Do they think this is
the future of independent film distribute?
Not exact matches
It's one
of the best
independent American
films of the last decade, playing on current concerns about the
future of the planet.
Though it has cut into theatrical viewing, the omnipresence
of DVD screeners and the likely
future streaming
of contenders, by making it easier for voters to follow their taste into the world
of independent, non-studio
film, has turned the Oscars into a more accurate reflection
of where we are today.
Tackling «vital issues such as fake news, the undermining
of political protest, the battle between present and
future superpowers, the
future of democracy itself», the series is directed by William Oldroyd, making his TV debut after his
independent film «Lady Macbeth» won five British Independent Film Awards and is in the running for two BAFTAs
independent film «Lady Macbeth» won five British
Independent Film Awards and is in the running for two BAFTAs
Independent Film Awards and is in the running for two BAFTAs next week.
Tackling «vital issues such as fake news, the undermining
of political protest, the battle between present and
future superpowers, the
future of democracy itself», the series is directed by William Oldroyd, making his TV debut after his
independent film ``
In 1984, during the fourth annual conference
of the IFP / West (now Film
Independent), Mark Rosenberg, then President
of Theatrical Production at Warners, envisioned a near -
future «media explosion
of almost infinite possibilities,» where, he elaborated, communities would have their own cable channels, for which filmmakers would be able to create grassroots
films.
With the recent wide release
of the
independent hit «Hustle & Flow» and his upcoming
film «Four Brothers,» Bullz - Eye got a chance to speak with Terrence about growing up in Cleveland, his sudden success, and the
future of his
film career.
Michael Moore's screed against the American health care system Sicko, Laura Dunn's cosmic meditation on the environment and political action The Unforeseen — MIFF 2007, Julian Temple's ultimate music documentary, Joe Strummer: The
Future is Unwritten — MIFF 2007, Chris Smith's poetic parable
of class and poverty The Pool — MIFF 2007, Shane Meadows pitch perfect recreation
of 80's England, This is England, and finally, a year late because I saw it late, Ryan Fleck and Anna Boden's Half Nelson, which would make my top five in any year and is easily one
of the best American
independent films of the decade.
A «look over the fence» to the area
of independent film financing again provides an insight as to the mechanisms developed in that field, some
of which may be a template for
future crowd funding
of games projects.