Sentences with phrase «future needs of artists»
«We anticipate the future needs of artists, designers, and architects in the workplace, and equip them with the tools that will enable them to achieve professional and personal success,» she added.
https://www.pratt.edu/ Not exact matches
From painting, drawing, modelling, crafting, printing materials, and art accessories through to UK manufactured papers, as well as the AQA, OCR and WJEC approved IsoSketch Drawing & Drafting Tool, Art in Education will provide you with all you need to inspire and equip the artists of the future.
Bringing much - needed attention to Lewis» output and significance in the history of American art, Procession is a milestone in Lewis scholarship and vital resource for future study of the artist and abstraction in his period.
We want to build it to acknowledge the hugely important legacy of our alumni, and to ensure that future generations of artists get the inspiration and support they need to keep London at the centre of the contemporary art world for the next century.»
Working towards the goal of strengthening the Academy's collection where needed, the sale of the paintings by artists who are represented in the collection by more significant works, will enable PAFA to make future noteworthy and necessary purchases.»
Bringing much - needed attention to Lewis's output and significance in the history of American art, the multiauthor exhibition catalog — edited by Fine, who wrote the key overview essay — is a milestone in Lewis scholarship and a vital resource for future study of the artist and abstraction in his period.
The two 1960s artists whose careers and products may be considered to have formed a bridge between the visual past (the omnipresent black figure, overtures to visual modernism, and the need to acknowledge the politics of race) and a visual future for African American art (artistic singularity over racial unity, narrational / perceptual simultaneity, and the interjecting of class, gender, and sexuality into art) are Bob Thompson and ROMARE BEARDEN.
We need artists to show the reality of the Tar Sands on our future — as Franke James does.
While more research is needed to expand this line of exploration, this research suggests that, in the future, we may need to move past the traditional models of mediation and look more at the actual processes of successful, experienced practitioners as artists, in order to see the best value of mediation (Saposnek, 1993; 2005).