Sentences with phrase «galleries of the new environment»

While McKee declined to adapt to the hypertrophy of the 21st - century art market, Hauser & Wirth — a sprawling enterprise with branches in Zurich, Los Angeles, London, and Somerset, England, as well as New York — is among the alpha galleries of the new environment, alongside Gagosian, David Zwirner, and others.

Not exact matches

A small survey at George Adams Gallery in New York last spring, Joan Brown: Major Paintings from the 50s, 60s, and 70s, gave shape to Brown's enthusiastic reception of Bischoff's example, showing how she searched her immediate environment for things to paint.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

The 1100 - square - meter lower - level gallery in the new wing will be transformed into an immersive environment of monumental operatic videos, collages and drawings.

As they move through the gallery, visitors will experience this new spatial ambiguity and find themselves manipulating or being manipulated by the multitude of bubbles, spheres, and malleable environments.

Since Ritchie exhibited The Universal Adversary at Andrea Rosen Gallery in 2006, his process of synthesizing and expressing complex systems and cosmologies to create new forms and explore new myths has increasingly expanded across disciplines and into collaborative projects with physicists, composers, writers, actors, architects and engineers, aimed at developing a group of visual and performance environments that can theoretically sustain not one, but every possible representation of the universe.

YARD was first realised by the American artist Allan Kaprow (1927 - 2006) in 1961 in the open - air sculpture garden behind the Martha Jackson Gallery in New York as part of the group exhibition Environments, Situations, Spaces.

Located in the town of East Hampton, New York, the gallery serves as a forum for emerging and mid career artists and provides a relaxed environment for visitors to view contemporary art.

Known for the seminal light environments that he developed in the 1960s and 70s, Wheeler will present a new type of installation that he calls a «rotational horizon work,» which will occupy the ground floor gallery.

Galhotra has been particularly sensitive to the impact of globalisation and growth on the natural environment, and her current exhibition at Jack Shainman Gallery in New York relates to the environmental catastrophes that have beset the Yamuna River — the longest tributary of the Ganges.

Both painters, Lowe and MacConnel will work in concert on the environment which has been inspired by the European painting galleries at the Metropolitan Museum of Art in New York City mixed with a museum café.

Her working environment, documented for the first time in a number of new photographs by the artist, will be recreated as installations in the gallery, down to the paint pots, brushes, books and discarded scraps of newspaper that are similarly covered in the spatters, splashes and drips that result from her obsessive painterly method.

New York — based artist Kevin Beasley transforms the museum's Vault Gallery into an elaborate environment inspired by Bernini's Baroque altarpiece in Saint Peter's Basilica and an infamous image of Black Panther Huey P. Newton.

This spring the Whitechapel Gallery presents Bumped Bodies, a new display of work by 23 international artists which explores the relationship between the body, objects and the environment.

About Nature, Cleveland Center for Contemporary Art, Cleveland, OH Art and Environment, The National Arts Club, New York, NY, April 21 - May, Organized & curated by Toru Mano & Paul Perkins, Images, in collaboration with Earth Day NY Extravagant: The Economy of Elegance, Tony Shafrazi Gallery, New York, NY Extravagant: The Economy of Elegance, Russisches Kulturzentrum, Berlin, Germany 1982 - 83: Ten Years After, Tony Shafrazi Gallery, New York, NY Mating Instinct, Penine Hart Gallery, New York, NY Reanimator, V & RN, Miami, FL

2009 Cave Painting, organized by Bob Nickas, Gresham's Ghost, New York, USA Infinitesimal Eternity, Yale University School of Art, New York, USA Transitions: Painting at the (other) end of art, Collezione Maramotti, Reggio Emilia, Italy, sponsored by Max Mara Blue, James Graham & Sons, New York, USA Every Revolution is a Roll of the Dice, curated by Bob Nickas, Paula Cooper Gallery, New York, USA Commentary, Paula Cooper Gallery, New York, USA 2008 Reflections, Rhona Hoffman Gallery, Chicago, USA Say Goodbye to... curated by Donna Harkavy and Marion Wilson, The Clifford Gallery at Colgate University, Hamilton, New York, USA White Room; Recent Acquisitions, gifts and works from various exhibitions 1985 - 2008 / from the collection of Bob Nickas, White Columns, New York, USA Empires and Environments, curated by Dominique Nahas and Margaret Evangeline, The Rose Art Museum, Brandeis University, Waltham, USA Ithaca Collects, Herbert Johnson Museum of Art, Ithaca, New York, USA Gray, Dinter Fine Art, New York, USA YOU SAID HE SAID SHE SAID, Seiler + Mosseri - Marlio Galerie, Zürich, Switzerland

Opening on 23rd January at the Rook & Raven gallery, Bigger Than The Both of Us, a solo exhibition by acclaimed artist Corinne Felgate is comprised of two new major installations, Bigger than the Both of Us (MOMA) and Studio X Y Z, that draw on the artist's on - going research into our collective relationship with the man - made environment, and how society's perception of the manufacturing industry shapes our understanding of what it is to exist in the world today.

Known since the early 1990s for his photographs of young people in their social environment — clubs, gay pride parades, warehouse parties — Wolfgang Tillmans created an enigmatic, sexy and highly innovative photography while inventing new icons of beauty and style for gallery goers and magazine readers alike.

The new gallery will provide further opportunities for artists to stage exhibitions and special projects in an intimate environment in the heart of Venice, a city so beloved by artists.

1962 Introductions 1936 - 1948, Willard Gallery, New York, NY Masters of American Watercolor, Whitney Museum of American Art, New York, NY The First 5 Years: Acquisitions by the Friends of the Whitney Museum of American Art 10th Annual Exhibition, Museum of Art of Ogunquit, Ogunquit, ME The Artist's Environment: The West Coast, Amon Carter Museum of Western Art, Fort Worth, TX American Art Since 1950, Institute of Contemporary Art, Boston, MA 7th Annual International Exhibition of Modern Art, Mary Washington College, Fredericksburg, VA

Claes Oldenburg helped manage the gallery, and in the winter of 1960 he and Dine created what would become a legendary work, an immersive environment comprising the first iteration of Oldenburg's The Street (1960) and a new work by Dine called The House (1960), a phone - booth - sized house made from leftover theatrical backdrops that Dine found in the church and covered with an exuberance of found materials, drawings, and words.

Past group shows and screenings include: Rêve du Pierre, curated by Alexandra Fau, Centre Pompidou, Paris (screening)(2016); Night Walk, with Erin Shirreff, deCordova Sculpture Park and Museum, Lincoln, MA (2015); A Night of Philosophy, Ukrainian Institute of America, New York, NY (Screening)(2015); The Daily Show, Bureau, New York NY (2015); The Built Environment: Lower Side in Istanbul, Mixer, Istanbul, Turkey (2014); It Narratives: The Movement of Objects as Information, Franklin Street Works, Stamford, CT, USA (2014); A Tale of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, NY, NY (2014); Two Hours Two Minutes, The Power Plant, Toronto, Canada (2014); Kool - Aid Wino, Franklin Street Works, Stamford, CT, USA (2013); Matter Out of Place, Kitchen, NY, NY (2012); Somebody has stolen our tent, Simon Preston Gallery, NY, NY (2012); The Way Things Go (Part 3), Frutta, Rome, Italy (2012); Single Channel, Soho House, Miami, FL, USA (2011); Forcemeat, Wallspace, NY, NY (2011), and Suddenly: Where We Live Now, Cooley Gallery — Reed College, Portland, OR and Pomona College Museum of Art (2008, 2009).

72 ° 19» W, Martos Gallery, East Marion, New York, USA (2013); «Dark Matters», Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington DC, USA (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Big New Field: Artists in the Cowboyʼs Stadium Art Program», Dallas Museum of Art, Dallas, Texas, USA (2010); «Every Revolution is a Roll of the Dice», curated by Bob Nickas, Paula Cooper Gallery, New York, USA (2009); «Empires and Environments», curated by Dominique Nahas and Margaret Evangeline, The Rose Art Museum, Brandeis University, Waltham, USA (2008) and «Resistance Is», Whitney Museum of American Art, New York, USA (2007).

In 2014, The Hepworth Wakefield restaged the sculptural environment YARD by the US performance artist, Allan Kaprow; it was first shown in 1961, as part of the group exhibition «Environments, Situations, Spaces» in the sculpture garden at Martha Jackson Gallery, New York.

Its new digs, designed by the Italian architect Renzo Piano, also offer commodious interior spaces: 50,000 square feet of galleries, unencumbered by structural columns, and huge elevators that are themselves immersive environments, the work of the artist Richard Artschwager.

The newly launched North London Affordable Art Fair in Hampstead Heath, takes place the week after its big sister in Battersea Park and continuing the theme of hosting AAF in a unique and beautiful environment, the new fair will bring together an impressive line up of contemporary UK galleries and affordable artworks whilst offering something different to the week before.

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegNew York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegNew York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzviGallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegNew York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegNew York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegNew York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegnew work by Abraham Cruzvillegas.

Committed to new abstract and conceptual art, PS aims to provide a platform for the work of upcoming international artists in an environment that exists between the conventions of an artist - run space and a commercial gallery.

[15] She began working with stone in 1986; for her exhibition that year at the Barbara Gladstone Gallery in New York, Holzer introduced a total environment where viewers were confronted with the relentless visual buzz of a horizontal LED sign and stone benches leading up to an electronic altar.

Taking the form of an evolving installation in the main gallery space, Feyrer's work engages with materials and documentation from the grunt archives in the production of a new, site - specific environment.

All these forms explore socialisation via networks by disrupting an audience relationship with the screen in a show spanning the Theatre and Lower Gallery of the ICA; a collection of new sculptures and live video works looking at the role of images in constructing our environment, physically and virtually.

In the new group show Reconstructions at Swan Coach House Gallery through February 16, ordinary elements of the built environment serve as the springboard for examination of evolving urban landscapes.

Recent exhibitions include Singing Stones, organized by the Palais de Tokyo at the Roundhouse at the DuSable Museum of African American History, Unthought Environments at the Renaissance Society, and Bearable Lightness of Being at GRIMM Gallery in Amsterdam, where he will present a solo exhibition this Spring at their New York space.

Biennale de Belleville, curated by Marie Maertens, Paris The Built Environment, curated by Kathleen Madden, Mixer, Istanbul It Narrative: The Movement of Objects as Information, curated by Zanna Gilbert and Brian Droitcour, Franklin St. Works, Stamford, CT A Tale Of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, Channel 14, New York, NY Catch Me If You Can: Virus and Catastrophe, Black Iris Gallery, Richmond, VA Two Hours Two Minutes, curated by Tirdad Zolghadr, Images Festival, The Power Plant, Toronto, Canada Invasive Species, Film Sector, Art Basel, Miami, of Objects as Information, curated by Zanna Gilbert and Brian Droitcour, Franklin St. Works, Stamford, CT A Tale Of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, Channel 14, New York, NY Catch Me If You Can: Virus and Catastrophe, Black Iris Gallery, Richmond, VA Two Hours Two Minutes, curated by Tirdad Zolghadr, Images Festival, The Power Plant, Toronto, Canada Invasive Species, Film Sector, Art Basel, Miami, Of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, Channel 14, New York, NY Catch Me If You Can: Virus and Catastrophe, Black Iris Gallery, Richmond, VA Two Hours Two Minutes, curated by Tirdad Zolghadr, Images Festival, The Power Plant, Toronto, Canada Invasive Species, Film Sector, Art Basel, Miami, FL

This solo exhibition at Morgan Lehman Gallery in Chelsea draws attention to the challenges of sustaining environments for some of New York's native species.

1975Lady Luck: A Double Portrait of Las Vegas, Circus Circus, Las Vegas Reforming Familiar Environments, Home of Eleanor and Francis Ford Coppola, San Francisco Lynn Hershman, Stefanotty Gallery, New York

«I thought it was a really interesting engagement with a lot of issues around nature, the environment, landscape traditions, Romanticism, melancholia — some of Pierre's big subjects,» says Lynne Cooke, who organized a 2002 show of Huyghe's work at the Dia Art Foundation in New York and is now senior curator for special projects in modern art at the National Gallery of Art in Washington, D.C.

«There is something to be said for smaller galleries finding new ways to work together and hoping that can give us some kind of advantage in what's becoming a difficult environment business-wise for us all,» Mr. Schultz said.

We stopped by the gallery for a quick peak and saw a varied collection of new works in many of the mediums Ellis is know for, such as glossy acrylic paintings, kinetic sculptures and tobacco - stained works on paper, with imagery capturing elements of the bucolic environment where he -LSB-...]

Some even tour as part of a touring exhibition, examples being: the kinetic light environments of the Groupe Recherche d'Art Visuel which toured Europe; Earth Room (1968) by Walter De Maria (b. 1935) which toured America before finding a permanent home in New York; and» 20:50» by British sculptor Richard Wilson - a room filled with sump oil, viewed from a footbridge - which was shown in London, the Royal Scottish Academy and is now permanently installed at the Saatchi Gallery, founded by Charles Saatchi.

Recent group exhibitions include: Milieu, Bern, CH (2017); Only the Lonely, inCube Arts, New York (2016); China 8: Views of China, NRW Forum, Düsseldorf (2015); Triennial: Surround Audience, New Museum, New York (2015); Unseen Existence: Dialogues with the Environment in Contemporary Arts, HK Arts Centre, HK (2014); Going, going, until I meet the tide, Busan Biennale (2014); The Part In The Story Where A Part Becomes A Part Of Something Else, Witte de With Centre for Contemporary Art, Rotterdam (2014); Apocalypse Postponed, Absolut at Art Basel Hong Kong (2014); and Where Narrative Stops, Wilkinson Gallery», London (2013of China, NRW Forum, Düsseldorf (2015); Triennial: Surround Audience, New Museum, New York (2015); Unseen Existence: Dialogues with the Environment in Contemporary Arts, HK Arts Centre, HK (2014); Going, going, until I meet the tide, Busan Biennale (2014); The Part In The Story Where A Part Becomes A Part Of Something Else, Witte de With Centre for Contemporary Art, Rotterdam (2014); Apocalypse Postponed, Absolut at Art Basel Hong Kong (2014); and Where Narrative Stops, Wilkinson Gallery», London (2013Of Something Else, Witte de With Centre for Contemporary Art, Rotterdam (2014); Apocalypse Postponed, Absolut at Art Basel Hong Kong (2014); and Where Narrative Stops, Wilkinson Gallery», London (2013).

In «The Dark Pavement,» New York - based artist Alix Pearlstein utilizes aspects of ACAC's architecture and surrounding environment — gallery spaces and lobby area, the derelict Bankhead Highway bridge and adjacent parking lots, and a rarely - seen basement.

Sarah Rose presents a new body of work in room 4, commissioned by the gallery for NOW, which reflects upon processes of material transformation and the impact that humans have on the environment.

Built in two phases, Phase One (2014 - 15) focused on the renovation and conversion of the museum's original 56 Broadway site into a new three - zoned environment featuring a public entry and retail sales area with an adjoining Black Mountain College (BMC) orientation center, an expanded and updated BMC exhibition gallery, and a new BMC library, research and study center.

Set within what Thelen describes as «the unrestrained environment» of 21c's vault gallery, Hotel Theory includes individual drawings, collaged works on paper using watercolors, ink and graphite drawings, and wall painting, along with a new wall drawing and a fiber piece that utilizes fabrics sourced from Raleigh Denim.

1980 New Visions, Carson - Sapiro Gallery, Denver, USA The Norman Fisher Collection, Jacksonville Art Museum, Jacksonville, USA (exh cat) Secret Paintings (Erotic Paintings and Photographs), Jehu Gallery, San Francisco, USA Presences: The Figure and Manmade Environments, Freedman Gallery, Albright College, Reading, USA (exh cat) In Photography, Color as Subject, School of Visual Arts Museum, New York, USA Quattro Fotografi Differenti, Padiglione d'Arte Contemporanea, Milan, Italy (exh cat)

The new galleries, designed by Michael Maltzan as part of the master plan to reorganize the museum's interiors, make a gorgeous environment for these works.

There will be a vast range of Barbican Concert Hall performances such as 88 - cymbal - players performing Boredoms and screenings of William Eggleston's filmwork with new scores; various residencies and performances in the Art Gallery, including live sounds, lights and orchestra instruments — one such featuring music, visuals, and a bespoke virtual reality environment designed to incorporate virtual copies of visitors» most - loved objects from their homes.

In 1978, she staged a performance «A Banquet: A Fashion Show of Body Parts» within her first spatial environment, «Confrontation» (1978), at the Hamilton Gallery of Contemporary Art, New York.

The third is the creation of new institutional environments beyond the scope of the traditional gallery and museum network and the art market.