Sentences with phrase «gallery as a centerpiece»

A dramatic installation of more than fifty portraits demonstrating a variety of styles and subjects will be featured in the soaring fourth - floor gallery as a centerpiece of the exhibition.

Not exact matches

It's not so much that Charlie treats life like theater, it's that he treats New York as his own private art gallery, with himself as the centerpiece exhibit.

A grand portrait of America, the work stands as the centerpiece of the exhibition, filling the entire main gallery and spanning over 300 linear feet.

Sharing a booth at the fair with New York's David Nolan Gallery, the Chicago - art - scene boosters Corbett vs. Dempsey brought as their centerpiece this revelation of a sculpture by Diane Simpson, a Windy City artist in her 70s who, as Jim Dempsey puts it, «is still totally kicking ass today.»

They include a retrospective at the Fondation Beyeler in Switzerland, a solo show at Acquavella Gallery in New York, an installation of his monumental sculpture, Welcome Parade, in front of New York's historic Seagram Building, as well as his art and influence forming the centerpiece of «Art Brut in America: The Incursion of Jean Dubbuffet» at The American Folk Art Museum in New York.

As the centerpiece for her recent solo exhibition at the gallery, Owens cast from the Alley Pond Giant, a 130 - foot - tall tulip poplar tree in Queens, New York, and considered the tallest and oldest living organism -LSB-...]

Auguste Morisot's 1886 expedition up the Orinoco River serves as the centerpiece of Americas Society Art Gallery's component of the exhibition, which includes photographs, drawings, and prints.

As the centerpiece for her recent solo exhibition at the gallery, Owens cast from the Alley Pond Giant, a 130 - foot - tall tulip poplar tree in Queens, New York, and considered the tallest and oldest living organism in the city.

The centerpiece of Timothy Nolan's exhibition, a latticed and stacked trapezoidal shaped sculpture shifts, melds and reconfigures as the viewer moves around the work and throughout the gallery, sometimes taking form as the elements of the piece interact with one another, and sometimes confounding viewers» experience of spatial dynamics within the work and the larger gallery space.

Bailey's ceramic lovers look tame compared to the other sex scenes at NADA New York, which range from Alphachanneling «s stylized erotica in Jack Hanley Gallery «s booth — which could pass as storyboards from the X-rated version of Avatar — to the Girls Gone Wild - style action in Dale Lewis «s 13 - foot - wide painting «Deep Fat Fryer» (2015), which is the centerpiece of London gallery Edel Assanti «sGallery «s booth — which could pass as storyboards from the X-rated version of Avatar — to the Girls Gone Wild - style action in Dale Lewis «s 13 - foot - wide painting «Deep Fat Fryer» (2015), which is the centerpiece of London gallery Edel Assanti «sgallery Edel Assanti «s booth.

Town of Hope will be installed alongside VMFA's other paintings by American scene painters such as Edward Hopper, Thomas Hart Benton and Eldzier Cortor, and will become one of the centerpieces of the mid-20th-century American gallery.

While the gallery clearly prods us to view the latter as providing the exhibition's heft, the lighter pieces hung in the hallway hint at what the leaden centerpieces lack; namely, the lubricant image play that gives rise to slipperiness of meaning — between personal memory and collective history, perhaps — that has animated Bailey's art in the past.

The gallery, which also brought work to the Armory Show earlier this year, had a Mary Sibande sculpture as the centerpiece of its booth, which attracted consistent photography during the thursday evening vernissage.

The centerpiece was a room of materials relating to the Thousand - Yen Note Trial, which saw artists and critics — as well as artworks — making appearances in court to defend Akasegawa, who was charged with counterfeiting after police found out about the invitation to his 1963 solo exhibition at Shinjuku Dai - ichi Gallery, «On the Ambiguous Ocean,» featuring a reproduction of a 1000 - yen note on one side, and exhibition information and other motifs on the reverse.

With the exposition as its centerpiece, EXPO ART WEEK annually partners with the city's most prestigious institutions to feature select aligned programming, including museum exhibitions, gallery openings, artist talks, public art projects, open studios, and outdoor installations.