Villeneuve («Arrival,» «Prisoners») steeps the
L.A. futurescape with sly references to Scott's original — from the high - tech billboards for Coca - Cola and Atari to the hints of Vangelis» synthesizer score in the butt - rattling soundtrack by Benjamin Wallfisch and Hans Zimmer — and the bleak imagery of cinematographer Roger Deakins.
Ever wondered what it would feel like hurling yourself from a levitating building miles above the ground whilst surrounded by a neon
dystopian futurescape?
Much of that has to do with the convergence of action - based and turn - based RPG elements contained within its
cyberpunk futurescape.