Sentences with phrase «future of this great museum»

«We look forward to gaining her insights as an artist and Baltimore resident as we map the future of this great museum.»

Not exact matches

At 10 a.m., Monroe County Executive Cheryl Dinolfo, representatives from The Strong National Museum of Play and representatives from the state DOT announce a collaboration and future interactive play zones at the Greater Rochester International Airport, International Arrivals Hall, 1200 Brooks Ave., Rochester.

From gay bars and high end restos to hikes in the woods and hills, from history to the future through castles and space museums, Leicester is full of surprises, and great date ideas.

In the midst of the Great Depression, on January 16, 1936, Virginia's political and business leaders bravely demonstrated their faith in the future and their belief in the value of art by opening the Virginia Museum of Fine Arts in Richmond.

The new space promises to be an intriguing precedent for future museums and, if nothing else, will be a great place to get your steps in walking the almost four miles of galleries.

A contribution of a planned gift is a testament to the cultural value MOCA brings to our greater community and a commitment to the Museum's future.

In the midst of the Great Depression, on January 16, 1936, Virginia's political and business leaders bravely demonstrated their faith in the future and their belief in the value of art by opening the Virginia Museum of Fine Arts in Richmond on the former site of the Robert E. Lee Camp Confederate Soldiers» Home.

Recent presentations of work include «Modern Mondays» at MoMA, «The Companion» at the Liverpool Biennial, «Synth Nights» at The Kitchen, «The Daily Show» at Bureau NYC, «Great Tricks From Your Future» at D - CAF in Cairo Egypt, «In Tones From Light to Dark» at Performa 13, «Excursus IV» at the ICA Philadelphia, Borderline Festival in Athens Greece, Kinomuzeum at Museum of Modern Art in Warsaw Poland, LAMPO at the Renaissance Society Chicago IL, All Ears in Oslo Norway, Kunsthall Stavanger in Norway, the Pérez Art Museum in Miami FL, the Contemporary Arts Museum Houston TX, and a Jerome Foundation Commission from Roulette Intermedium.

I went to visit Dawn Black's exhibition, Conceal Project, at the Columbus Museum of Art and became engulfed with Promises of Great Things to Come: Future Gifts to the Collection of the Columbus Museum on view in its third floor gallery and organized to celebrate the Museum's 60th anniversary [December 4, 2012 - February 3, 2013].

Untapped Cities and the Museum of the City of New York presented A Public Summit for the The Future of Penn Station at Cooper Union from 7 pm to 9:30 pm in The Great Hall.

Her work has been included in exhibitions and screenings internationally including the Whitney Biennial, Whitney Museum of American Art, New York (2012); 11 Rooms, Manchester International Festival, Manchester, United Kingdom (2011); Documentary Fortnight, Museum of Modern Art, New York (2010); Greater New York, PS1, Long Island City, New York (2010); Sound Design For Future Films, Wexner Center for the Arts, Columbus, Ohio (2010); China Town and Archive, Nevada Museum of Art, Reno, Nevada (2010); Eastern Standard, MASS MoCA, North Adams, Massachusetts (2008); In Practice, Sculpture Center, Long Island City, NY (2007); and Con Air II, Performa Radio, Performa05, New York, NY (2005).

As museums become more invested in global branding and more embedded in global markets, the future of institutional critique must include a push for greater transparency and attention to the money trail that drives the human impact of the global business of art.

Last night, the Pérez Art Museum Miami celebrated the one - year anniversary of its move into its very beautiful Herzog & de Meuron - designed building with a party that included the DJ supergroup Future Brown (who have a great video on view... Read More

Recent presentations of work include «Modern Mondays» at MoMA NYC, «Sound Horizon» at the Walker Art Center Minneapolis MN, «Closer to the Edge» in Singapore and «Crossing Over» in Kuala Lumpur Malaysia, «Martha Friedman: Some Hags» at the NYU IFA Great Hall NYC, «Ed Atkins: Performance Capture» at the Kitchen NYC, the Berwick Film and Media Arts Festival, «Tony Conrad Tribute» at Atelier Nord / Ultima Festival in Oslo Norway, «Great Tricks From Your Future» at D - CAF in Cairo Egypt, Borderline Festival in Athens Greece, Kinomuzeum at Museum of Modern Art in Warsaw Poland, the Lausanne Underground Film and Music Festival, and LAMPO at the Renaissance Society in Chicago IL.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

The exhibition title was adapted from a 1936 public lecture given in New York City by former museum director A. Everett «Chick» Austin Jr.: «For we must have the great things of the past to enjoy and to study, but with that valuable experience and pleasure as guide and criterion, we must surely seek to live in the present and to try to create the new forms which are to be our legacy to the future.»

Niwa was selected as one of ArtReview's Future Greats in 2014, and his work is included in international collections including the Mori Art Museum and Hitotsubashi University, Tokyo.

This year he is exhibiting at the San Francisco Museum of Modern Art in a group show called «Imposing Order» and he has recently been featured in The Independent Magazine as one of the «Faces to Watch in 2006» and in Art Review's «Future Greats».

The Museum remains committed to the work of California artists, yet now also strives to bring greater national and international context to the collection for the future.

On the other side an allusion to the spectacular roof of the Great Court points to the present and future of the Museum.

Inspired by the recent political and economic upheavals in America and abroad, this selection juxtaposes new photographs that take the long view of the world's current condition with prescient works from the 1980s and 1990s that remain startlingly relevant today... PRESS RELEASE Trevor Paglen exhibition at Vienna Secession reviewed in Frieze, May 2011 PDF New Exhibition Catalogue from Secession available Images of the Black World with essay by Brian Holmes Trevor Paglen featured in Art Review Future Greats, March 2011 PDF Shannon Ebner upcoming solo project at the Hammer Museum in collaboration with LAX Art Los Angeles, CA July 2011

Prior to joining the museum, her most recent curatorial projects have included The Land Mark Show at the Center for Contemporary Arts, Santa Fe, looking at ecological perspectives by artists located in the Western United States; and Yesterday's Future at the Orange County Great Park Gallery, examining the City of Irvine's idealized master plan of a university and city encapsulated in architect William Pereira's design of UCI's campus.

The San Francisco Museum of Modern Art on Friday announced a plan for its future custodianship of the Doris and Donald Fisher Collection, one of the world's great private holdings of late 20th and early 21st century art.