It is rare nowadays to see commercial
galleries mounting exhibitions for single artists or a coherent group of artists from the 18th and 19th centuries.
In 1986,
the gallery mounted an exhibition of Andy Warhol's Campbell's Soup Boxes, just weeks prior to the pop icon's death.
The Vancouver Art
Gallery mounted an exhibition of Geoffrey Farmer's work last summer.
In addition to showing primary market works by contemporary artists,
the gallery mounts exhibitions by 20th century masters of historical importance.
Occasionally,
galleries mount exhibitions that are so substantial they can fairly be described as museum - quality.
Kamini Sawhney works at Jehangir Nicholson
Gallery mounting exhibitions around various aspects of Indian Modernism from abstraction to performance as well as an investigation of women artists within the collection.
Gagosian
Gallery mounts exhibition juxtaposing Chinese antiquities and contemporary art in collaboration with Asian art and antiquities dealer Gisèle Croës.
Not exact matches
Since its earliest days, the
gallery has
mounted historically significant
exhibitions.
The
gallery program has
mounted exhibitions of contemporary art featuring the work of Richard Prince, Jean Michel Basquiat and Christopher Wool as well as
exhibitions dedicated to the history of The New York School, Abstract Expressionism and Pop Art showing the earlier work of Hans Hofmann, Roy Lichtenstein and Willem de Kooning.
The decades that followed saw him show work at numerous
exhibitions mounted by New York
galleries and American museums.
Geng kept developing her craftsmanship and mastery towards sculpting and delivered her solo
exhibition Mount Sumeru at Klein Sun
Gallery in 2017 covering works in both porcelain and bronze.
Essentially creating their own Salon, the Impressionists
mounted a succession of group
exhibitions in their own
gallery.
His most important solo museum
exhibitions were
mounted by the Metropolitan Museum, New York in 1975, and the New Tretyakov
Gallery in Moscow in 1988, where he had the distinction of being the first living Western artist to show in a Soviet museum.
The University Art
Galleries (UAG) will
mount a solo
exhibition of paintings by Ed Moses, utilizing all three
galleries and featuring works from the 1960s to the present.
Group
exhibition of paintings at Moon
Gallery, Berry College in
Mount Berry, Georgia.
«Agnes Martin,» a retrospective at the Guggenheim Museum of the Canadian - born painter who died in 2004 at the age of ninety - two, has the misfortune of being
mounted concurrently with «Mark Rothko; Dark Palette,» an
exhibition at the Twenty - fifth Street branch of Pace
Gallery.
Her work has been recognized by one - person
exhibitions at the Corcoran
Gallery of Art, Washington, D.C.; the Whitney Museum of American Art; Delaware Art Museum, as well as a retrospective
mounted at the Hirshhorn Museum, Washington, D.C., in 2009.
As is typical for the summer months, a lot of
galleries have
mounted ambitious group
exhibitions, many of which focus on painting.
After Hauser & Wirth announced its worldwide representation, the
gallery mounted a solo
exhibition of Simpson's work at Frieze New York.
In addition to
mounting contemporary art
exhibitions, the new
gallery will also host an avant - garde residency program that will invite guests to interact with the unique architecture.
He recently
mounted solo
exhibitions at Peter Blake
Gallery (Laguna Beach, CA), Philip Slein
Gallery (St. Louis, MO), Graham
Gallery (New York, NY), and Kunstgalerie Bonn (Germany).
In autumn 2006 the
gallery mounted a major
exhibition The Rhythm of Things encompassing the paintings and drawings of Edward Wadsworth.
Geng's solo
exhibitions include
Mount Sumeru, Klein Sun
Gallery, New York, NY (2017); Poetics of the Body — The Sculpture & Video Art of Geng Xue, Fengmian Art Space, Yuexiu District, Guangzhou, China (2016); Borrowing an Easterly Wind, Klein Sun
Gallery, New York, NY (2015); Mr Sea, ZERO Art Center, Beijing, China (2014); and The Other Side, National Museum of Wales, Cardiff, UK (2009).
Although, through the years, many institutions and
galleries have
mounted exhibitions on computers and the arts, none came close to the original.
The
gallery mounts twelve
exhibitions annually at its Los Angeles venue, participates in various international art fairs and presents at least one ambitious pop - up project each year in foreign cities.
It is one of the few Belgian
galleries to have
mounted an
exhibition with Nam June Paik, in 1990, during the artist's lifetime.
Solo
exhibitions of Renaldi's photographs have been
mounted in
galleries and museums throughout the United States including the Nicolaysen Art Museum and Discovery Center in Casper, Wyoming.
But I have seen my colleagues start
galleries in remote locations, such as Galleria Continua in San Gimignano, Italy, and create a global following and a reputation on the strength of the artists and the
exhibitions they have
mounted.
The main
gallery exhibition is complemented by a selection of photographs from one of Gohlke's most ambitious projects, a decade long survey of
Mount St. Helens in Washington state, also the subject of a 43 print
exhibition this summer at the Museum of Modern Art, on view between June 29 and September 26.
Quogue
Gallery co-owner Chester Murray explained that the motivation behind mounting this exhibition was «to review the 14 shows we've had since opening the gallery — principally contemporary and abstract photography, paintings and prints — in order to put them in a more global context.
Gallery co-owner Chester Murray explained that the motivation behind
mounting this
exhibition was «to review the 14 shows we've had since opening the
gallery — principally contemporary and abstract photography, paintings and prints — in order to put them in a more global context.
gallery — principally contemporary and abstract photography, paintings and prints — in order to put them in a more global context.»
When I first came to New York, Feature Inc. was one of the
galleries that stood out for me and I remember when Hudson
mounted the «Power to the People»
exhibition — it felt really radical compared to what was happening in Chelsea.
EXHIBITION David Hammons: Five Decades @ Mnuchin
Gallery, New York, N.Y. (March 15 - May 27, 2016): Mnuchin
Gallery is
mounting a career survey of David Hammons, exploring the entire arc of his practice, from the late 1960s in Los Angeles to the present in New York, with the artist's support.
Her work was first shown in New York City in 1944, when the Bonestell
Gallery mounted a solo
exhibition.
This year, at Ben Brown Fine Arts in London, he
mounted a solo
exhibition titled «Make America Great Again»; and at Night
Gallery in Los Angeles, he presented a body of work using imagery sourced from a rejected 1968 Black Panther coloring book to explore institutionalized racism and police brutality in the United States.
Group
Exhibition 2013
Mount Rainier Artist's Lofts
Gallery, Hyattsville, MD..
The
gallery has
mounted more than 200
exhibitions and published more than a dozen monographs.
He
mounted «Scorched Earth,» his first
exhibition in his hometown at the Hammer Museum in June and, in November, «Be Strong Boquan» opened at Hauser and Wirth, his first New York
exhibition with
gallery, which represents him.
Over the past five decades, the
gallery has
mounted more than 700
exhibitions, including scholarly shows that have subsequently travelled to museums, and has published nearly 400
exhibition catalogues.
So impressed with Shaw's work was A.E. Gallatin that in 1935, he broke his own rule against holding one - person shows at the
Gallery of Living Art and
mounted a Shaw
exhibition.
Retrospective
exhibitions of his work have been
mounted at the Tate Modern, London, the Fundació Joan Miró, and the National
Gallery of Art, Washington, D.C., among other venues.
At ADAA's The Art Show fair (Feb. 28 - March 4), the
gallery mounted a solo
exhibition of Thompson's paintings and works on paper.
The
exhibition, the artist's fourth show at the
gallery, will include approximately 100 small paper
mounted on canvas paintings as well as 25 collage constructions and a set of sketches in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.
Martha Wilson joined P.P.O.W
Gallery in 2011 and
mounted a solo
exhibition, I have become my own worst fear, that September.
That same year, Michael Rosenfeld
Gallery mounted a solo
exhibition focused on a selection of Falkenstein's work from the years 1955 to 1975 and she was also included in the group
exhibition Impact: The Legacy of the Women's Caucus for Art at the American University Museum of the Katzen Arts Center at American University in Washington, DC.
Meanwhile, the Phillips Collection in Washington, D.C., has
mounted a Whitfield Lovell
exhibition, and «Portals» at Victoria Miro
Gallery in London is Njideka Ajunyili Crosby «s first solo show in Europe.
In particular he seems to have sought specific settings for
exhibitions of his early wall -
mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled
galleries he created for his 1984
exhibition at MoCA's Temporary Contemporary, he made a rotating
exhibition of such works at Leo Castelli's New York
gallery in 1986 — 87, sometimes forgoing the main
gallery spaces for a more intimate basement.7
The result will be a spectacular freestanding installation in the main
gallery along with wall -
mounted sculptures, prints and monoprints throughout the
exhibition.
Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City
Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National
Exhibition mounted at the Guggenheim Museum.
In 1976, the Princeton
Gallery of Fine Art
mounted an
exhibition of thirty - five paintings.
As part of the Angels and Ancestors series the artist began in 2006 during her first solo
exhibition with the
gallery, Angels & Ancestors IX is a tree sculpture
mounted horizontally, giving the viewer a bird's eye view of the tree top.