Sentences with phrase «gag at the sight»

They gag at the sight of him taunting, teasing and tormenting opponents before taking them out.

Kids meltdown when they smell dinner cooking or gag at the sight of a spoon on the table.

Not exact matches

At only 84 minutes, it never bogs down with needless seriousness or scenes of emotional schmaltz, always seeking to keep audiences smiling with sight gags, allusions that are actually clever, and choice bits of music that accentuates the action instead of just being shoehorned in to hock soundtracks.

At other times, one liners, sight gags and various villainous antics bring a chuckle to the lips of viewers young and old.

But a Jeff Spicoli Fast Times at Ridgemont High sight gag?

And there are one - liners by the ton, shots at «Terminator» and «Avengers» and «The D.C. (comic book) Universe» and Professor Xavier's «Hogwarts» and «Robocop» and «Annie» and Wolverine and «Frozen» and Jared Kushner and Fox News and Batman, sight gags from «Say Anything» and Ruth Bader Ginsburg and X-Men and, um, oh Canada.

Hey, if the sight of two beautiful, virile young women who are, like all beautiful, virile young women everywhere, are clearly gagging for it with absolutely anyone, including sad old gits, gets you upset then fuck off, cos we here at AICN are not elitist, pompous dickwads like you must be.

At one moment, it will toss up sight gags and quippy one - liners before weaving into a hardcore zombie thriller.

The ones that do are the ones you'll remember and there are at least a dozen of memorable sight gags and funny lines interspersed throughout Naked Gun 2 1/2 to make it worth the meager 85 minutes spent.

This being a comedic spin, the movie, with Shawn Levy (Night at the Museum 2, Cheaper By the Dozen 2) directing with the blandness that has come to be his stock in trade, includes a «hilarious» pot - smoking scene, repeated sight gags centered on Fonda's enormous breasts, her grandkid's morning poop sessions and a last - minute gay twist that feels as contrived as the rest of Jonathan Tropper's script (based on his best - selling novel).

There are more than a few stretches when nothing much happens save for getting one group of people to the next backdrop for a sex joke or sight gag (frequently at the expense of a freewheeling couple played by Gina Gershon and Gary Cole).

To give Grimsby credit, for a lowbrow comedy whose jokes are overwhelmingly rooted in gay panic and treating the bodies of larger women as walking sight gags, it's surprisingly good - natured, even sweet at times.

It's a comedy with Lilliputian sight gags that treat its science - fiction scenario lightly, at least for the first hour, until life grows darker and darker.

There's no attempt at drama here, just good, old - fashioned screwball comedy abounding with double - entendres and sight gags and anchored by two charmingly presentational and presentationally charming lead performances.

Being as zany, silly as possible while launching effective sight gags at you full - force throughout the duration.

But they also manage to incorporate the best of everything new that was happening in comedy at the time: the sight - gag overload of «Airplane!»

And there is a scene inexplicably set at the LA Gun Club, the point of which is a sight gag about carelessly handling firearms.

«Take the Money and Run», Woody Allen's directorial debut, is a messy, at times romantic, often baggy film, full of sight gags, overlaid with some of Allen's most trusted nightclub material.

With most films of this genre, we are given a hollow shell of a plot (Erik tries to lose his virginity, Matt Stifler is forced to spend time at Band Camp), and uses it as an excuse to line up its womanising sight gags and controversial humour.

The duo of Mike and Sully are among some of Pixar's most beloved creations and, amid the clever sight gags and stunning visuals, the film also tugs at the heartstrings quite a bit.

Director Blomkamp is good at mustering speedy action and posting grisly sight gags in the background, carnage always hovering comically at the edge of your vision.

Gilliam and his co-screenwriters (an uncredited Charles Alverson (Jabberwocky), Charles McKeown and most famously, Tom Stoppard worked on it on and off over six years) stuff the film with subversive bon mots, furiously paced slapstick and sight gags, and the blackest of humour — it is at once thrilling and hilarious.

There's lots of good stuff in this one, from the incredible music by Henry Mancini (Charade, Breakfast at Tiffany's), the brilliant job of Peter Sellers as Clouseau, and some well - set up sight gags.

Her journey is met by a constant barrage of sight gags, innuendo, and pokes at popular culture.

Even Hamburg's non-scatological humor is uninspired, faux - Farrelly attempts at would - be outrageousness: broad sight (pun intended) gags with Polly's blind ferret; Reuben's ex-child star friend's (Philip Seymour Hoffman, whose pratfall of an entrance ominously foretells of the depths to which he's required to sink) desperate «comeback» bid in a community theater production of Jesus Christ Superstar.

Director David Zucker resorts to his trademark slapstick, silly skits and sight gags to poke fun unfairly at not merely Moore but a host of liberal causes, including global warming, nationalized healthcare and gay rights.

Kids see it and laugh at the sight gags, and pretty much don't comprehend anything.

While it is derivative at its core, the jokes and sight gags are often clever, and the writers use our familiarity with the subject matter to their advantage, applying the superhero angle to solutions for most teen problems, making a stale premise fresh with well - developed flair.

No doubt you will be laughing from the get - go at the sight gags, the one - liners and the pop culture piss - takes.

There are puns and sight gags and juicy dialogue for the ensemble cast (great - particularly Marsan and Considine as the straight guys) to swig at.

Tati's style is already in place, at least visually (fairly long takes chronicling the slow buildups op the sight gags) and in terms of dialogue (there isn't much), but the film doesn't play with sound as much as his later Hulot films do (especially Playtime).

An underwhelming last gasp of an expiring franchise strictly for diehards inclined to laugh a final time at a plethora of recycled slapstick, potty humor and graphic sight gags.

Here, he lightens the horror with sight gags and a comical look at the generational gap.

Aside from a few decent sight gags and a clever bit where Mitch battles a fleeing henchman hiding in a little girl's bedroom, leading the combatants to attack each other with the dainty décor at hand, the dated humor falls flat.

Sometimes, however, his proclivities come at the film's expense, such as his penchant for inserting quippy humor, sarcasm, and sight gags at odd times, which often undercuts the drama or simply smacks of too much effort.

The film is filled with clever quips and sight gags, mostly at the expense of a totally square, early sixties world.

Every few minutes, Deadpool 2 does something unexpected; indeed, the cameos, easter eggs and sight gags come at such a furious clip, one suspects that it'd be impossible to catch all of them on first viewing.

Or perhaps he wanted to highlight how foolish we all look stuck behind our smartphone cameras — one of the more amusing sight gags has Max and his two - man entourage with all holding phones to their face, one at the ear, another at the mouth, the last over his eyes, mimicking the three monkeys.

Multiple scenes are an endless parade of sight gags choreographed at a breakneck pace.

Packed to the rafters with densely layered imagery and ingenious Rube Goldbergian sight gags, the film follows a drudge at the Department of Records (Jonathan Pryce) who finds himself fingered as a terrorist after a fatal mix - up at work — a story that eerily anticipates the Orwellian state of the world of today.

There's a lot, yet still too little, made of a fake breast that Robert De Niro's character has fashioned from his daughter's breast so that he can approximate breastfeeding (though the film balks at actually paying off the sight gag with the sight of him doing it) and a bit of unkindness towards southern policemen (Tim Blake Nelson, deserving better), and a good eighty - percent of the alleged humour of this stillbirth is invested in «Focker» sounding a lot like «Fucker» and people at a Focker family reunion having names like «Dom» which sounds like «Dumb,» «Randy» which sounds like «Randy,» and «Horny» which sounds like someone's already run out of ideas for how to stretch a one - word punchline into a feature - length film.

Credit where credit is due, Rock of Ages stops just shy of having literal monkey shit flung at its audience; although monkey sight gags are in fact a primary source of the film's humor, should we choose to accept that the innumerable moments in which a trained monkey behaves contrary to that of an untrained monkey qualify as humor.

Even if you don't like the 40 - year - old's humour, and many don't, you can at least appreciate its gleefully juvenile craft — scenes chockablock with sight gags, rapid - fire cutaways to hilariously absurd punchlines, painfully awkward pauses that last so long you eventually laugh, all of it wrapped in an encyclopedic knowledge of pop culture that has made him a bro deity among the coveted 18 - to 34 - year - old male demographic.

Its charms lie in the lush animation (every character and object in the film have a fabric - like quality), kinetic energy, and an abundance of giggle - inducing sight gags (the audience at the Debussy theater especially enjoyed a bit where a scared troll pooped out cupcakes).

It doesn't require much thinking and can, at times, rely on corny moments, timely celebrity namedropping and sight gags (the spider bite scene is somewhat cringe - worthy, especially after the repeated flashing of genitals — you'll see what I mean), but sometimes all a movie needs to be is entertaining — which this one definitely is.

Tatí's style is already in place, at least visually (fairly long takes chronicling the slow buildups op the sight gags) and in terms of dialogue (there isn't much), but the film doesn't play with sound as much as his later Hulot films do (especially Playtime).

The sole laugh I could muster at all of the sophomoric shenanigans came though an unintentional sight gag: the final shot of the film shows a skunk (another DOA recurring gag) looking directly at us.