Sentences with phrase «galleries by a sheet»

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· Deleted Scenes with commentary by James Cameron · Behind - the - Scenes Featurettes · Construction Timelapse · Deep Dive Presentation — Narrated by James Cameron · $ 200,000,001: A Ship's Odyssey — the Titanic Crew Video · Videomatics · Visual Effects · Music Video — «My Heart Will Go On» by Celine Dion · Trailers · TV Spots · Still Galleries o Titanic Scriptment by James Cameron o Storyboard Sequences o Production Artwork o Photographs o Ken Marshall's Painting Gallery o Concept Posters and One Sheets o By the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 Seconby James Cameron · Behind - the - Scenes Featurettes · Construction Timelapse · Deep Dive Presentation — Narrated by James Cameron · $ 200,000,001: A Ship's Odyssey — the Titanic Crew Video · Videomatics · Visual Effects · Music Video — «My Heart Will Go On» by Celine Dion · Trailers · TV Spots · Still Galleries o Titanic Scriptment by James Cameron o Storyboard Sequences o Production Artwork o Photographs o Ken Marshall's Painting Gallery o Concept Posters and One Sheets o By the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 Seconby James Cameron · $ 200,000,001: A Ship's Odyssey — the Titanic Crew Video · Videomatics · Visual Effects · Music Video — «My Heart Will Go On» by Celine Dion · Trailers · TV Spots · Still Galleries o Titanic Scriptment by James Cameron o Storyboard Sequences o Production Artwork o Photographs o Ken Marshall's Painting Gallery o Concept Posters and One Sheets o By the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 Seconby Celine Dion · Trailers · TV Spots · Still Galleries o Titanic Scriptment by James Cameron o Storyboard Sequences o Production Artwork o Photographs o Ken Marshall's Painting Gallery o Concept Posters and One Sheets o By the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 Seconby James Cameron o Storyboard Sequences o Production Artwork o Photographs o Ken Marshall's Painting Gallery o Concept Posters and One Sheets o By the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 SeconBy the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 Seconds

Hilarie M. Sheets reports on the retrospective exhibition of works by of George Bellows at The National Gallery of Art, Washington D.C., on view through October 8, 2012.

They were stacked in clusters against the gallery walls, back - to - back and face - to - face and sometimes separated by sheets of cardboard or covered by plastic, suggesting they were on their way in or out of storage and weren't yet meant for public viewing.

Museum Maud Sulter, exhibition brochure, exhibition runs from 11 April — 2 June 1990, Oldham Art Gallery, Oldham Cultural Quarter, Greaves St, Oldham OL1 1AL A day in the life of Black Los Angeles, exhibition information sheet, exhibition featuring 10 gifted Black photographers from Southern California, curated by Roland Charles, 12 July — 10 August, -LSB-...]

, silver gelatin photograms mounted to sheets of aluminum stand upright on the gallery floor, stabilized by rectangular white frames.

Using materials she has found in and around the South London Gallery building — planks of wood, an old staircase, floorboards, sheets of plexiglass, plaster and paint — supplemented by others inspired by the material and atmospheric qualities of the space observed in the course of making the work, Djordjadze has created an installation which gently but thoroughly infiltrates our reading and negotiation of the room.

By brushing layers of urethane and pigment onto sheets of aluminum, Miya Ando created ninety new abstract works for an exhibition at both of Sundaram Tagore Gallery's locations, in Hong Kong and Singapore.

The first drawing by Giovanni Battista Tiepolo in the collection, Chronos Devouring his Child (Fig. 4), was purchased in 1934 from A. Everett «Chick» Austin, Jr., director of the Wadsworth Athenaeum at Hartford and a fellow Harvard graduate student with Professor of Art Agnes Rindge; Austin evidently bought the sheet from the Savile Gallery in London.21 The brown ink and wash drawing with traces of black chalk is a variation of a work in The Metropolitan Museum of Art and is related to a drawing in The Pierpont Morgan Library that is very close in concept to a portion of the ceiling of the Palazzo Clerici in Milan.22 Other gifts of drawings came in the 1930s, mostly contemporary American art, as well as nineteenth - century sketchbooks by Sanford Robinson Gifford, which complemented the four paintings by this Hudson River School painter that were already in the Magoon collection.

Flower (s) in Concrete will mirror the poem's second movement by placing the artworks along a shelf that wraps around the entire gallery, so that they resemble notes on a staff, music on a sheet, linear and rhythmic.

Written by Cay Sophie Rabinowitz with contributions by Hilarie M. Sheets and Paul Kasmin Gallery, Iván Navarro is published by Skira Rizzoli.

A rarely used sitting room in the main house, where the furniture is covered in muslin sheets and an antique mirror keeps cold air from entering through the fireplace; the entryway of the house where Del Roscio now stays when he is in Gaeta, with a chair by Arne Jacobsen, 18th - century Neapolitan floor tiles and a poster for a Twombly show at Gagosian Gallery from 2008, framed with a vintage Del Roscio find.

Marisa Merz, Untitled, 2009 Painted metal sheets, copper wire, wooden frame Private collection, Switzerland; courtesy of Monica De Cardenas Gallery, Milan and Zuoz Photo by Paolo Pellion di Persano

«Natural History» is part of a group exhibition of the same name at Carrie Haddad Gallery in Hudson, New York (September 22 — October 30, 2011), which also includes paintings in rust and enamel on sheet metal by Bruce Murphy, mixed media paintings by Ragellah Rourke, and linear color paintings by Ralph Stout.

The gallery devoted to 19th century American still life and trompe - l'oeil painting, one of the de Young's unique areas of depth, contains a famous multiple by Jasper Johns, «Bread» (1969): a thin lead sheet that appears to hold a slice of ever - fresh white bread.

The walls of the gallery have been painted various shades of green and a glass door that leads into a back garden area is covered by a camouflage sheet and adhered with packing tape.

Bears the inscription in ink lower left sheet «353»; inscribed in ink by Lydia Park Moore «Work of my late husband David Park c. 1955 - 59 / Lydia Park Moore, 8-29-66» verso; bears the inscription in pencil «C. 4426» verso; retains James Corcoran Gallery label verso; retains Stanford University exhibition label verso

Helen Frankenthaler (American, 1928 - 2011), «Geisha,» 2003, Ukiyo - e woodcut in 23 colors on Torinko paper, pencil signed and dated lower right, edition 39/50, published by Pace Editions, Inc. (New York, NY), gallery label (Lillian Kornbluth Arts, Santa Barbara, California) affixed verso, image / sheet: 38 «h x 26 «w, overall (framed): 42 «h x 30 «w. Provenance: Estate of Lillian Kornbluth (Paterson, New Jersey / Santa Barbara, California)

Having come upon the opening for the exhibition by chance, she appears to have been pleasantly surprised by the series, the photographer, who gave a talk in the gallery, and Contact Sheet 156, which features the work.

Plexiglas sheets, each supported by wooden beams lying on the gallery floor, sag under Central Texas fossils sitting in puddles of a chemical solution.

It shows all selected photographs by Guest - Curator Katrin Weber (Gallery f5.6, Munich)-- printed on individual sheets.

As the galleries spiral inward, the artwork seems to shed outside references — from the text - laden political paintings of Chéri Samba and Jenny Holzer, to the La Jetée - inflected proto - film installation by Emily Jacir, to the mythic, duskily luminous reverse paintings on acrylic sheets by Nalini Malani, whose umbilical cord imagery segues curiously but seamlessly into the antic zigzags of Elizabeth Murray's unchained «Wild Style.»

Her latest masterpiece - an unmade bed with soiled sheets, surrounded by empty vodka bottles, cigarette packets and a used condom - has now been shortlisted for the Tate Gallery's Turner Prize.

Lot 198 Jasper Johns Flag (Moratorium) 1969 Offset color lithograph on wove paper # 77 of 300 Published by the Committee Against the War in Vietnam Edition lower left margin beneath image; signed lower right margin; printed «© Jasper Johns 1969 ″ lower right edge of sheet Image: 17.125 ″ x 26 ″; Sheet: 20.5 ″ x 28.5 ″; Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raissheet Image: 17.125 ″ x 26 ″; Sheet: 20.5 ″ x 28.5 ″; Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue RaisSheet: 20.5 ″ x 28.5 ″; Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonné.

Also in April, Misa Shin Gallery's presentation of works by Yutaka Matsuzawa — many taken from the editioned Yutaka Matsuzawa ψ Box (1983), among them the imaginary Nine Meditations Chamber (1977), combining text instructions with blank sheets of white paper arranged on the floor — provided a window onto one of Japan's early conceptual artists.

The show, called «Bill by Bill,» at Charlie James Gallery, combines the motif that has become Powhida's trademark — the trompe l'oeil painting of a sheet of paper covered in handwritten notes — with a series of artworks conceived on the basis of unspoken but eminently recognizable formulas.

The dyed - urethane foam blobs (Blob Paintings) displayed in another gallery have some of the same improvisational energy, but the space - altering power of the paintings is gone, even though the gallery cheat sheet tries to stir up interest by making a point of their genesis in the performance of working with the material.