William Campbell Contemporary Art, Inc. (Fort Worth) William Shearburn Gallery (St. Louis) Workplace Gallery (Gateshead) Zane Bennett Contemporary (Santa Fe) ZieherSmith (New York)

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

The combination of energy efficiency and renewables is the future - proof solution for all buildings, including multi-storey projects — this is demonstrated with a new build in Innsbruck, Austria: the apartment complex is the first of its kind to be certified as a Passive House Plus building.

~ The Exodus Road ~ Purchased Equipment, such as AEDs, for Fire Departments ~ Raised Funds for Various Fire Departments ~ Habitat for Humanity (Multiple Locations) ~ All Souls Episcopal Care Center ~ Alzheimer's Association ~ Animal Welfare Institute ~ Destiny's Bridge ~ Eastern Florda State College Alumni Association ~ Grateful 4 Grace ~ Global Water ~ Hands On Jacksonville (Relief for Hurricanes Matthew & Irma) ~ Hastings Homebound ~ Hillsborough Community College Foundation ~ Infinite Trees Project ~ Patriot Service Dogs, Jacksonville ~ S.A.F.E. Pet Rescue ~ SCA Castlemere ~ St. Johns County Humane Society ~ St. Johns Presbyterian ~ Seamark Ranch ~ Starlight Foundation ~ Tiny House Expedition ~ Trees for the Future ~ Audubon Acres ~ Hurricane Harvey Relief ~ Cuts for Change ~ Humane Educational Society of Chattanooga ~ GreenSpaces ~ Epilepsy Foundation ~ Don't Count Me Out ~ Mercy Ships ~ ALS Society ~ Sacred Selection ~ Chattanooga Humane Society ~ Chattanooga Community Kitchen ~ A Step Ahead Chattanooga ~ Funded 100 % of Construction of a Tiny House for a Homeless Veteran ~ Save the Whales ~ Save the Pandas ~ Save the Tigers ~ Tiny House Build for a Displaced Hurricane Harvey Family ~ Tiny Dog House on Wheels Raffle for Dry Dog Food for Animal Shelters (The Tiny Dog House on Wheels Raffle has been done at every For - Charity Tiny House Festival since the 2016 Florida Tiny House Festival.)

At the International Passive House Conference in Darmstadt, over a hundred speakers presented the latest projects and approaches for solutions which will make the building sector fit for the future.

As code bodies reach for increasing levels of building energy efficiency, the success of future performance - based code will depend on the same comprehensive energy modeling borrowed from Passive House that LEED projects can benefit from.

Architizer profiles CGBC's project «to convert its headquarters, a 1924 stick - built house in Cambridge, into HouseZero, a sustainable system that is expected to set a precedent for the future of green reconstruction around the world.»

«The project team for the Salus project has done a tremendous job, not only in delivering the first larger Passive House in the Ottawa region, but in offering information to government, industry and the public about how affordable and sustainable the buildings of the future will be.»

«The evaluation of the consumption data proves that the efforts made by the City of Heidelberg to design an entire city district to a high standard in terms of energy efficiency based on future - oriented specifications and corresponding quality assurance have been tremendously successful,» says Søren Peper of the Passive House Institute, who was in charge of the monitoring project.

In 2014, this future - oriented project received the Passive House Award.

So, the most recent science shows 1) no observed relationship between global warming and winter severe weather outbreaks and 2) future «polar vortex» - associated cold outbreaks are projected to mollify — yet the White House prepares a special video proclaiming the opposite with the intent to spread climate alarm.

Other stars who have contributed to Future Forests projects include Cameron Diaz, star of Charlie's Angels; Elijah Wood, who played Frodo in The Lord of the Rings trilogy; and Leonardo DiCaprio, of Titanic fame, who has paid for trees to be planted on a site near Leipzig that once housed silos of Soviet SS20 missiles.