Sentences with phrase «galleries with tradition»

Not exact matches

And again, in 2009, in a Maclean's profile of the Bay's new boss: «With her blond bob, grey Alexander McQueen sweater dress, ballsy black Yves Saint Laurent boots, and willingness to playfully tweak tradition, Brooks offers a stylish foil to the sober gallery of white men in dark suits who trace the company's lineage back to 1670.»

And he brought the tradition with him to Brooklyn, where he regularly throws dinner parties at Banyan Studios, a communal art gallery and music studio.

20 As the photos in the Wise Traditions «Healthy Baby Gallery» routinely illustrate, pregnant women who consume a nutrient - dense whole foods diet produce robust children with beautifully formed and appropriately sized heads and alert and happy temperaments.

To keep up with the tradition anyway, we present our initial gallery of shots from the showfloor at San Diego Comic - Con 2017 with photos taken by Marc exclusively for FS.net.

Disc two provides numerous bonus materials such as: deleted scenes and the deleted song Any Day Now, a documentary about the filmmaker Norman Jewison, the Easter Egg The Tale of the Beggar, an interview with John Williams called Creating a Musical Tradition, interviews with the cast members who played Tevye's daughters, photo galleries, and the movie's trailer.

In keeping with the more serious mood on this year's Golden Globes red carpet, we have decided to break with our tradition of presenting our best - and worst - dressed photo gallery.

«A Touch of Tradition and Old Fashioned Elegance» Located in the heart of Sorrento a peaceful five minute stroll to the magnificent ocean beach, or Sorrento Village with all the choice of cafes, restaurants, galleries, cinema and sophisticated shopping and of course the beautiful Port Phillip Bay.

Enjoy a romantic meal at Wolhyang restaurant showcasing and elevating Korean food with the tagline «tradition is trend» before visiting the onsite art gallery and cinematheque.

Eisenman has brought a deep ambivalence toward tradition with a family Seder at the Jewish Museum before, and she seems out to capture a younger New York more sympathetically at her gallery in Chelsea.

Nadja Swarovski, Member of the Swarovski Executive Board said, «Swarovski has a proud tradition of supporting and celebrating artists across the creative spectrum and so we are delighted to continue our partnership with the Whitechapel Gallery in honouring the life's work of Howard Hodgkin, a unique talent and a true icon in the visual arts.»

Gibson blends a classic contemporary art bio — studies at the Art Institute of Chicago and the Royal College of Art, current representation by the New York gallery Sikkema Jenkins & Co. — with a deep understanding of indigenous craft traditions.

Wyatt Resident Artists Gallery Negar Ahkami's expressive, tactile paintings are inspired by Iranian art, and by global visual traditions that intersect with Iran's rich art history.

In planning Tate Gallery St Ives from 1991, I was sharply aware of how it had to combine respect for the history and tradition of modern art in Cornwall with fostering contemporary practice.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

«As an internationally engaged institution with a legacy of fostering cross-cultural understanding, the DMA is proud to inaugurate the first ever dedicated gallery space for the Keir Collection, which will illuminate the artistic traditions of the Islamic world for our local and national audiences,» said Agustín Arteaga, The Eugene McDermott Director of the Dallas Museum of Art.

MIX continues in our tradition of showcasing multi-disciplinary work from a variety of our gallery artists with originals as well as limited editions.

The opportunity to present an exhibition in the dynamic Minnesota Street Project space aligns with the gallery's mission as it looks towards its next phase, when it will continue its tradition of exhibiting major works of historic significance international in scope alongside prominent local Bay Area artists, while also providing a platform for promoting and nurturing young artists with engaging new exhibitions and programming.

When the commissions were announced, the Portrait Gallery explained the tradition of its presidential portraits: «At the end of each presidency, the museum partners with the White House to commission one official portrait of the President and one of his spouse.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

One - man shows include National Museum, Lagos, Nigeria, 1991, October Gallery, London, 1995, 1998, 2002, Contemporary African Gallery, New York City, 2005, Hood Museum, Dartmouth College, New Hampshire, 2006, Jack Shainman Gallery, New York City, 2008, exhibited in group shows at Contemporary African Artists: A Changing Tradition, Studio Museum Harlem, New York City, 1990, Venice Biennale, 1990, 2007, Johannesburg Biennale, 1995, The Poetics of Line, National Museum African Art, Smithsonian Institute, Washington, 1997, Encounters with the Contemporary, 2001, Osaka Sculpture Triennale, Japan, 1999, Altered, Stitched and Gathered, Process Status 1 Contemporary Art Center, 2007, Tapping Currents: Contemporary African Art and Diaspora, Nelson - Atkins Museum Art, Kansas City, 2008.

In Slightly Ajar, her second exhibition with the gallery, Sharon Lawless continues to use found materials — discarded packaging, paint samples, wrapping paper and altered pages from auction catalogs — in her manipulation of two modern traditions, collage and geometric abstraction as she explores the tension between accident and control and how this tension effects perception.

In Falmouth, the county has a university with a strong artistic tradition, plus there are interesting smaller spaces like Newlyn Art Gallery & the Exchange in Penzance.

In keeping with The Cooper Union's longstanding tradition of engaging the greater community of New York City, all Houghton Gallery exhibitions are free and open to the public.

The gallery is also breaking with tradition with regard to the pricing of the works for sale in the exhibition.

This tradition, carried forth, expanded, and transformed over the course of the 20th century, continues into the present with innovative approaches to the genre by: Patrick Wilson Ruth C. Horton Gallery Los Angeles artist Patrick Wilson creates luminous, sumptuously colored abstract paintings composed of richly layered geometric forms — lines, squares, and rectangles.

In an interview from 1971 undertaken for an exhibition at the Pasadena Art Museum, John Coplans addressed the radical break that Judd had made with the tradition of sculpture, noting that the works in his 1963 Green Gallery exhibition demonstrated this rupture, stating: «The Green Gallery show was in 1963.

In addition to the four main gallery exhibitions, the organizing institutions will host a series of panels, performances, and events in conjunction with this year's biennial.The biennial will showcase recent works of local and international artists who have been influenced by the cultures and artistic traditions of Mexico and Central and South America.

Born in 1922 and after a childhood spent in the region of Saint - Etienne in contact with the textile tradition, she moved to Paris immediately after the war, became friends with artists gravitating around the gallery Denise René.

Mnuchin Gallery carries on the tradition of presenting thoughtfully curated, carefully researched exhibitions, documented with scholarly publications.

Pump House Gallery presents a site - specific work by Samara Scott in Battersea Park, combining the rich industrial history of the area with the tradition of outdoor works of art in the park.

The Cynthia Corbett Gallery in association with MEISSEN ® — Europe's most tradition - rich house of fine art and hand - crafted luxury are delighted to present Chris Antemann at Palm Springs Fine Art Fair.

Art Exhibitions and Shows: Lucky Street Gallery has maintained a tradition of cutting edge exhibitions, with exciting contemporary work from both local and international artists.

Grey Art Gallery Director Lynn Gumpert says, «In the early 60s, when Abby Weed Grey set out to collect non-Western modern art, she was intent on meeting, as she later wrote, artists who were «breaking with the past to cope with the present,» and whose «works best mark the advance from tradition to a contemporary view.»

In this second lecture, originally delivered at the National Gallery of Art on April 6, 2003, the distinguished art historian Kirk Varnedoe discusses the reactions of artists such as Jackson Pollock and Jasper Johns to prewar traditions of constructivism, and the initiation of new movements that utilized similar forms but with very dissimilar premises.

That tradition was important because the cities that host Frieze are not only major art hubs with museums and galleries, but also home to artists and artist - driven organizations, said Victoria Siddall, the director of Frieze Fairs and head of the board of Studio Voltaire.

The gallery will debut new works by Pouran Jinchi, Leila Pazooki, and Hadieh Shafie, which engage with the tradition of calligraphy from a contemporary perspective by deconstructing Farsi text.

Caro became instantly famous with an exhibition at the Whitechapel Gallery in 1963 with brilliantly coloured abstract sculptures, breaking the tradition of displaying sculptures isolated on plinths by placing them directly on the floor, an innovation much copied since.

«I thought it was a really interesting engagement with a lot of issues around nature, the environment, landscape traditions, Romanticism, melancholia — some of Pierre's big subjects,» says Lynne Cooke, who organized a 2002 show of Huyghe's work at the Dia Art Foundation in New York and is now senior curator for special projects in modern art at the National Gallery of Art in Washington, D.C.

The National Gallery's commitment to exploring the American painting tradition began in 2009 with the launch of its ongoing collaboration with the Terra Foundation for American Art.

Castor Gallery's first official exhibition will open January 15th, with a two person show by Heath West, whose algorithmic paintings combine digitally - inspired patterns with abstract traditions; and Elizabeth Winnel, whose self - portraits take the form of sumptuous, juicy lips.

In the tradition of Ana Mendieta and Joseph Beuys, these «live installations» were staged against the stark, urban backdrop of New York City, or in galleries, as part of sculptural ensembles with both natural and industrially fabricated components.

It meant Tate Modern would be able to open with free admission, following the tradition of the original Tate Gallery.

For his third exhibition with the gallery, Perrone presents two new bodies of work, both revolving around the appropriation of specific elements from sculptural and architectonic traditions.

The Union Art Gallery in Milwaukee continues its long standing tradition of hosting exhibitions with vital political and social content.

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

Diverse works in a labyrinth of galleries move through the pomp and circumstance of the Communist, Roman Catholic and Modernist beliefs; Polish Christmas traditions; and the Solidarity movement, with a closing reference to the 1944 Warsaw uprising against the Germans.

The gallery's principle focus is rooted in the modernist tradition with an emphasis on painting and drawing.

«The Foreseeable Past,» a solo exhibition by T. L Solien at Tory Folliard Gallery, is full of paintings with overtones of tradition, but intriguingly strange despite their friendly, vivid hues.

With a foreword by Andrew Graham - Dixon and an essay by Sandy Nairne (Director of the National Portrait Gallery) and Sarah Howgate (Curator of Contemporary Portraits at the National Portrait Gallery) that locates contemporary portraiture within a historic tradition, 21st - Century Portraits examines current trends, showcasing the wide range of media used by today's artists.

In a new exhibition at Conduit Gallery, hearts, hands, and other members, of his latest textile works, Brackens continues his exploration of issues of race, tradition and gender, but with a new, looser hand.»