Sentences with phrase «galleries section as»
It joins the main galleries section as well as Kabinett (curated «interventions» within the booths), a film section, Nova (younger galleries showing up to three artists), Positions (solo presentations) and Edition (prints and limited - edition works).
https://www.artinamericamagazine.com/ Not exact matches
Disc two includes nearly six hours of additional material including a 196 - minute making - of documentary, entitled Strength and Honor: Creating the World of Gladiator, and as if this was not exhaustive enough more behind the scenes technical information is provided in the five - part Image and Design section which includes featurettes on sets, costumes, and weapons as well as extensive photo galleries.
The site includes film reviews, photo galleries, feature articles, a «Fab Five» section («Every month we select our five favourite films from a particular decade or on a certain theme» — such as five top romances), and an Interactive page with polls, competitions and TV listings.
«Posters and Ad Campaign» (9 stills) is a gallery that starts this last section off and provides various posters (both domestic and foreign) as well as ads.
Plenty of other resources, such as reading guides and a gallery, can be found in the other sections.
Patch work is present on the front sections of the floor, as seen in the gallery below.
As it shows in today's solid 70 + photo gallery as the tide dropped out the Racetrack section was turning it right oAs it shows in today's solid 70 + photo gallery as the tide dropped out the Racetrack section was turning it right oas the tide dropped out the Racetrack section was turning it right on.
Wave height as it shows in the first half of today's photo gallery was hitting the Main Peak and Temple sections in the waist to head high class and the occassional bigger freak set.
As it shows in the first section of today's photo gallery we did hang out a bit longer to give the tide a chance to start running in.
As it shows in today's photo gallery there was some clean little fun sized waves breaking on both Keramas and the Car Park section.
Each stage throws brand new mechanics into the mix that really shake up what you already thought you knew about the game, such as stomping divine mechs, turbo - charged hovercars and grind rails that result in high - speed shooting gallery sections.
As explained by the gallery: «Beginning with a downloaded digital map of a tank from the internet, the piece is composed of a series of stacked metre cubed sections manufactured using a form of 3D printing, which Peter developed specifically for this commission.
I don't think it offers POD but as far as an online gallery, I like that they make images easy for folks to find when you first post them — they show up in the «New» section.
The galleries will all be at liberty to change up their sections as often as they see fit, and they'll take turns being responsible for staffing the space from day to day.
As newcomers to the material themselves, they sensed that a presentation organized geographically might not mean much to most visitors, so they laid out the show thematically; an introductory gallery is followed by sections on «the Dreaming» — a belief system connecting «all objects, lands, life forces, and beings — the land, ceremony, and mortality.»
Following the fantastic reception received byThe Nineties last year, I'm looking forward to another innovative, thoughtprovoking curated section, this time celebrating radical women artists as well as the ground - breaking role of their galleries.
Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.
As part of the ZONAMACO SUR section, the fair will invite international curators who select artists to propose individual projects under the representation of a gallery.
Titled ASSEMBLY, this section of the fair includes many activist - minded projects, which Adrienne Edwards say she hopes «will serve as a platform to help us imagine what is possible today through the poetics of protest by breaking down boundaries between galleries and the street, the artist and their audience and making new propositions that open up conversations about the role of art in today's society.»
Even when they featured the work of a single artist — mimicking the one - person shows viewers are used to seeing in galleries, as in the Frame section of Frieze, devoted to new galleries presenting individual artists — the hangings were thrown together in a way that never would have been countenanced in a gallery.
Another of the gallery's artists, Gabriel Kuri, presents his mixed - media installation Shelter (2011) as part of the «Unlimited» section.
For the seventh edition, expect to find a new layout, a themed section, curated by Matthew Higgs of White Columns in New York as homage to Hudson's Feature Inc. gallery which supported pioneering artists in the 1980s and 1990s.
Titled ASSEMBLY, this section of the fair includes many activist - minded projects, which Adrienne Edwards say she hopes «will serve as a platform to help us imagine what is possible today through the poetics of protest by breaking down boundaries between galleries and the street, the artist and their audience and making new propositions that open up conversations about the role of art i
There were a few arresting installations, nonetheless, such as Danh Vo's floating gilded cardboard segments that comment on moral transgressions, for which the Marian Goodman gallery eliminated its walls; Liu Wei's architectural Library at Lehmann Maupin that collapses a metropolis to outrageous effect and, among the young artists who showed gripping promise, Aki Sasamoto's Luncheon Field, which livened the Focus section with a table perforated to suspend forks that bobbed in the breeze of a fan, and Eddie Peake's rumination on past and future that filled the Lorcan O'Neill booth with a tinted Plexiglas and steel installation involving a bear, a robot and lost Atlantis viewed through a meandering cut - out.
The 2017 programme includes the returning Spotlight section for rare solo presentations of 20th - century pioneers curated by Toby Kamps (Blaffer Art Museum, University of Houston) as well as the Collections section, featuring specialist galleries with extraordinary art and objects, selected by independent curator Sir Norman Rosenthal.
Curators Andrew Bonacina (The Hepworth, Wakefield) and Laura McLean - Ferris (Swiss Institute, New York)-- who takes over from Ruba Katrib (MoMA PS1, New York)-- will advise ambitious solo shows by 19 emerging galleries in Frame; and Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, a section dedicated to 20th - century pioneers which expands to 35 presentations this year.
The Nineties features galleries that are both new to the fair and presented within the main section, as well as era - defining spaces that no longer exist.
Curators Andrew Bonacina (The Hepworth, Wakefield) and Ruba Katrib (MoMA PS1, New York)-- who hands over to Laura McLean - Ferris (Swiss Institute, New York)-- will advise on ambitious solo shows by 19 emerging galleries in Frame; and Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, a section dedicated to 20th - century pioneers which expands to 35 presentations this year.
Frieze is strong with its curated sections - with the Live section as well, and with helping young galleries - giving them a chance to be seen.
As per tradition, The Armory Show will present different sectors of its rich exhibition programs, which includes Armory Presents, dedicated to single and dual artist presentations by galleries fewer than ten years old and exhibiting in Pier 94, a section devoted to contemporary galleries.
Select highlights include: Lehmann Maupin's sale of several McArthur Binion works ranging from $ 50,000 - 175,000 to trustees of two leading U.S. museums, as well as collectors new to the gallery; Galerie Thaddaeus Ropac's sale of two works by George Baselitz in a range of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg sculpture for c. $ 210,000, and a metal and wood piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold out its booth of photography by Torbjørn Rødland in the range of $ 14,00028,000 each; Jack Shainman's sales of recent work by Hank Willis Thomas, including a major sculpture, a retroflective, and one of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey; Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 1gallery; Galerie Thaddaeus Ropac's sale of two works by George Baselitz in a range of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg sculpture for c. $ 210,000, and a metal and wood piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold out its booth of photography by Torbjørn Rødland in the range of $ 14,00028,000 each; Jack Shainman's sales of recent work by Hank Willis Thomas, including a major sculpture, a retroflective, and one of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey; Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 1Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 100,000.
Upstream Gallery presents work of Dutch artist Marinus Boezem (1934) at Art Basel 2018 Feature section, dedicated to signal his position as pioneer in the international development of conceptual art and early video and television art through an extensive survey of unique works, editions and arc...
Curators Andrew Bonacina (The Hepworth, Wakefield) and Ruba Katrib (MoMA PS1, New York)-- handing over to Laura McLean - Ferris (Swiss Institute, New York)-- advised on ambitious solo shows by 19 emerging galleries in Frame; and Toby Kamps (Blaffer Art Museum, University of Houston) returned as curator of Spotlight, a section dedicated to 20th - century pioneers which expanded to 35 presentations this year.
On the second floor visit the exhibition Art and Space which features such works as Advice to Space V (Consejo al espacio V)(1993) by Eduardo Chillida (Gallery 205), Cosmic Thing (2002) by Damian Ortega (Gallery 209) and Diagonal Section (Seção diagonal)(2008) by Marcius Galan (Gallery 204)(Second floor)
In 2009, she co-curated with Philae Knight the exhibition Re-Accession: For Sale by Owner at FLAG, which featured a cross section of New York — based artists who were either without, or who had lost, gallery representation as a result of the 2008 economic downturn.
BRUCE SILVERSTEIN GALLERY In the «Spotlight» section, showcasing a single artist in each booth, Bruce Silverstein is exhibiting three spectacular canvases from the 1970s by Alfred Leslie, a painter who started off as an Abstract Expressionist and later turned to figurative realism.
On the second floor visit the exhibition Art and Space which features such works as Advice to Space V (Consejo al espacio V)(1993) by Eduardo Chillida (Gallery 205), Cosmic Thing (2002) by Damian Ortega (Gallery 209) and Diagonal Section (Seção diagonal)(2008) by Marcius Galan (Gallery 204) On the third floor visit the exhibition Masterpieces from the Guggenheim Museum Bilbao Collection which features such works such as Untitled (1952 — 53) by Mark Rothko (Gallery 303), The Renowned Orders of the Night (Die berühmten Orden der Nacht)(1997) by Anselm Kiefer (Gallery 302) and Metaphysical Box by Conjuction of Two Trihedrons.
The Golden Gate section of the National Council of Negro Women has named San Rafael resident Karen Jenkins - Johnson, owner of Jenkins Johnson Gallery in San Francisco, as its Business Person of the Year.
From the gallery, Kiwanga spoke to Studio International about how anthropology has informed her research - led art practice and her response to being named as the commissioned artist of the Focus Section at the Armory Show 2016.
Titled For Your Infotainment / Hudson and Feature Inc., the section at Frieze New York will feature artists who received their gallery debuts or had a long history at Feature Inc. in the 1980s and «90s, which includes such seminal figures as Tom of Finland, Raymond Pettibon, Tom Friedman and Takashi Murakami.
In addition to the five regular sections of the show (Establishes, Emergent, Generations, Decades and Object), the art fair has a new sector called On Demand, which is for galleries that exhibit context - based and site - specific works such as installations, performances, etc..
David Brooks has displaced a section of a simulated tropical rainforest into the MoMA PS1 Duplex Gallery, only to «preserve» the forest by encasing it in concrete, as a visceral confrontation demonstrating today's ecological threats.
As always, there is a lot to take in, or try on, such as at Oslo gallery's VI, VII mini atelier in the Frieze Focus section where artist Than Hussein Clark measures immodest fair - goers for their very own custom couture in a collaboration with Studio GAAs always, there is a lot to take in, or try on, such as at Oslo gallery's VI, VII mini atelier in the Frieze Focus section where artist Than Hussein Clark measures immodest fair - goers for their very own custom couture in a collaboration with Studio GAas at Oslo gallery's VI, VII mini atelier in the Frieze Focus section where artist Than Hussein Clark measures immodest fair - goers for their very own custom couture in a collaboration with Studio GAN.
Sean Kelly Gallery is a go - to New York gallery for edge - thinking idea art and his booth at the «Galleries» section is nearly as thrilling as his gGallery is a go - to New York gallery for edge - thinking idea art and his booth at the «Galleries» section is nearly as thrilling as his ggallery for edge - thinking idea art and his booth at the «Galleries» section is nearly as thrilling as his gallerygallery.
The smaller «Presents» is a section of galleries less than 10 years of age that are showing emerging artists, typically as a solo show.
The fair will also grow as a platform for the world's most exciting emerging galleries, with exhibitors including VI, VII (Oslo), Bridget Donahue (New York) and Proyectos Ultravioleta (Guatemala City) joining the fair's Frame section for the first time.
This section of the fair is dedicated to showcasing international galleries, invited exhibitors as part Armory Focus, and Solo Projects, featuring single artist presentations by a selection of emerging galleries and artists.
Also new for 2016, Fabian Schöneich (Curator, Portikus, Frankfurt) joins Jacob Proctor (Curator, Neubauer Collegium for Culture and Society at the University of Chicago) as advisor to Frame, a section featuring 18 of the world's most exciting galleries under eight years old, presenting solo shows of today's most relevant artists.
Galleries from five continents and 30 countries will include international programs Massimo de Carlo (Milan) and Galerie Thaddaeus Ropac (Salzburg) as well as Goodman Gallery (Johannesburg) and The Modern Institute (Glasgow) who all return to the main section.
In the main section, many curated shows explore urgent contemporary questions, such as Chi - Wen Gallery's (Taipei) group show addressing natural disaster, from global warming to nuclear contamination.