Janusz Kaminski perfectly complimented A.I.'s three - act arc with three completely different visual looks while keeping it grounded in
the futuristic world of the film.
Not exact matches
Aldous Huxley's Brave New
World — published in 1932, just after the transition from silent
film to «talkies» — depicts
futuristic cinema experiences called «feelies,» in which metal knobs on moviegoers» armrests transmit realistic sensations
of whatever the on - screen actors are feeling.
Her work in the action - packed comic book adaptation lead to a part in John McTiernan's Rollerball (2002), a remake
of the»70s
film about the
futuristic world of sports.
Starring George Clooney, Britt Robertson, and Hugh Laurie, the
film tells the story
of a teenage girl who stumbles across a mysterious pin that opens the door to a
futuristic world, and the hermit inventor she crosses paths with, who may know much more about her discovery than meets the eye.
While the
film is able to sell audiences on the idea
of teen death matches, its description about the curious
futuristic world in which such events are heavily promoted leaves much background to be desired.
in the retro -
futuristic world of Priest, a question that proves rhetorical; throughout, rewrites, preview versions, and cutting - room innovations are candidly discussed, with Sam Raimi's editor Bob Murawski receiving special praise as a latecomer to the project who instituted structural changes that made the
film more linear.
But although the
film is bloated with the kind
of high - tech special effects expected in this fictional,
futuristic world, the script maintains a steady pace
of action and enough humorous quips to hold most viewers» attention for the two hour ride.
Don't miss: The extras include a nine - part retrospective from 2009 on the legacy
of the trilogy; a short
film, «Doc Brown Saves the
World,» with Christopher Lloyd, that shows why some
of the
futuristic gadgets from the second
film do not exist today; a peek at the 2012 restoration
of the iconic DeLorean; two episodes from «Back to the Future: The Animated Series;» a 2015 commercial for a hoverboard and a trailer for «Jaws 9»; a five - part documentary on the making
of the movies, a look at the franchise's physics; deleted scenes; a question - and - answer session with Fox; eight archival featurettes; behind - the - scenes footage; music videos; commentaries; and a look at «Back to the Future: The Ride.»
While much
of the
film takes place in the Oasis, a virtual reality
world where bored and disenfranchised gamers spend most
of their time, it also presents a physical
world in its
futuristic version
of Ohio in 2045 — and Empire has some exclusive pictures
of just that.
Blade Runner 2049 is the cinematographer's third
film with director Denis Villeneuve and, in an interview with Vanity Fair, Deakins explained the extent
of the collaboration — designing the look
of the
world with the director, and even staying on set during postproduction to supervise visual - effects shots and ensure they maintained the spirit
of bleakness he and Villeneuve had envisioned for the
futuristic film.
Gaulthier's outlandish creations, such as a number worn by Leeloo made entirely out
of white straps, feel more at home in Besson's
futuristic vision than on any fashion runway in the
world; they add to the sense
of otherworldliness about the
film.
I was even slightly bothered by how he introduced me to this interesting / cool action fighting system in this
futuristic world when we meet the character
of Gurney (Patrick Stewart) but we never really get to see much
of it through the
film.
«The
film's an honorable, reasonably grown - up continuation
of Scott's
futuristic noir vision
of 2019 Los Angeles and the
world of author Philip K. Dick's source material, the short story «Do Androids Dream
of Electric Sheep?»