Sentences with phrase «galleries displaying contemporary»

The town is famous for its creative buzz with many art galleries displaying contemporary works and venues showcasing independent films and live bands.

Not exact matches

A new exhibition chronicling the lives of contemporary migrant farm workers will be on display in the Arbuckle Gallery at the Pacific Hotel from...

Suggest visiting The Fruitmarket Gallery and get the conversation started by asking your date their thoughts on the contemporary art on display.

The Gallery District boasts a number of high - end galleries, displaying work by local, national and international contemporary artists.

Quilting has expanded to become a contemporary art form that adorns our homes in a variety of ways and is displayed in galleries.

The immaculate contemporary accomodation includes fabulous detailing, perfect cuisine, superb housekeeping and an outstanding art collection displayed in its own private gallery including original paintings, photographs and lithographs.

You can also depend on the various galleries like The Contemporary Austin - Jones Center, The People's Gallery and the SprATX to display not only traditional art pieces, but also host newer works and art - related events, celebrating the creativity of the people and travelers that some point called Austin home.

The gallery is sits in a beautiful Victorian warehouse and displays a range of contemporary fine art, sculpture, prints and much more.

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

His art, a combination of painting, sculpture and performance, has been displayed throughout the United States and the Las Vegas community, including the Contemporary Arts Center, Trifecta Gallery and the Donna Beam Gallery of Fine Art.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

FLAGS HAVE PROVEN to be a powerful medium in contemporary art, from David Hammons's «African American Flag» (1990), which sold at Phillips auction for more than $ 2 million, to Dread Scott's «A Man Was Lynched by Police Yesterday» (2015) displayed last summer at Jack Shainman Gallery, and Nu Barreto's «Desunited States of Africa» (2010) flag on view last month at the 1:54 Contemporary African Art Fair in Red Hoocontemporary art, from David Hammons's «African American Flag» (1990), which sold at Phillips auction for more than $ 2 million, to Dread Scott's «A Man Was Lynched by Police Yesterday» (2015) displayed last summer at Jack Shainman Gallery, and Nu Barreto's «Desunited States of Africa» (2010) flag on view last month at the 1:54 Contemporary African Art Fair in Red HooContemporary African Art Fair in Red Hook, Brooklyn.

The work is called «Jack Lemmon,» and it was made last year by Rachel Harrison, a brilliant artist in her mid-40s who lives and works in Brooklyn, N.Y.. It's on display in the permanent collection galleries at the Institute of Contemporary Art, on long - term loan from the benefactor Barbara Lee.

** Other Terms for My Style of Art: impressionist art, expressionist art, contemporary art, modern art, colorful art, impasto painting, impasto art, large wall art, textured art, original painting, palette knife, impasto art, abstract painting, rainbow art, fine art, canvas art, canvas painting, gallery wrapped canvas, custom art, commissioned artwork, landscape painting, seascape, ocean art, by the sea, brush paintings, one - of - a-kind (OOAK), made to order art, tree painting, nightscape painting, night landscape, paintings of trees, nature paintings, unique artwork, expressionism, impressionism, mid century modern art, minimalist art ** Ways People Have Displayed my Paintings: inspirational wall art, colorful home decor, contemporary office decor, mini easel, gift giving, writing inspiration, art therapy, gallery art, collectible art, inspiration for dancing, contemporary décor, meditation, background for music, cover art, national television, collector's art, unique wall decor, wall hanging, kitchen decor, bedroom decor, nursery decor and countless other ways!

Largely installed in the galleries of the Linde Family Wing for Contemporary Art, the latter dedicated in September 2011 to exhibit the works of today, the displays highlight an exciting diversity of internationally recognized artists including: El Anatsui, Lynda Benglis, Kathy Butterly, John Cederquist, Tara Donovan, Mona Hatoum, Jenny Holzer, Alex Katz, Anish Kapoor, Ellsworth Kelly, Glenn Ligon, Josiah McElheny, Ken Price, Martin Puryear, Doris Salcedo, Kara Walker, Andy Warhol, Rachel Whiteread, and Fred Wilson among many others.

She coordinated a Viennese Art Walk in New York as part of Carnegie Hall's Vienna City of Dreams Festival, organizing four New York galleries to display works indicative of Vienna's contemporary visual arts scene.

Vadis Turner's work will also be displayed at Jack Geary Contemporary's new gallery space (182 Varick Street) from September 26 — October 27.

Currently the Head of Exhibitions and Displays at Tate Liverpool, part of the family of Tate galleries, and previously Curator at Middlesbrough Institute of Modern Art, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and programs.

With an exhibition area of 1,800 sq metres, the Tanks are more than half as big as the not - small Turbine Hall, and exceed the display space of entire regional galleries, such as the Turner Contemporary in Margate.

In all 72 association member galleries are scheduled to participate, displaying work from all major art - historical periods from the Old Masters all the way to Contemporary Art.

2002 Howl, Canberra Contemporary Art Space, Australia Dragon Doll, Glasgow Print Studio, Glasgow, Scotland Any Where, Centre for Curatorial Studies, Bard College, USA EU2, Stephen Friedman Gallery, London, England Early One Morning, Whitechapel Art Gallery, London Tra - La - La: British Sculpture in the Sixties (Early One Morning display), Tate Britain, London, England

CAI Guo - Qiang has also invited scholar WANG Mingxian to curate Timeline, a gallery display featuring archival documents, images, and data of contemporary Chinese art covering the period from 1949 to present.

This gallery is reserved for temporary exhibitions and its expansive volume will enable the display of really large works of contemporary art.

The work has gone on public display for the first time at the Saatchi Gallery in London, part of an exhibition bringing together 16 chess sets made over the past decade by contemporary artists, including Tracey Emin, Gavin Turk and Rachel Whiteread.

Currently on display at contemporary art gallery The Hole, «RomCom» is Alex. . .

Over 30 works by acclaimed British contemporary artist Richard Caldicott, many of which have never been exhibited before, will go on display at Atlas Gallery this week.

It is a touchstone for contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — AugusGallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — Augusgallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 2015.

Drawn from the Barjeel Art Foundation collection of modern and contemporary Arab art, this is the final display in a year - long series at the Whitechapel Gallery.

The Whitechapel Gallery presents a display of photography and video works drawn from collection of the National Museum of Women in the Arts, Washington, D.C. Works by seventeen contemporary artists from five continents capture women on camera in domestic spaces and expansive landscapes.

Shown in a dedicated Collections Gallery as part of the Whitechapel Gallery's programme opening up rarely seen art collections for everyone, from around the world this final exhibition follows three previous displays Barjeel Art Foundation: Debating Modernism I (8 September — 6 December 2015), Barjeel Art Foundation: Debating Modernism II (15 December -17 April 2016) and Mapping the Contemporary I (26 April — 14 August 2016).

Our contemporary art gallery is one of London's leading prestigious art spaces with two floors of stunning exhibition space, as well as large display windows.

While contemporary artist Pawel Althamer's depiction of three figures around a campfire becomes a focal point around which the other sculptures — by artists including Petr Galadzhev and Anatoly Osmolovsky — seem to be gathered.The display highlights the V - A-C collection, Moscow, as part of the Whitechapel Gallery's programme of opening up rarely seen collections from around the world.

Contemporary Art Society displays at Whitechapel Gallery: East Coast — Helen Kaplinsky from Contemporary Art Society on Vimeo.

Recent group exhibitions include Folly, EMALIN, Stirling, Scotland, UK, 2016; National Gallery 2: Empire, CHEWDAY»S, London, UK, 2015; Summertime, Gallerist, Istanbul, TR, 2015; Pre-Pop to Post-Human: Collage in the Digital Age, Hayward Gallery, London, UK, 2015; Breeze, Deweer Gallery, Otegem, BE, 2014; Between the lines, Galería Agustina Ferreyra, San Juan, PR, 2014; Display, University of Connecticut Contemporary Art Gallery, Connecticut, US, 2014; La Chose Encadree, Glasgow International, Scotland, UK, 2014; Comrades of Time, curated by CHEWDAY»S, Cell Project Space, London, UK, 2013; CHEWDAY»S Bar, CHEWDAY»S, Berlin, DE, 2013; and Desire, Yancey Richardson Gallery, New York, US, 2013.

Cartwright Hall is Bradford's civic art gallery and offers a programme of contemporary exhibitions, as well as four permanent galleries displaying works from its art collections.

Lynette Yiadom - Boakye: Natures, Natural and Unnatural is the third of four unique monographs documenting four contemporary artist's selections from Moscow's V - A-C collection and their subsequent display at Whitechapel Gallery during 2014/2015.

«Lynda Benglis: New Work» opens with the towering, silvery cascade of The Fall Caught looming over the viewer in the gallery's skylit space, where so many major works of contemporary sculpture have been displayed over the years.

This display is conceived in collaboration with the Contemporary Art Society and Arts Council funded Curatorial Fellow Ingrid Swenson hosted by Wolverhampton Art Gallery.

Contemporary Art Society displays at Whitechapel Gallery: South — Gaia Tedone from Contemporary Art Society on Vimeo.

On display are a video of a red flag that is actually white; a video with a lawyer, describing the preconditions for a private museum of contemporary art in Bulgaria; barriers that almost completely fill the gallery space; and an entrance door that can only be opened from outside.

Drawn from the ARTIST ROOMS collection, this exhibition of work by New York - based artist Vija Celmins is one of three displays at The New Art Gallery Walsall to present contemporary artists who explore the theme of physical or psychological wilderness.

Francis Bacon's Owls, 1956, is currently on display at Liverpool's Walker Art Gallery as the exhibition «REALITY: Modern & Contemporary British Painting» travels north from the Sainsbury Centre for Visual Arts.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

The exhibition you mentioned at the National Portrait Gallery, The Outwin 2016: American Portraiture Today, is on display at the NPG until January of 2017 and will then travel to the Tacoma Art Museum in Tacoma, WA, the Art Museum of South Texas in Corpus Christi, TX, and to the Kemper Museum of Contemporary Art in Kansas City, MO throughout 2017 and 2018.

2013 New York 1993, New Museum, New York Think First, Shoot Later: Photography from the MCA Collection, Museum of Contemporary Art Chicago Looking at the View, Tate Britain, Millbank Project, London The Gallery of Modern Art, Glasgow 2012 Boy: A Contemporary Portrait, Leo Xu Projects, Shanghai Measuring the Universe: from the transit of Venus to the edge of the cosmos, Royal Observatory Greenwich, London Print / Out, Museum of Modern Art, New York Relocated, Galerie Neu & MD 72, Berlin New suite of Contemporary Displays, Tate Britain, London Klang & Stille, Sammlung Goetz im Haus der Kunst, Munich The Allure of the Collection, National Museum of Art, Osaka

This exhibition will be on display at the Taubman Museum of Art in its Contemporary Gallery from May 2 — September 20, 2015 and the Halsey Institute of Contemporary Art in Charleston, South Carolina from October 23 — December 5, 2015.

Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun Artist Profile, Theme Magazine, May / June 2008 Miami Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.

Now Open: The Art Students League of New York's «Art Under Construction» An Outdoor Gallery on 57th Street June 27, 2017: The illustrious history and the contemporary vitality of the Art Students League is now on display in Art Under Construction, an innovative street gallery in front of the League's 125 - year - old building on 57th Gallery on 57th Street June 27, 2017: The illustrious history and the contemporary vitality of the Art Students League is now on display in Art Under Construction, an innovative street gallery in front of the League's 125 - year - old building on 57th gallery in front of the League's 125 - year - old building on 57th Street.

In a second video work, The Intimacy Package (2018), displayed on a large TV screen in the centre of the gallery, Deja has created a series of lessons, composed of five short sequences set in a variety of environments, such as a contemporary at, a computer server room or an idyllic beach at sunset, in which an electronic narrator guides the viewer through various means of achieving intimacy.

Exhibitions include «Illuminations d'eau» (directed and choreographed by Robert Castle, with a creative reconstruction of fragments of the (now lost) original score by Willy Merz) at the Fondazione Mario Merz, Turin (2008); «The solitary body», Riccardo Costantini Gallery, Turin (2013); «Glasstress 2011», 54th Esposizione Internazionale d'Arte, Venice Bienale, on display at the Palazzo Cavalli Franchetti and the Berengo Centre for Contemporary Art and Glass on Murano.