Sentences with phrase «gallery and museum contexts»

Not exact matches

with essays by Johannes Meinhardt and Jeffrey Rian, in German) Art Collected: Private, Corporate and Museum Contexts, University Art Museum, Binghampton, USA (curated by Lynn Gamwell) Hybrid Neutral: Modes of Abstraction and the Social, Richard F. Brush Art Gallery, St. Lawrence Museum, New York, USA (traveling exhibition coordinated by Independant Curators Incorporated, curated by Collins and Milazzo, cat.

Throughout the duration of the exhibition, her performers continuously enact a form of live installation in the gallery and the museum's outdoor spaces, bridging the conceptual and physical divide between performer and object, bystander and viewer, while addressing the ways in which dance and the spectacle of performance are presented in theatrical and exhibition contexts.

Solo exhibitions include Centre Pompidou, Paris (1994), Museum of Contemporary Art, Chicago, The New Museum of Contemporary Art, New York (1997), MoMA, Oxford, the Scottish National Gallery of Modern Art, Edinburgh (1998), Tate Britain, London (2000) Hamburger Kunsthalle, Kunstmuseum Bonn, Magasin 3, Stockholm (2004), Museum of Contemporary Art, Sydney (2005) and Palazzo Querini Stampalia in the context of the Venice Biennale (2009).

In the same year, New York City based artist, writer, and musician, Paul D. Miller aka DJ Spooky's work pushed the work of sampling into a museum and gallery context as an art practice that combined DJ culture's obsession with archival materials as sound sources on his album Songs of a Dead Dreamer and in his books Rhythm Science (2004) and Sound Unbound (2008)(MIT Press).

He was involved in several exhibitions: in Los Angeles (USA) where he also organized a group exhibition (within the context of a residency at the 18th Street Art Center Of Santa Monica), in Poland at the Gotycka Museum Of Szczecin, in France at the «FRAC Aquitaine» within the context of the whim of play (Caprice des jeux) exhibition in Bordeaux, at the Article Gallery Birmingham Institute of Art and Design in the UK, and at the Goethe Institute of Bordeaux.

He has curated exhibitions at the Contemporary Arts Museum Houston; the Kitchen, New York; CONTEXT Art Miami; New Langton Arts, San Francisco; G Fine Art Gallery, Washington, DC; and other venues.

Supplementing the established canon of German artists (Max Beckmann, Käthe Kollwitz, Otto Dix and George Grosz) and the rather smaller one of Allied artists (of whom the best known is the British painter and printmaker C.R.W. Nevinson), Farrell included an unusual selection of prints along with illustrated books and periodicals, posters, trade cards, photographs and textiles; even more unexpected in the context of the museum's prints and drawings galleries are the medals, trench lighters, helmets and gas masks — objects that provide a glimpse of the artifacts of war, which can not be divorced from its arts.

Taking place over 15 weeks across the city in public spaces, galleries, museums and online, the Biennial commissions artists from around the world to make and present work in the context of Liverpool.

His work has been widely exhibited at venues such as the Sundance Film Festival, Park City, Utah; The Indianapolis Museum of Contemporary Art, Indianapolis; 303 Gallery, New York; Wesleyan University, Middletown, Connecticut; Artsonje Center, Seoul; Context Galleries, Derry; The Hospital, London; PKM Gallery, Beijing; Kunst - Werke, Berlin; Palacio de Bellas Artes, Mexico City; Participant Inc, New York; Centre de Cultura Contemporània, Barcelona; White Box, New York; Galerie Chez Valentin, Paris; Smart Project Space, Amsterdam; The Islip Art Museum, Islip, New York; and Momenta Art, Brooklyn, New York.

We believe that the public deserves the right to experience innovative and thoughtful contemporary art in their day - to - day existence, something more or different than in a museum or gallery context.

He has curated exhibitions at the Contemporary Arts Museum Houston; the Kitchen, New York; CONTEXT Art Miami; New Langton Arts, San Francisco; and G Fine Art Gallery, Washington, DC; among other venues.

Group exhibitions include Prospect.4, the US Biennial in New Orleans (2017 - 2018); In Context: Africans in America, at the Goodman Gallery and the Johannesburg Art Gallery, Johannesburg, South Africa (2016); Represent: 200 Years of African American Art, at The Philadelphia Museum of Art (2015); The Geometric Unconscious: A Century of Abstraction, at the Sheldon Museum of Art, University of Nebraska (2012); ARS 11, Kiasma Museum of Contemporary Art, Helsinki (2011); The Global Africa Project, Museum of Arts and Design, New York (2010); and Wallworks, Yerba Buena Center for the Arts, San Francisco (2009).

In Context 2016 is a partnership between Goodman Gallery; The Department of Photography & Imaging at the Tisch School of the Arts, New York University; Hutchins Center for African and African American Research at Harvard University; Wits School of Arts at University of the Witwatersrand; United States Mission to South Africa; La Pietra Dialogues / New York University; New York University Vice Provost for Faculty, Arts, Humanities and Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art Afriand African American Research at Harvard University; Wits School of Arts at University of the Witwatersrand; United States Mission to South Africa; La Pietra Dialogues / New York University; New York University Vice Provost for Faculty, Arts, Humanities and Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art Afriand Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art Afriand Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art AfriAnd, and Art Afriand Art Africa.

2013 Abstract Expressionism / In Context: Seymour Lipton, Michael Rosenfeld Gallery LLC, New York, NY Its Surreal Thing: The Temptation of Objects, Sheldon Museum of Art, University of Nebraska, Lincoln, NE A Gift from the Heart: American Art from the Collection of James and Barbara Palmer, Palmer Museum of Art, Penn State, University Park, PA

Organized by Ann Butler, Director of Library & Archives at CCS Bard, Reading Context inaugurates the Collection Teaching Gallery as a place where a diverse range of collection materials representing the wealth of available resources at CCS Bard and the Hessel Museum come together to support and enable research activities and forms of curatorial inquiry which ultimately support a contextual reading of contemporary art.

For Tuesday Evenings at the Modern, Andria Hickey expands upon her recent curatorial work to explore the shifting nature of the art object from the sanctioned art spaces of galleries and museums to the unyielding context of the public realm.

2011 Manny Silverman Gallery, Los Angeles, CA Some Assembly Required: Assemblage & Collage, Jack Rutberg Fine Arts, Los Angeles, CA Fragments: 1915 - 2011, Modern and Contemporary Collage, ACA Galleries, New York, NY Remix: Selections from the International Collage Center, Samek Art Gallery, Bucknell University, Lewisburg, PA; Katonah Museum of Art, Katonah, NY In Context: Celebrating Pioneering Los Angeles Artist Betye Saar, Roberts & Tilton, Los Angeles, CA Material Witness, Venessa German, Hannelore Baron, Donna Sharrett, Pavel Zoubok Gallery, New York, NY

Not limited to the museum and gallery context, his practice engages the broader public sphere through architectural projects and interventions in civic space.

It was in the fall of that year we began the Hammer Projects to give local, national, and international emerging and lesser - known artists opportunities to exhibit in a museum context outside of the constraints of the commercial gallery system.

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

She has shown extensively for the past five decades, in solo and group contexts, and has been the subject of numerous survey exhibitions including Museu d'Art Contemporani de Barcelona (2003); Generali Foundation, Vienna (2002); New Museum, New York (2000); The Museum of Contemporary Art, Los Angeles (2000); Kunstverein München, Munich (1992); Ikon Gallery, Birmingham, England (1991); and Alternative Museum, New York (1987).

In 2013 his work was exhibited at the Museum of Contemporary Art in Rome (MACRO), within the context of the group exhibition «Neon: The Bright Matter of Art», at the Saatchi Gallery in London (exhibition: «Korean Eye: Energy and Matter») and at the Palazzo Bembo during the 55th Venice Biennale (exhibition: «Personal Structures»).

Ghost House is installed in the temporary exhibition galleries where, rather than following chronological criteria, it creates environments that the artist describes as «built on memory», in which works from different periods are placed in dialogue with one another and with the museum context in the conviction that meaning can be found not only in the individual works but in their relationships, considered collectively and through time, like the narrative overlappings of a story.

Unsettled is intended to place into a historical context the recent controversy surrounding the removal of a film by David Wojnarowicz (1954 - 1992) from the exhibition Hide / Seek: Difference and Desire in American Portraiture at the National Portrait Gallery in Washington, D.C. Spurred by activists, members of Congress objected to the film's imagery, and museum officials reacted by removing it from view.

Director Sally Tallant says, «By using iconic and historic sites, as well as existing galleries and museums, the Biennial is an opportunity to explore the city's architecture and its context, while engaging with contemporary art.

While the field of social practice has had an increasingly high profile within contemporary art discourse, this book documents artists who have been under - recognized because they do not show in traditional gallery or museum contexts and are often studied by specialists in other disciplines, particularly within the Latin American context.

The Museum will celebrate The Power of Gold during the April Late Night on Friday, April 20, from 6:00 p.m. until midnight with an evening of programs inspired by the exhibition, including a talk led by Dr. Walker on the craftsmanship and context of Asante royal regalia at 7:00 p.m. Additional programs, including gallery talks, lectures, films, and programming for families, teens, and teachers will be scheduled throughout the run of the exhibition.

Miller's work as a media artist has appeared in a wide variety of contexts such as the Whitney Biennial, the Venice Biennial for Architecture, the Ludwig Museum in Cologne, Germany, the Andy Warhol Museum in Pittsburgh, and many other museums and galleries.

«We are thrilled for the opportunity to exhibit her mirror mosaics and drawings within the context of our glass galleries and as part of a more expansive, encyclopedic museum collection.»

The contemporary African art market is still very young and evolving, but as galleries, fairs, and museums work to build context, Sotheby's O'Leary notes, «there are real opportunities in this market to get in and make some serious purchases as it develops.

The first encounter with American artist Molly Soda's work will probably not occur in a traditional gallery or museum setting and may not even occur within a typical art context at all.

Brought together in one exhibition, each gallery presents innovative approaches to contemporary art and exhibition making with over 35 artists many of whom have created works specifically for the context of the Hessel Museum.

1984 Betye Saar, Matrix Gallery, Sacramento, CA Secrets & Revelations, Georgia State University Art Gallery, Atlanta, GA Betye Saar: Installation, Minneapolis College of Art and Design, Minneapolis, MN; Artemesia Gallery, Chicago, IL Betye Saar, Rene Bransten Gallery, San Francisco, CA In Context, Museum of Contemporary Art, Los Angeles, CA Oasis, Museum of Contemporary Art, Geffen Contemporary, Los Angeles, CA Secrets & Revelations, Montgomery Art Center, Pomona College Museum, Claremont, CA

Artists have tried to make a mountain out of a molehill, and celebrate their ability to select objects and activities from daily life and to present them in a different context, the context of the art museum or gallery.

Collection, Cornell Fine Arts Museum, Orlando, FL Commemorating 30 Years (1976 — 2007): Part Three (1991 — 2007), Rhona Hoffman Gallery, Chicago, IL The Blake Byrne Collection, The Nasher Museum of Contemporary Art, Duke University, Durham, NC 2006 Do Not Stack, Roberts & Tilton, Los Angeles, CA Black Alphabet: ConTEXTS of Contemporary African - American Art, Zacheta, National Gallery of Art, Warsaw, Poland Down By Law, Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum, New York, NY Hangar — 7 Edition 4, Salzburg Airport, Salzburg, Austria Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, D.C. Relics and Remnants, Jamaica Center for Arts and Learning, Jamaica, NY 2005 Maximum Flavor, ACA Gallery, Atlanta College of Art, Atlanta, GA Neo-Baroque, Tema Celeste, Verona, Italy Neovernacular, Turner Gallery, Los Angeles, CA Kehinde Wiley / Sabeen Raja: New Paintings, Conner Contemporary Art, Washington, D.C. 2004 Eye of the Needle, Roberts & Tilton, Los Angeles, CA Glory, Glamour & Gold, The Proposition, New York, NY She's Come Undone, Greenberg Van Doren, New York, NY The New York Mets and Our National Pastime, Queens Museum of Art, Queens, NY Beauty, Kravets + Wehby, New York, NY African American Artists in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, Los Angeles, CA 2003 Peripheries Become the Center, Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague, Czech Republic Superreal, Marella, Milan, Italy New Wave, Kravets Wehby Gallery, New York, NY Re: Figure, College of DuPage, The Guhlberg Gallery, Glen Ellyn, IL 2002 Painting as Paradox, Artists Space, New York, NY Mass Appeal, Gallery 101, Ottawa, Canada Ironic / Iconic, The Studio Museum of Harlem, New York, NY Black Romantic, The Studio Museum of Harlem, New York, NY 2001 It's Bigger Than Hip Hop, Rush Arts, New York, NY

They will also set out the context in which their institutions operate - nationally and internationally, and in terms of their relationships with other museums and galleries and general global trends.

Thomas Lawson, dean of the art school at CalArts, wrote on eastofborneo.org: «Michael devoted his work to exploring the limits of the galleries and schools and museums that give context and space for art, poking at all sorts of barriers and shibboleths with a humor that was sometimes sly, and sometimes hilarious.

Through the gallery's longstanding reputation, ties with major museums, art foundations, curators and critics, SGA exposes its represented artists to broader audiences, thus fostering a greater understanding of their artistic strategies and the context in which their ideas arise.

Our operation is based in direct contact with our represented artists and other leading Swedish and international artists who has often been widely exhibited in the global museum and gallery context and hold strong relevance in both the art discourse and the art market.

Different curatorial models including solo and group exhibitions, film series, archives and commissions were considered and various contexts such as the museum, galleries or festivals were examined.

Each artist in the gallery has exhibited widely in museum and gallery contexts and has been regularly included in international exhibitions such as the Venice Bienniale, The Carnegie International, and Documenta.

2016 In context: Africans in Amerika, Goodman Gallery, Johannesburg, South Africa, Bienal Siart Bolivia 2016, La Paz; Bolivia Evidence, Michael Hoppen Gallery, London, England Let There Be Light, Jessica Silverman Gallery, San Francisco, CA, USA Braunschweiger Lichtparcours 2016, Brunswick Palace, Bunswick, Germany A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art, Nasher Museum of Art, Duke University, Durham, NC, USA The Soul of Money, DOX — Centre for contemporary art, Prague, Czech Republic Within / Without, C. Grimaldis Gallery, Baltimore, MD

Edwards, and a handful of other black artists working abstractly, like Edward Clark, Fred Eversley, Alma Thomas, Tom Lloyd, William T. Williams, Jack Whitten, have received recent critical attention in the form of museum exhibitions, elite gallery representation, and now, a deepened art historical context for their work within the wider frame of late modernism.

Group exhibitions include: Languages and Experimentations, Mart, Rovereto (2010), Richard Prince and the Revolution (curated by Jonathan Monk), ProjecteSD, Barcelona, The Associates, Dundee Contemporary Arts, Dundee (both 2009), Contemporary Scottish Art: New Acquistitions & Loans, Scottish National Gallery of Modern Art, Edinburgh, On Interchange / Interludes of a Collection, Museum Kurhaus Kleve, Kleve (both 2008), Tate Triennial: New British Art, Tate Britain, London (2006), The Last Generation, Apex Art, New York, Solo Show Solo Soul, FRAC Haute - Normandie, Rouen, Herald Street & The Modern Institute present, GBE, New York, Theorema, Collection Lambert: Musèe d'art d'Avignon, Avignon (all 2005), Genesis Sculpture, Domaine Pommery, Reims (2004), Context, Form, Troy (Young Scene 03), Secession, Vienna (2003).

These exhibitions, installed in a contemporary gallery and the museum wing that previously featured Fra Angelico, demonstrate the diverse contexts and levels of meaning applicable to his work.

His work has been shown in various exhibition contexts, including the New Media Society; Vancouver, the Hammer Museum; Los Angeles, The SFU Audain Gallery; Vancouver, Daniel Faria Gallery; Toronto, the Seoul Museum of Art; Seoul, The Real DMZ Project; Cheorwon - gun, Art Sonje Center; Seoul and the Western Front; Vancouver.

And with our new overall contemporary program at the Fine Arts Museums, work is not supposed to be presented in a gallery of white cubes, one, two, three, but as bold and playful interventions using our premises in an unusual way, sometimes creating tension between the classical and contemporary art conteAnd with our new overall contemporary program at the Fine Arts Museums, work is not supposed to be presented in a gallery of white cubes, one, two, three, but as bold and playful interventions using our premises in an unusual way, sometimes creating tension between the classical and contemporary art conteand playful interventions using our premises in an unusual way, sometimes creating tension between the classical and contemporary art conteand contemporary art context.

The gallery's artists have exhibited widely in museum and gallery contexts and have been regularly included in national or international exhibitions.

Curated by Naima J. Keith at the Studio Museum in Harlem, «Charles Gaines: Gridwork (1974 - 1989),» puts on view 10 of Mr. Gaines» early conceptual projects and deftly sketches out his context — from Castelli Gallery, where he showed in the 1980s, to Cal Arts, where his teaching has been influential to a generation of artists including his son, the performance artist and curator Malik Gaines.

1989 Concept - Decoratif (Anti-Formalist Art of the 70s), Nahan Contemporary, New York, US The Presence of Absence: New Installations, Gallery 400, University of Illinois at Chicago, Chicago, Illinois, US; University of Arizona Museum of Art, Tucson, Arizona, US; Laumeire Sculpture Park and Garden, St. Louis, Missouri, US; Albany Institute of History and Art, Albany, New York, US; Oakville Galleries, Oakville, Ontario, CA; University of Kentucky Art Museum, Lexington, Kentucky, US; Longview Museum and Arts Center, Longview, Texas, US; Prichard Art Gallery, University of Idaho, Idaho, US; Museum of Art, Penn State University, University Park, Pennsylvania, US; The University of Iowa Museum of Art, Iowa City, Iowa, US; University Art Museum, University of New Mexico, Albuquerque, MX; Otis / Parsons Gallery, Los Angeles, California, US Words, Tony Shafrazi Gallery, New York, US Inedits / I, FRAC Bourgogne, Dijon, FR; APAC, Centre d'Art Contemporain, Nevers, FR Micro Sculpture, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island, US Early Conceptual Works, Sperone Westwater Gallery, New York, US From Concept to Context, The Art Gallery of York University, Toronto, CA Saga 89, Eric Linard Editions, Grand - Palais, Paris, FR Un Choix dans les Collections du Nouveau Musee de Villeurbanne, Palais de Beaux Arts de Charleroi, Charleroi, BE Collections du Frac Nord Pas - de-Calais, Santa Scolastica, Bari, IT Group Show, San Francisco University Art Department Gallery, A&I Room 201, San Francisco, US Word / Image, Lehman College Art Gallery, Bronx, New York, US Ad Usum Dimorae, Palazzo Querini Stampalia, Venice, IT Bilderstreit, Ludwig Museum, Rheinhallen, Cologne fair grounds, Cologne, DE From the Collection of Dorothy and Herbert Vogel, Terra Museum of American Art, Chicago, Illinois, US Open Mind - Circuit Ferme, Museum van Hedendaagse Kunst, Ghent, BE Ohne Auftrag, Mai 36 Gallery, Art Frankfurt, The New International Art Fair, Frankfurt, DE Magiciens de la Terre, Centre Georges Pompidou and Grande Halle, La Villette, Paris, FR Competition Diomede, The Clocktower Gallery, New York, US; San Francisco State University Art Department Gallery, A&I Room 201, San Francisco, California, US Ideas and Ephemera, Real Art Ways, Hartford, Conneticut, US Geometrie Meridienne, Chateau Coquelle, FRAC Nord Pas - de-Calais, Dunkerque, FR Noise et Fenetres en Vue, Musee d'Art Moderne, Liege, BE Locus Solus XII, Galerie Hubert Winter, Vienna, AT Fondation Daniel Templon, L'Exposition Inaugurale, Capitou, FR Furkart 1989, Furkapasshoehe, CH Analytic to Poetic, Burnett Miller Gallery, Los Angeles, California, US Skulpturen für Krefeld I, Museum Haus Esters, Krefeld, DE John Miller / Gary Mirabelle / Lawrence Weiner, American Fine Arts Co, New York, US In Other Words, Museum am Ostwall, Dortmund, DE Gran Pavese: The Flag Project, Museum van Hedendaagse Kunst, Antwerpen, BE; Druot Montaigne, Paris, FR Another Group Show, Galerie Hubert Winter, Vienna, AT Forum, Stalke Gallery, Hamburg, DE Hier Wird Getanzt, XPO Galerie, Hamburg, DE Group Show, Elizabeth Kaufman, Basel, CH Lineart»89 Gent, Galerie B. Coppens and R. Van De Velde, Flanders Expo, Brussels, BE «Dreams» and Other Works on Paper, Leo Castelli Gallery, New York, US Moscow - Vienna - New York, Wiener Festwochen, Messepalast, Vienna, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, DE