Sentences with phrase «futuristic world of the movie»
Not exact matches
Released: October 6 Cast: Ryan Gosling, Harrison Ford, Ana de Armas, Sylvia Hoeks Director: Denis Villeneuve (Arrival) Why it's great: Thirty - five years after Blade Runner hit theaters (and about 25 years after anyone recognized the movie as a seminal science - fiction), one of Hollywood's premiere directors returns to the futuristic world to tell a inverted story — about a Replicant grappling with his humanity — that's even more poignant.
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We know everything about the futuristic world of the series by the end of this movie, and it falls apart upon even the slightest scrutiny.
Fassbinder and production designer Kurt Raab create a near future out of modern architecture (some of it still under construction), gangster - movie fashions, futuristic bric - a-brac, and more glass and mirrors than a carnival funhouse, and his camera is constantly reframing, moving around for a better look, or simply tracking through the increasingly alienated world of his reluctant hero.
The movie finally does something with this futuristic world, though, by creating something of a class divide between those who have been infected by the Flare and those living in the city.
Don't miss: The extras include a nine - part retrospective from 2009 on the legacy of the trilogy; a short film, «Doc Brown Saves the World,» with Christopher Lloyd, that shows why some of the futuristic gadgets from the second film do not exist today; a peek at the 2012 restoration of the iconic DeLorean; two episodes from «Back to the Future: The Animated Series;» a 2015 commercial for a hoverboard and a trailer for «Jaws 9»; a five - part documentary on the making of the movies, a look at the franchise's physics; deleted scenes; a question - and - answer session with Fox; eight archival featurettes; behind - the - scenes footage; music videos; commentaries; and a look at «Back to the Future: The Ride.»
Certainly, there may have been a thoughtful examination of humanity in The Death Cure, but it's bogged down by an overcomplicated futuristic world - one that's never clearly laid out, even after three movies - and sacrificed for action spectacle.
In 1981, Advertising Age profiled Michael Crichton and his movie Looker which is set in the world of advertising Here is an excerpt from «Crichton: A Futuristic View of Ads» by John Revett.
In 1981, Advertising Age profiled Michael Crichton and his movie Looker which is set in the world of advertising Here is an excerpt from «Crichton: A Futuristic View of Ads» by John Revett.