Sentences with phrase «future paint projects»

I hope I've provided some inspiration for your future paint projects today!

For future paint projects, purchase products labeled «low VOC.»

I will be going back to The Purple Painted Lady ® for Chalk Paint ® by Annie Sloan for all of my future painting projects; I am a customer for life.

Not exact matches

They are also asking for an overall review nine months into the program; the redeployment of staff and resources from projects like station painting and retiling to signal repair and track inspection; better ways to report causes for subway delays; and a comprehensive plan for the future that details how work from the Subway Action Plan will be carried forward over the coming years.

I loved working with this paint and will definitely be using it for future projects!

I'll definitely be using these paints and waxes for future projects!

I worked on the little dude's baby album using Project Life and painted an awesome sign for my future craft room!

The AS wax was sold to me as a marvel product to seal painted upholstery leaving it with a soft but usable finish, which may be true, but I'm glad that you've shown me that for future projects there are alternatives to wax.

Thanks for the paint infomation, I am going to make a note of it for future projects.

We took the backing off the mirror, took the mirror out and put it away for safe keeping (ya know, in case I want to use it for some random diy project in the future) and then I painted the frame with a couple coats of Chalk Paint ® in Pure White.

The actor has a strong connection to the da Vinci project: he got his first name from the famous painter, as his pregnant mother was looking at a da Vinci painting in a museum in Italy when the future star kicked for the first time.

Inland, he presents a future project space, talks about his favourite sculptures and opens the door to his studio, where he tells the stories behind his current paintings.

Painting brickwork had always been one of my personal struggles in the past but I now know how I can do this with confidence in future projects.

Other highlights of the exhibition include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.

The two are coming back to the desert this weekend with contemporary artist Kenny Scharf to paint another plane and talk about the future of the project at theMOCA Tucson on Saturday, March 16.

The Creators Project: Your exhibition's press release notes that your work nods at both the past and future of abstract painting.

In 2009 she was one of ten artists selected from an international competition to receive funding to produce a series of paintings about the future of Vermont for the «Art of Action» project.

With an eye toward projected demographic trends such as these, the group exhibition The Future of America at the Hudgens Center for the Arts through April 28, brings together work by seven lens - based artists documenting various communities and subcultures among American teenagers and children: black cowboys and cowgirls, boys wearing fatigues and armed with paint guns, adolescent girls in their bedrooms.

In this interview Julie Mehretu talks about the creative process in general and the suite of paintings on display at the Deutsche Guggenheim in particular, Berlin as inspiration for her work and as place to live and work, and future projects.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

While on the one hand Cooke's imagery presents the possibility of a depleted cultural landscape, it also projects an air of curiosity about the future of painting and an acceptance of the ironies that can create beauty out of desolation.

Calgary, CA (2015), An evanescent fix, VITRINE, London, UK (2015)-- Future Station: Alberta Biennial (2015), Art Gallery of Alberta, Edmonton CA Art (2015), The Painting Project, GALERIE DE L'UQAM, Montreal Quebec, Canada, (2013), Broadcast and Tape Modern No. 25, Tape Club Berlin, Germany, (2012).

Next door, a series of zinc - plated steel panels is interspersed with paintings on the walls, surrounding Farrand's recent marble sculptures and raw steel tubes gathered for a future project.

Exhibitions (Selected) 2017 Manuscript - Letter Home, China Academy of Arts Museum, Hangzhou, China Veneer, Wirksworth Festival, Derbyshire (Co-curated Exhibition) Line and Fold, Paper GALLERY, Manchester 2016 Razzle Dazzle, Transition Gallery, London Only Yours Dear, Gallery No. 1, Repton, Derbyshire (Solo) Drawn for Something Else, Rogue Project Space, Manchester Now for Tomorrow II, Nottingham Castle Museum and Art Gallery, Nottingham Razzle: All That Jazz, Harley Gallery, Wellbeck Estate, Nottinghamshire 2015 In Miniature, Small Collections Room, Nottingham Contemporary, Nottingham Autocatalytic Future Games, No Format Gallery, London 2014 (detail), The Usher Gallery, Lincoln About Painting, Castlefield Gallery, Manchester 2013 Rotation New Court Gallery Repton, Derbyshire (Solo) 2012 Needle's Eye, BayArt Gallery, Cardiff 2011 Contemporary Perspectives on Water Colour, Mall Galleries, London

Group Exhibitions 2015 — «Plagiar o Futuro», (Plagiarizing the Future) Hangar, Lisboa, Portugal (curated by Bruno Leitão, Andrea Rodríguez Novoa)-- «Imagine Brazil» — Artist's Books, DHC / ART Founation, Montreal, Canada (curated by Jacopo Crivelli Visconti, Ana Luiza Fonseca)-- «Happeland», Radiator Arts / New York, EUA (curated by Eva Davidova, Almudena Baeza)-- «Open Sessions», Drawing Center, New York, EUA — «Theorem», Mana Contemporary, Jersey City, USA (curated by Octavio Zaya)-- «Contramuro», (Counter-mure) Galería Instituto de Visión, Bogotá, Colombia (curated by Omayra Alvarado)-- «Ejercicios de Traslado», (Practices on transference) Centro de Arte de Alcobendas, Alcobendas, Spain (curated Osbel Suárez)-- «La angustia de casi saber y quedarse no sabiendo», (The angst of almost knowing but remain ignorant) Galería Diablo Roso, Panama City, Panamá — «Instalations», Studio Sandra Recio / Geneva, Switzerland 2014 — «Cruce de Colecciones», (Collections Crossroads) Centro Atlántico de Arte Moderno, Las Palmas, Spain — «The Language of Human Consciousness», Athr Gallery, Jeddah, Saudi Arabia — «Cine Bogart, Imaginar un edificio», (Bogart Cinema, a building imagined) Centro Centro, Madrid, Spain (curated by Ines Caballero)-- «Objects in the mirror are closer than they appear», Lugar a Dudas, Cali, Colombia (curated by Daniel Silvo) 2013 — «La copia de la copia» (The copy of the copy), Museum of Contemporary Art, Guayaquil, Ecuador (curated by Hernan Pacurucu)-- «Cuando el mundo se hace plano» (When the world becomes flat), Centro de Cultura Contemporánea San Martin, Las Palmas de Gran Canaria, Spain - «Brutalidade Jardim», Galeria Marilia Razuk / São Paulo, Brazil (curated by Kiki Mazzucchelli)-- «Imagine Brazil» — Artist's Books, Astrup Fearnley Museet, Oslo, Norway (curated by Jacopo Crivelli Visconti, Ana Luiza)-- «On Painting», CEART — Centro Cultural Tomás y Valiente, Fuenlabrada, Spain (curated by Omar - Pascual Castillo)-- «Playtime», Museo Nacional de Arqueologia Subacuática, Cartagena, Spain — «Gracia Divina» (Divine Grace), Sala Gasco, Santiago, Chile (curated by Andrea Pacheco)-- «Hacer en lo cotidiano», Sala de Arte Joven de la Comunidad de Madrid, Madrid, Spain (curated by Beatriz Alonso)-- «En Obras» (In the Works), Galería Nuble, Santander, Spain (curated by Iciar Sagarminaga)-- «On Painting», Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain (curated by Omar - Pascual Castillo)-- «Objects in the mirror are closer than they appear», Galeria Isabel Hurley, Málaga, Spain (curated by Daniel Silvo) 2012 — «Expanded Drawing», Casal Solleric, Palma de Mallorca, Spain (curated by Pilar Ribal)-- «Carnaza para los Dioses» (Offering to the Gods), CAAM — Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain — 11th Havana Biennial, Havana, Cuba 2011 — 11th Cuenca Biennial, Cuenca, Ecuador — «Inside», Cidade da Cultura, Santiago de Compostela, Spain (curated by Rafael Doctor)-- «New Brazilian Sculptur» e, Caixa Cultural, Rio de Janeiro, Brazil (curated by Alexandre Murucci)-- 8th Mercosul Biennial, Porto Alegre, Brazil — Bologna Art First, Pinacoteca di Bologna, Bologna, Italy (curated by Julia Draganovic) 2010 — 12th International Cairo Biennale, Cairo, Egypt — «Synergie's, Museum of Contemporary Art, Union Fenosa (MACUF), La Coruña, Spain (curated by Carlos Jimenez)-- «Look Up», Alfandega, Porto, Portugal (curated by David Barro)-- «Kierkegaard's Walk», Galeria Marilia Razuk, Sao Paulo, Brazil (curated by Jacopo Crivelli Visconti)-- «Synergies», Museum of IberoAmerican Contemporary Art in Extremadura (MEIAC), Badajoz, Spain (curated by Carlos Jimenez)-- «Postgraffiti, Geometry and Abstraction», Fundación Caixa Galicia, A Coruña, Spain (curated by Javier Abarca) 2009 — «Residency 09», Futura Project, Prague, Czech Republic — «Building, Dwelling, Thinking — Strategies for Contemporary Art and Architecture», IVAM, Valencia, Spain (curated by Fernando Castro Florez)

Other highlights of the exhibition at Bluecoat include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

Universal Collection: A Mark Dion Project, 2016, Mixed - media site - specific installation Painting on top right wall: Laura Battle, How long is your past, how far is your future, 2015 oil and mixed media on canvas Courtesy of the artist

2016 - May 4 - May 8 - Stroke Art Fair, Munich, Germany with Schwalbe & Schwalbe Artfair 2016 - January 9 - February 15 - Penumbra Studio, Loures, Portugal «8x8» group show 2016 - January 29 - January 31 - Golden State Tattoo Expo, California «the draw16» Groupshow curated by MICHAEL HUSSAR 2016 - February 13 - March 13 - Penumbra Studio, Loures, Portugal «The Dark One» group show 2016 - March 5 - March 26 - Alexi Era Gallery, Mascoutah, IL «Empathic» group show 2016 - March 19 - Gristle Art Gallery, Brooklyn, NY «Dystopian Forest» group show 2016 - April 2 - May 29 Art at the Hall, Aberdeen Scotland «Enchanted» group show 2016 - April 2 - April 20 Alexi Era Gallery, Mascoutah, IL «Gypsy» group show 2016 - April 16 - May 13 Penumbra Studio, Loures, Portugal «Perrault's fairy tales» Bad Apple Artist Collective group show 2016 - May Arch Enemy Arts, Philadelphia, PA «For the First Time group show 2016 - June 3 - Arch Enemy Arts, Philadelphia, PA «As Above, so Below» group show 2016 - June 4 - June 25 Avantgarde Tattoo and Art Gallery, Milano, Italy «PostcArt Show» group show 2016 - June 11 - Cactus Gallery, LA «Symphony of Wings» group show 2016 - June 11 - Modern Eden Gallery, San Francisco «Annual Portrait Exhibition» group show 2016 - July 8 - Arch Enemy Arts, Philadelphia, PA «Invisible Threads» group show 2016 - August 5 - Alexi Era Gallery, Eugene OR «Lowbrow Tarot Project II» group show 2016 - August 6 - Haven Gallery, Northport, NY «The Tempest» group show 2016 - August 13 - September 24 - Ars Memoria Gallery, Chicago, IL «RED» group show 2016 - August 13 - September 1 - Cactus Gallery, LA «Water» Groupshow 2016 - August 27/28 - Future Gallery, Lake Orion, MI «Pocked Size Paintings # 3» group show 2016 - October 29 - November 17 - Penumbra Studio, Loures, Portugal «All Hallows Eve» group show 2016 - October - Art at the Hall, Aberdeen Scotland «El Gato» group show 2016 - October - Haven Gallery, Northport, NY «Mission Blue» group show curated by Christina Ridgeway 2016 - December 3 - Future Gallery, Lake Orion, MI «Winter Gallery # 4» group show 2016 - December 10 - Modern Eden Gallery, San Francisco «Wanderlust 4» group show

By presenting existing green innovations as well as visionary projects, Green Design paints a bright future in which technology and ethics merge for the benefit of people and the planet.

Sounds like you have a painting project in the near future Check out my post on speed painting, https://h2obungalow.com/speed-painting-the-fastest-easiest-way-to-paint-walls I won't paint again without this tool, it's a huge time and mess saver!

I've painted my kitchen with her cornbread shade and I've got 2 more of her colors selected for future projects.

I was extremely impressed with the quality of the paint and I will probably be going back to it for future projects.

I will definitely be using this paint on future projects.

as well, if you have a future wall painting project that you wish to be featured at FINE craft GUILD, then, BEFORE you post the tutorial on your own website, contact us.

I am still just blown away with new look of my old nightstand and can't wait to use this paint again on future projects!

I worked on the little dude's baby album using Project Life and painted an awesome sign for my future craft room!

At least I have a paint color in my back pocket for a future project.