It is my pleasure to invite you to an open studio showcasing works that span the past, present and
future of my artistic practice.
Topics for the following panel discussions included «Art Basel Miami Beach and South Florida: A Decade of Transformation», «The Evolution of Museum Missions» and «
The Future of Artistic Practice: The Artist as Poet».
When asked if the public reaction to the painting would influence
the future of her artistic practice she responded «I'm sure it has to.»
It also considers the reaction, development and
future of artistic practice in the face of new technology.
Not exact matches
The theoretical complexity underpinning Lloyd's
practice finds its material and processual counterpoint in the synthesis
of past and
future - combining high and low cultural perspectives, digital and analogue techniques, and traditional and non-traditional
artistic imagery and processes.
Analyzing the changing nature
of female identity and
artistic practice as mediated by digital technology, Meier asks tough questions about the
future of the art world and whether or not art will be successful if it does not receive a lot
of attention on social media.
Redefining
artistic practice and its purpose, his name resonates not only through the 20th century, but the history and
future of art.
A historical event for being the first edition ever led by an African
artistic director, Okwui Enwezor, All
of the World's
Futures also promises a more inclusive representation
of global art
practices.
Looking to the past, present and
future of one
of the cornerstones
of artistic process, we ask what it means to make art from life, and how the
practice is evolving as technology opens up new ways
of making and seeing.
The Artist and the memetic
practice There is a question that comes to my mind immediately when thinking about all this and the
artistic practice; how will the
artistic voice be affected in the
future by this ever increasing restriction
of cultural content on the Internet?
The
future of O'Keeffe's
artistic practice shifted dramatically in 1912 when she took a summer course taught by Alon Bement at the University
of Virginia.
Indeed, practitioners and theorists consider a variety
of futures: the
future of curatorial education; the
future of curatorial research; the
future of curatorial and
artistic practice; and the institutions that will make these other
futures possible.
But Julien's making
of the piece resurrebts the spectre
of a history
of artistic practice that traverses the film / theory nexus
of the seventies and eighties, and, although now long gone, it is perhaps waiting in time for a
future generation to discover.
With much
of its tone being so cantankerous, readers
of the present and readers
of the
future may well struggle to create from this book a dispassionate, balanced and accurate account
of artistic practice in the decade.
It is less a format
of an inventory more
of a
futures draft: It asks what could be, and focuses on potentialities
of artistic practices and presentations from a
future perspective.
We'll be looking back at the legacy
of Modern and Contemporary African Art while looking forward to the
future possibilities
of artistic practices, communities and markets on the continent.»
NEoN doesn't seek to be merely nostalgic about technology but to expose, through
artistic practice, how new technologies are understood now and will be in the
future, in the creation
of shared cultural experiences.
The New York iteration looks to reexamine present and
future notions
of 21st century African diasporic identities as traversed, negotiated and performed in the arenas
of intellectual, cultural and
artistic practices.
It further looks at the position
of artist vis a vis market forces, the
future of art education and
artistic practices in light
of austerity measures.
Museum Off Museum is formulating questions as to the current meaning
of artistic practice and how it understands itself, as to the form and function
of exhibiting, the
future of knowledge generation and cultural mediation.
Even before developing my
artistic practice, I entered public debates with genetic engineers about the
future of agriculture, and the countryside.
Third were the thematic issues — Issue 2.6 / Food and Issue 2.15 / Performance: The Body Politic — and the thematic features that unfolded over the course
of the year: Bruno Fazzolari's conversation series investigating abstraction and the terms on which it is defined or negotiated in contemporary
artistic practice; Elyse Mallouk's Landfill series, which triangulates with a print journal, quarterly subscription, and website, all
of which archive and redistribute the materials produced by socially engaged artworks; and Zachary Royer Scholz's series about the historical and contemporary economic, political, technological, and cultural factors that shape the visual arts in the Bay Area and its possibilities for the
future.
To think about the actuality and
future of photography means to understand it as a subjunctive, in which within the framework
of the exhibition and publication various
artistic practices are discussed.