Sentences with phrase «future setting of this film»

Their relationship is not explored enough in my opinion, leaving little to no impact on me for the future setting of this film.

Not exact matches

On their first film together, Verdi says Kraft was the hardest - working person on set, with the vision of a natural - born entrepreneur, always thinking further into the future than everyone else around him.

Ender's Game (12A) It's a film set in the future but this vision of it doesn't see gender balance on the horizon.

Set in the near future, the film also recreates the sense of deep isolation in those movies as Sam (Rockwell) runs a mining operation alone on the far side of the moon.

In the film, set on an Earth of the near future, the blight is sweeping across the world, and has already destroyed wheat and okra as a crop.

Set in the not so distant days ahead, the film hints at the moviemakers» vision of the future.

Good sci - fi has all these things, of course, but «bigger» isn't better, and most of the «big» idea movies use «the future» as a setting for action and adventure, whereas true sci - fi films (and books) use that setting to tell human stories in new ways; human relationships (with others, with self, with the environment, etc...) are are the core of the best sci - fi movies we've seen.

This is also down to a strong set of performers and while it's rare to see an all - female ensemble in a film of this ilk, Garland has little time for gender, imagining a future where such distinctions don't warrant recognition.

Set against a backdrop of London torn apart by violence, the film follows one of the champions of Earth's survival: Theo (Academy Award nominee Clive Owen), a disillusioned ex-activist turned bureaucrat, who faces his own demons and must protect the planet's last remaining hope for a future generation.

I am frustrated by the lack of modern - or future - set films without strong female characters, but I'm aware that, historically speaking, women haven't been given much training in warfare or an equal share of about anything.

The film may live as little more than a supplement on a future box set, but Noah Baumbach and Jake Paltrow do well enough to give a sense of the breadth De Palma's career while letting the iconoclastic director write his history in his own way.

Based on part one of the Chaos Walking series, The Knife of Never Letting Go, Liman's film is set in a future where all men have «the noise,» allowing them to hear each other's thoughts.

However, for all lovers of Bruce Lee, kung fu flicks, and revivalists of Seventies cool, it's a quintessential film, indispensable in its genre and firmly implanted forever in film history as the one that set the mold, even if future endeavors would top it in terms of breathtaking action, daring stunts, and more substantial stories.

It's hard to separate a sequel from its original counterpart, especially with a movie like The Conjuring, which is quite simply one of the very best haunted house movies ever — not only that, but it pretty much set the bar for all future films of its ilk; that's a hell of an accomplishment, to say the least.

Shacknews recently had a chance to talk to director Vince Bracken about the challenges of bringing this Play Set to life, including dancing around spoilers, the film's darker tone, and whether players can expect to see more figures and more Toy Box content in the future.

The movie has great time era sets pieces as the film takes the audience from a dystopian future to a realistic version of 1973 that includes wardrobe, hairstyles, and music.

By all accounts the accident responsible for the cration of Clover in the first film, happens in this film, set in the future.

Spock's final scenes etch the Kirk / Spock relationship in stone and set the standard for character relationships in all genre films, to say nothing of future «Star Trek» sequels.

Even though the film is set in the future, I like the fact that their are only a few subtle differences including snazzy cars, transparent phones and, of course, robots.

With another big film, Rebel in the Rye (directed and written by Danny Strong and co-starring Nicholas Hoult) coming to theaters this fall, a recent wrap on The Year of Spectacular Men (written by her sister Madelyn Deutch and directed by their mother), and production starting on the Netflix romantic comedy Set It Up, a work drought does not seem to be in Zoey's future.

Post-apocalpse settings are all the rage in movies these days (see: certain portions of X-Men: Days of Future Past, the entirety of Dawn of the Planet of the Apes, and so forth)- and one such upcoming film, which unfolds against the backdrop of a not so bright tomorrow, is Korean filmmaker Joon - ho Bong's Snowpiercer.

Logan is the third in the standalone series of Wolverine films (preceded by X-Men Origins: Wolverine and The Wolverine in 2009 and 2013 respectively), and is set a year after the time - travelling X-Men: Days of Future Past.

Set in Los Angeles of the «slight - future,» Joaquin Phoenix plays a man who has just purchased OS1, the world's first artificially intelligent computer operating system and, over the course of the film, he'll fall in love with it.

Outrage from exhibitors over the selection of films not set for theatrical release prompted the festival to issue a new directive: all future competition films must also be screened in French cinemas.

So it's not surprising to find him at the center of this brooding, melancholy, almost despairing X-Men film set in a future world where bad things not only might happen, they're pretty much guaranteed.

That film is poised to grab many other nominations and a first look of it in its 3D, 4K, 120 fps glory is set to debut next week at NAB Show's Future of Cinema Conference in Las Vegas.

If AnimEigo is reading this, I would like to see a Blu - ray set of these films in the near future.

The trippiest film of the bunch is Corman's hippy apocalypse Gas - s - s - s (1970), a groovy satirical road movie set in a future where everyone over 25 is killed by an experimental weapon, and a group of peace - loving hippies goes looking for utopia amidst the fashionable fascists that have taken root.

Jon Hamm, Geena Davis, Lois Smith and Tim Robbins star in the film set in a near - future time of artificial intelligence.

I'll provide a complete inventory below, but the point is that the main attraction of this set, other than the HiDef presentation of the trilogy itself, is a 7 - part, feature - length HD documentary spread across the three films / platters called Tales from the Future.

Directed by Denis Villenueve, the film is set in a grimy future of 2049 where replicants and robots live among people without ever being seen with the naked eye.

Based on the book of the same name, the film is set in a future in which books are banned, and firemen have to burn them if found.

I believed this to be the way movies naturally were, unaware then that I was poised at the cusp of a decade of filmmaking that would redefine fantasy and science - fiction, setting precedents for the genre with films like Back to the Future and Predator, E.T., and Blade Runner, Near Dark, and Miracle Mile — the well was as deep for flights of fancy in the Eighties as it was for incomparable character - driven paranoia in the Seventies.

The film is set in contemporary Los Angeles with familiar genre nods to the past, anywhere from the thirties to eighties, and a watchful eye on fashions of the future.

Director David Yates, who is currently set work on the film's sequel too, revealed that the future Headmaster of Hogwarts would be returning at a roundtable discussion with journalists ahead of the release of «Fantastic Beasts,» as reported by Screenrant.

Set amid the sweeping desert landscape of 1950s Nevada, the film vividly evokes the thrill of a new, unexpected love with the help of a soundtrack packed with jukebox classics and gorgeous cinematography by future Oscar winner Robert Elswit (There Will Be Blood).

It's hard to separate a sequel from its original counterpart, especially with a movie like The Conjuring, which is quite simply one of the very best haunted house movies ever — not only that, but it pretty much set the bar for all future films of its ilk; that's a hell of an accomplishment, to say the -LSB-...]

Set in the near future, Christopher Nolan's film depicts a time when an agricultural crisis has brought the world to its knees and a team of explorers are tasked with a mission to journey into the universe to find a new home for humankind.

Similar to what «BvS» tried to do with «Dawn of Justice», «Civil War» is nothing more than an extension of a previous movie setting up future films.

As future bestie (and author of the book on which the film is based) Greg, Dave Franco sets the mood almost immediately.

Set in the near future, the film depicts a time when an agricultural crisis has brought the world to its knees and a team of explorers are tasked with a mission to journey into the universe to find a new home for humankind.

Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music documentaries: «Icons Among Us: Jazz In the Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.

As a fan of director Ridley Scott's original 1982 neo-noir sci - fi film, set in a dystopian future in which humans and androids live side - by - side, Deakins was excited about the idea of working on the long - discussed sequel.

Speaking to Heat Vision, The Mummy director Alex Kurtzman — who is set to produce the subsequent Monsters films alongside Chris Morgan — has been discussing the creation of the universe, stating that planting seeds for the future was secondary to delivering «a great Mummy movie».

The film is set in a future where computer programs of deceased loved ones can be rendered as holograms or «primes.»

This is the new post-apocalyptic sci - fi film set on a train in a future world covered entirely by snow, being directed by Korean filmmaker Bong Joon - ho, of The Host and Mother.

I suppose, given the fact that the film is set in the future, that almost all efforts that might come readily to mind have been exhausted, although the film doesn't make many attempts to answer any possible question that may arise in the minds of the viewers.

Another aspect of the film that was a bit confusing was Travis's decision to use extremely contemporary looking technology, clothing and vehicles for a story set hundreds of years in the future.

Below you can check out the latest UK Quad and a couple of extra still because you've been so good this year.I mistakenly thought the film was called «End Of Watches» which made me think it was a film set in the not - so - distant future, where people had become so used to clocks on their phones and Ipods, that watches were no longer needeof extra still because you've been so good this year.I mistakenly thought the film was called «End Of Watches» which made me think it was a film set in the not - so - distant future, where people had become so used to clocks on their phones and Ipods, that watches were no longer needeOf Watches» which made me think it was a film set in the not - so - distant future, where people had become so used to clocks on their phones and Ipods, that watches were no longer needed.

Though set in space with this very specifically antiquated vision of the future, the film doesn't seem all that interested in sending up sci - fi.