Given that art -
gallery and museum attendance is shown to be dropping overall, the lack of traction with growing minority populations should be a significant cause for concern within the art world.
Not exact matches
Entrance to
museums and galleries is now free
and attendance has risen sharply.
This is an important finding for every
museum, symphony hall,
gallery space,
and theater that wishes to boost
attendance and support.
Basel says it had 82,000 in
attendance over 5 show show days, which included «influential collectors, directors, curators, trustees
and patrons of leading international
museums and institutions such as: Albright - Knox Art
Gallery, New York; The Andy Warhol
Museum, Pittsburgh; Baltimore
Museum of Art; Brooklyn
Museum, New York; Contemporary Arts
Museum Houston; de Young
Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn
Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires;
Museum of Contemporary Art Chicago;
Museum of Contemporary Art Cleveland;
Museum of Contemporary Art Toronto Canada;
Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New
Museum, New York; Philadelphia
Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim
Museum, New York; Tate, London; The
Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing
and Whitney
Museum of American Art, New York.»
A short bit into the evening, Pritzker Director of the
Museum of Contemporary Madeleine Grynsztejn, City of Chicago Cultural Affairs Commissioner Michelle T. Boone, Northern Trust Bank's Steve «Mac» Maclellan, Tony Karman all gave remarks thanking those in
attendance for their support of EXPO, opening
and pop of a magnum size type Ruinart bottle
and toast to many more Vernissage
and EXPO Chicago years to come
and as Madeleine in closing told guests to buy the art featured in the numerous exhibiting
galleries «put yo
¬ † Across the five show days, the fair attracted an
attendance of over 82,000, including influential collectors, directors, curators, trustees
and patrons of leading international
museums and institutions such as: Albright - Knox Art
Gallery, New York; The Andy Warhol
Museum, Pittsburgh; Baltimore
Museum of Art; Brooklyn
Museum, New York; Contemporary Arts
Museum Houston; de Young
Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn
Museum and Sculpture Garden, Washington, D.C.; Mus √ © e d'art contemporain de Montr √ © al; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires;
Museum of Contemporary Art Chicago;
Museum of Contemporary Art Cleveland;
Museum of Contemporary Art Toronto Canada;
Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New
Museum, New York; Philadelphia
Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim
Museum, New York; Tate, London; The
Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing
and Whitney
Museum of American Art, New York.
Across the five show days, the fair attracted an
attendance of over 82,000, including influential collectors, directors, curators, trustees
and patrons of leading international
museums and institutions such as: Albright - Knox Art
Gallery, New York; The Andy Warhol
Museum, Pittsburgh; Baltimore
Museum of Art; Brooklyn
Museum, New York; Contemporary Arts
Museum Houston; de Young
Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn
Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires;
Museum of Contemporary Art Chicago;
Museum of Contemporary Art Cleveland;
Museum of Contemporary Art Toronto Canada;
Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New
Museum, New York; Philadelphia
Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim
Museum, New York; Tate, London; The
Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing
and Whitney
Museum of American Art, New York.
We analysed nearly 600 exhibitions submitted by 68
museums for our annual
attendance - figures survey
and found that 30 % of prominent solo shows featured artists represented by Gagosian
Gallery, Pace, Marian Goodman
Gallery, David Zwirner
and Hauser & Wirth
he
museum building boom can be traced to a number of late - 20th - century developments: an increase in
museum attendance, overburdened
galleries, elevators,
and gift shops.
Attendance and Sales Boom at FOG
and Untitled San Francisco,» Artnet The Blue Rider Group is a proud sponsor of the New
Museum's 2018 Triennial: Songs for Sabotage «How Frida Kahlo Became a Global Brand,» Artsy Deloitte 2017 Art & Finance Report The Blue Rider Group is a lead sponsor of Gordon Matta - Clark: Anarchitect at the Bronx
Museum The Blue Rider Group is a lead sponsor of Joe Bradley's mid-career survey at the Albright - Knox Art
Gallery Dan Desmond on the Evolution of the Art World, Collecteurs Magazine Advisors to the Ultra-Rich Try to Treat Art as Just Another Asset,» BusinessWeek The Blue Rider Group is a major supporter of Raymond Pettibon's survey at the New
Museum «A Pen of All Work ««Schrader Joins Sotheby's to Help Lead Private Sales,» Bloomberg «Spirits —
and Sales — Are High During Art Basel in Miami Beach's VIP Preview,» Artnet.
Morgan Library &
Museum: «A Dialogue With Nature: Romantic Landscapes From Britain
and Germany» (through Sept. 7) With Johann Georg Wagner (1744 - 67), Caspar David Friedrich
and J.M.W. Turner in
attendance, this beautiful show contrasts drawings by German
and British artists in a series of often stunning alternately exacting
and flamboyant works, which were drawn from the Courtauld
Gallery in London
and the Morgan.
Presenting 267 leading international
galleries from 32 countries, the show attracted an
attendance of 77,000 over five days, including major private collectors as well as directors, curators, trustees
and patrons of nearly 200
museum and institution groups.
This week, despite fears of lowered
attendance tied to economic uncertainty following the U.S. election, or to the spread of the Zika virus, this committed set showed up in droves in Miami, dividing their time across ambitious
museum and gallery openings, public art installations, more than 20 satellite fairs,
and the just - opened Faena arts district.
Deitch says that since leaving Deitch Projects, his for - profit Manhattan
gallery,
and taking the helm at the nonprofit
museum two summers ago, he has boosted
attendance to record levels.
Hales
Gallery is delighted to announce a special screening
and live event of Carolee Schneemann films at the
Museum of the Moving Image, New York at 2 pm on Sunday 21st February 2016, with the artist in
attendance.
Over the last five years the Saatchi
Gallery has hosted ten out of the top 15 most visited exhibitions in London, according to The Art Newspaper's survey of international
museum attendance,
and is also ranked amongst the world's top five most liked
museums on Facebook, Instagram, Twitter
and Google +.