Sentences with phrase «future of artistic practice»

It is my pleasure to invite you to an open studio showcasing works that span the past, present and future of my artistic practice.
Topics for the following panel discussions included «Art Basel Miami Beach and South Florida: A Decade of Transformation», «The Evolution of Museum Missions» and «The Future of Artistic Practice: The Artist as Poet».
When asked if the public reaction to the painting would influence the future of her artistic practice she responded «I'm sure it has to.»
It also considers the reaction, development and future of artistic practice in the face of new technology.

Not exact matches

The theoretical complexity underpinning Lloyd's practice finds its material and processual counterpoint in the synthesis of past and future - combining high and low cultural perspectives, digital and analogue techniques, and traditional and non-traditional artistic imagery and processes.
Analyzing the changing nature of female identity and artistic practice as mediated by digital technology, Meier asks tough questions about the future of the art world and whether or not art will be successful if it does not receive a lot of attention on social media.
Redefining artistic practice and its purpose, his name resonates not only through the 20th century, but the history and future of art.
A historical event for being the first edition ever led by an African artistic director, Okwui Enwezor, All of the World's Futures also promises a more inclusive representation of global art practices.
Looking to the past, present and future of one of the cornerstones of artistic process, we ask what it means to make art from life, and how the practice is evolving as technology opens up new ways of making and seeing.
The Artist and the memetic practice There is a question that comes to my mind immediately when thinking about all this and the artistic practice; how will the artistic voice be affected in the future by this ever increasing restriction of cultural content on the Internet?
The future of O'Keeffe's artistic practice shifted dramatically in 1912 when she took a summer course taught by Alon Bement at the University of Virginia.
Indeed, practitioners and theorists consider a variety of futures: the future of curatorial education; the future of curatorial research; the future of curatorial and artistic practice; and the institutions that will make these other futures possible.
But Julien's making of the piece resurrebts the spectre of a history of artistic practice that traverses the film / theory nexus of the seventies and eighties, and, although now long gone, it is perhaps waiting in time for a future generation to discover.
With much of its tone being so cantankerous, readers of the present and readers of the future may well struggle to create from this book a dispassionate, balanced and accurate account of artistic practice in the decade.
It is less a format of an inventory more of a futures draft: It asks what could be, and focuses on potentialities of artistic practices and presentations from a future perspective.
We'll be looking back at the legacy of Modern and Contemporary African Art while looking forward to the future possibilities of artistic practices, communities and markets on the continent.»
NEoN doesn't seek to be merely nostalgic about technology but to expose, through artistic practice, how new technologies are understood now and will be in the future, in the creation of shared cultural experiences.
The New York iteration looks to reexamine present and future notions of 21st century African diasporic identities as traversed, negotiated and performed in the arenas of intellectual, cultural and artistic practices.
It further looks at the position of artist vis a vis market forces, the future of art education and artistic practices in light of austerity measures.
Museum Off Museum is formulating questions as to the current meaning of artistic practice and how it understands itself, as to the form and function of exhibiting, the future of knowledge generation and cultural mediation.
Even before developing my artistic practice, I entered public debates with genetic engineers about the future of agriculture, and the countryside.
Third were the thematic issues — Issue 2.6 / Food and Issue 2.15 / Performance: The Body Politic — and the thematic features that unfolded over the course of the year: Bruno Fazzolari's conversation series investigating abstraction and the terms on which it is defined or negotiated in contemporary artistic practice; Elyse Mallouk's Landfill series, which triangulates with a print journal, quarterly subscription, and website, all of which archive and redistribute the materials produced by socially engaged artworks; and Zachary Royer Scholz's series about the historical and contemporary economic, political, technological, and cultural factors that shape the visual arts in the Bay Area and its possibilities for the future.
To think about the actuality and future of photography means to understand it as a subjunctive, in which within the framework of the exhibition and publication various artistic practices are discussed.
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