Sentences with phrase «galleries at major museums»

Not exact matches

There could be no starker» or more revealing» contrast than the exhibitions at London's major museums this winter: «Pop Life: Art in a Material World» at Tate Britain and «The Sacred Made Real: Spanish Painting and Sculpture 1600 - 1700» at the National Gallery....

And in some locations (like most major cities), museums and art galleries typically have a «free admission day» at least once a month.

«Some illustrators make a living creating personal work that's exhibited at major museums and sold through dealers [and college illustration programs that offer gallery / fine art as a concentration],» she says.

The 38 - year old Arcangel has been the subject of numerous international monographic exhibitions at both galleries and major museums, including The Carnegie Museum of Art in Pittsburgh, The Whitney Museum in New York, The Hamburger Bahnhof in Berlin, The Barbican in London and MoCA in Miami.

Among many major solo shows he has exhibited at The State Hermitage Museum, St Petersburg, Russia (2016), Benaki Museum, Athens, Greece (2015), Heydar Aliyev Centre, Baku, Azerbaijan (2014), CAFA Museum in Beijing (2012), the Scottish National Gallery, Edinburgh (2011), Tate Gallery Liverpool, UK (2000), Museo Nacional Centro de Arte, Reina Sofía, Madrid (1995), Stedelijk van Abbemuseum, Eindhoven (1991) and Tate Gallery, London (1988).

Doig has been the subject of a number of major exhibitions worldwide, including a mid-career survey organized by Tate Britain in 2008; an exhibition in 2013 at the Scottish National Gallery, Edinburgh; a display at Fondation Beyeler, Basel, Switzerland in 2014 and at Louisiana Museum in Humlebæk, Denmark, 2015.

British artist Chris Ofili «s first major solo museum exhibition in the United States will be presented at the Aspen Art Museum in five galleries on three floors and survey his entire cmuseum exhibition in the United States will be presented at the Aspen Art Museum in five galleries on three floors and survey his entire cMuseum in five galleries on three floors and survey his entire career.

Wentworth has a distinguished exhibition record, including the Venice Biennale, a major retrospective at Tate Liverpool in 2005 and numerous solo shows at London's Lisson Gallery, Serpentine Gallery, Arnolfini, Bristol, Kettle's Yard Cambridge and the Stedelijk Museum.

Other monographic shows of his work at the Parrish Art Museum include: The Prints of Roy Lichtenstein, a major exhibition organized by the National Gallery of Art, Washington, D.C., (1995), and Roy Lichtenstein: American Indian Encounters (2006) that paired his paintings with Native American artifacts from the Montclair Art Museum.

For example, the list above contains two overlapping shows of the major, still under - known painter Stanley Whitney: # 1, @ Karma Gallery, and # 22, his first solo at the Studio Museum, opening July 16.

Alexander Calder has been the subject of dozens of exhibitions at museums worldwide, including retrospectives at the Museum of Modern Art (1943), Solomon R. Guggenheim Museum (1964), Whitney Museum of American Art (1976), and National Gallery of Art, Washington, D.C. (1998), as well as major exhibitions at museums including Museo Guggenheim Bilbao; The Art Institute of Chicago; the Centre Pompidou, Musée national d'Art Moderne, Paris; The Detroit Institute of Art; Foundation Beyeler, Riehen, Switzerland; Kunsthalle Basel; The Menil Collection, Houston; Metropolitan Museum of Art, New York; Museum of Contemporary Art, Chicago; Museum of Fine Arts, Houston; The Phillips Collection, Washington, D.C.; San Francisco Museum of Modern Art; Stedelijk Museum, Amsterdam; and Walker Art Center, Minneapolis.

Her extensive exhibition history includes solo and group exhibitions at Blumenbar Verlag, Berlin (2008); Victoria & Albert Museum, London (2010); Blanton Museum of Art, Austin (2010); a major survey exhibition Love Is What You Want at the Hayward Gallery, London (2011); Turner Contemporary, Margate (2012); Malba — Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery solo show at Lehmann Maupin, New York Gallery, London (2011); Turner Contemporary, Margate (2012); Malba — Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery solo show at Lehmann Maupin, New York gallery solo show at Lehmann Maupin, New York (2013).

The CORPUS of works by VICTOR PASMORE (1908 - 1998), one of the most influential British Abstract Artists, has been placed in dialogue with the new work by Toby Paterson in a major exhibition at the DLI Museum and Art Gallery, in Durham (UK).

In recent years, Alice Neel's work has been the subject of a major survey of paintings at the Museum of Fine Arts, Houston (touring to the Whitechapel Gallery, London, and Moderna Museet, Malmö, 2010) and a retrospective exhibition of drawings at the Nordiska Akvarellmeuseet, Skärhamn (2013).

In 1959 she had a major solo exhibition at the Dilexi Gallery in San Francisco and her art was included in Dorothy Miller's momentous exhibition Sixteen Americans at the Museum of Modern Art in New York.

Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.

Major museum exhibitions include «Paintings 1975 — 1995,» Modern Art Museum of Fort Worth, Texas (opened 1995 at the Metropolitan Museum of Art, New York, traveled to the Modern Art Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (museum exhibitions include «Paintings 1975 — 1995,» Modern Art Museum of Fort Worth, Texas (opened 1995 at the Metropolitan Museum of Art, New York, traveled to the Modern Art Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (Museum of Fort Worth, Texas (opened 1995 at the Metropolitan Museum of Art, New York, traveled to the Modern Art Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (Museum of Art, New York, traveled to the Modern Art Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (2016).

Graves's breakout year of 1942 was followed by regular exhibitions at the Willard Gallery in New York and major museum shows, including a West Coast retrospective exhibition in 1948, another at the Whitney Museum of American Art in New York in 1956, and a third at the Phillips Collection in Washington, DC, inmuseum shows, including a West Coast retrospective exhibition in 1948, another at the Whitney Museum of American Art in New York in 1956, and a third at the Phillips Collection in Washington, DC, inMuseum of American Art in New York in 1956, and a third at the Phillips Collection in Washington, DC, in 1983.

The first major survey of the artist to be presented since 2006, «Power Stations» spans a pivotal period in Hoyland's career, punctuated by his first solo museum show, at the Whitechapel Gallery in 1967, and his defining retrospective at the Serpentine Gallery (1979 — 80).

Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.

Robert Mapplethorpe is currently the subject of a major touring retrospective The Perfect Medium, which opened at the J. Paul Getty Museum and Los Angeles County Museum of Art (LACMA), Los Angeles in 2016, has recently toured to Montreal Museum of Fine Arts, Canada and will next be shown at the Art Gallery of New South Wales, Sydney, Australia (October 2017 - February 2018).

Twenty programs are being funded at museums such as the Studio Museum in Harlem, major mainstream museums, and galleries at HBCUs.

Last exhibiting at the gallery five years ago, his Rome show coincides with the artist's participation in major international exhibitions, including this year's Venice Biennale, where he represented Finland together with Erkka Nissinen, and his upcoming solo show at the prestigious New Museum (New York) in February 2018.

Horn was the subject of a mid-career retrospective at The Solomon R. Guggenheim Museum in New York, and her work is featured in major public collections worldwide including The Solomon R. Guggenheim Museum, New York; Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Castello di Rivoli Museum of Contemporary Art, Turin, Italy; Tate Gallery, London, Great Britain; San Francisco Museum of Modern Art, San Francisco; Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France; Stedelijk Museum, Amsterdam, the Netherlands; and Van AbbeMuseum, Eindhoven, the Netherlands.

Churchill P. Lathrop Gallery, exhibited with Abstraction at Mid-Century: Major Works from the Whitney Museum of American Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 31 - June 17, 2001.

Before Lygia Clark was getting major museum retrospectives; beforeAdriana Varejão was represented by leading galleries; before Beatriz Milhazes was achieving high prices at auction, Patricia Phelps de Cisneroswas collecting Latin American art, filling the walls of her home with Modernist abstraction and contemporary works by artists from Brazil, Venezuela, Argentina and Uruguay.

Major solo exhibitions of his work have been held at national and international institutional venues including The New Art Gallery Walsall (2017), the Whitworth Gallery, University of Manchester (2016 - 2017 and 2012); Sadler's Wells, London (2011); Gothenburg Konsthall, Sweden (2011); Museum of Contemporary Canadian Art, Toronto (2010); Kunsthaus Murz, Murzzuschlag, Austria (2010) and K20, Düsseldorf (2008).

Thomas Chimes: The Entropy Paintings, 2007 Interview with the artist and Phillip Mitsis 58 pages, Softcover Published by Locks Art Publications ISBN: 978 -1-879173-77-4 This gallery publication and exhibition coincides with Thomas Chimes: Adventures in «Pataphysics, a major retrospective of the artist's work at the Philadelphia Museum of Art.

The collective has participated in numerous major shows including From Pierneef to Gugulective (for which they were included in the title of a show featuring over 700 art works) and Dada South both at the Iziko South African National Gallery, SPace at Museum Africa and US at the Johannesburg Art Gallery and Goodman Gallery.

He has exhibited internationally with recent major exhibitions including those at Museo Stefano Bardini, Florence (2016); DHC / ART Foundation for Contemporary Art, Montreal, Canada (2011); and in 2003 a mid-career survey of his painting which travelled to the Serpentine Gallery, London, the Whitney Museum of American Art, New York, and the Museum of Contemporary Art, Chicago.

In 1991, the Chicago Historical Society (now the Chicago History Museum) organized «The Art of Archibald Motley Jr.,» with stops at major institutions — the High Museum of Art, Studio Museum in Harlem, and Corcoran Gallery of Art.

Today, following her first major American show at the New Museum in 2009 and accompanying exhibit at Anton Kern Gallery, she's mixing memoir and art - making in this monograph, recounting her famed 1967 «Icelandic Saga» — an odyssey across the Atlantic where she met and fell in love with the Swiss artist Dieter Roth — and her other searches for «ecstatic unity» (her term) as a reborn Buddhist.

Trenton has had exhibitions at major galleries and museums throughout the world.

Curated by Arne Glimcher, the founder of Pace Gallery, the exhibition evolved from the critically successful presentation of the series at Pace Gallery in London in 2017 and showcases several monumental paintings from that exhibition, as well as new loans from major museums including the Albright - Knox Art Gallery and the National Gallery.

Hunter's work has been exhibited nationally and internationally at major institutions including National Gallery, Washington, D.C.; National Gallery, London; Serpentine Gallery, London; Moderna Museet, Stockholm, Sweden; Victoria & Albert Museum, London; and Tate Britain, London.

His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective.

«A new series of outdoor paintings by Julian Schnabel that will transform the Legion of Honor's courtyard into a temporary gallery, a major film production by DIS commissioned for the de Young's atrium and a new media installation by Lynn Hershman Leeson that reflects the particular history of the museums, put us at the center of artistic production and institutional reflection.»

The first major presentation of Truitt's work at the Gallery, the exhibition celebrates the museum's acquisition of several major artworks by Truitt in recent years, including seminal works from the collection of the Corcoran Gallery of Art as well as several outstanding loans.

Several galleries, notably Pierre Matisse and Julien Levy, began showing the work of European Surrealists on a regular basis, while major group exhibitions, such as Fantastic Art Dada and Surrealism at the Museum of Modern Art in 1936, brought it to the attention of a larger audience.

In recent years Emin has been the subject of a number of retrospective museum exhibitions around the world, including a major solo show at the Museo de Arte Latino Americano de Buenos Aires; a solo exhibition at Turner Contemporary in her hometown of Margate (2012); and Tracey Emin: 20 Years, the artist's first retrospective which originated at Scottish National Gallery of Modern Art, Edinburgh (2008), before traveling to the Centro de Arte Contemporáneo, Málaga (2008) and the Kunstmuseum Bern, Switzerland (2009).

Artist John McAllister, who worked as a night guard at New York's Metropolitan Museum for years, will be featured at two major galleries this December

Two major exhibitions of Bonnard's work took place in 1998: February through May at the Tate Gallery in London, and from June through October at the Museum of Modern Art in New York City.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

Rojas has had multiple solo exhibitions in recent years, including major installations at the Rose Art Museum at Brandeis University and the Ulrich Museum of Art at Wichita State University, as well as gallery exhibitions in Chicago, London, Los Angeles, New York, London, and San Francisco.

Although her talent has been extensively recognized in Mexico, Catlett received little attention in the U.S. until a 1993 show at the June Kelly Gallery, after which several major museums purchased her work.

Halcyon Gallery is proud to announce a major exhibition of 80 works by Pedro Paricio opening on Friday 31st October at TEA Museum Tenerife Espacio de las Artes in Tenerife.

His work has been the subject of numerous major retrospectives most notably at the Metropolitan Museum, New York (1995), Scottish National Gallery of Modern Art, Edinburgh (2002) Tate Britain, London (2006), The Irish Museum of Modern Art, Dublin (2006) and the Reina Sofia, Madrid (2007).

Major presentations of Truitt's work have appeared at the Whitney Museum of American Art (1973), the Corcoran Gallery of Art (1974), the Baltimore Museum of Art (1992), the Hirshhorn Museum and Sculpture Garden (2009), and the Dia Art Foundation (2017).

The enduring legacy of his artistic achievement has been recognized through major surveys and retrospectives presented at The Museum of Fine Arts, Houston (2015); the National Gallery of Art, Washington, D.C. (1998), traveling to the Whitney Museum of American Art, New York, and the Musée d'Art Moderne de la Ville de Paris; the Kawamura Memorial Art Museum, Japan, traveling to three museums in Japan (1995); and Tate Gallery, London, traveling to Museum Ludwig, Cologne (1987).

The exhibition at Lisson Gallery London coincides with two major presentations of the artist's work in the United States: Corse's first solo museum survey this June at the Whitney Museum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening imuseum survey this June at the Whitney Museum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening iMuseum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening in May.