Sentences with phrase «gallery assistant in»

Swindell previously worked as an art consultant and gallery assistant in Santa Fe, New Mexico, and during her undergraduate career, she completed internships at the Smithsonian National Portrait Gallery, the New Orleans Museum of Art, and the Institute of Museum and Library Services.

Not exact matches

Upon graduation, Schorr worked as an assistant to artists Peter Halley and Richard Prince, as well as in the 303 Gallery at New York.

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In an interview Rudolph helpfully singled out an Altman film he worked on as assistant director, The Long Goodbye — a much better film, one that can accommodate in its gallery of gargoyles a tragic figure like Sterling Hayden's alcoholic novelist as well as a nightmarishly comic one like Mark Rydell's Jewish gangsteIn an interview Rudolph helpfully singled out an Altman film he worked on as assistant director, The Long Goodbye — a much better film, one that can accommodate in its gallery of gargoyles a tragic figure like Sterling Hayden's alcoholic novelist as well as a nightmarishly comic one like Mark Rydell's Jewish gangstein its gallery of gargoyles a tragic figure like Sterling Hayden's alcoholic novelist as well as a nightmarishly comic one like Mark Rydell's Jewish gangster.

But Sally's marriage to Roy (Josh Brolin) is in its own trouble; he's a novelist who hasn't been able to live up to the promise of his first book, and isn't doing much in the way of providing for their future, so she ends up going back into the workforce as the assistant to Greg (Antonio Banderas), a handsome gallery owner.

In London, Roy (Josh Brolin) is a struggling writer married to Sally (Naomi Watts), a frustrated woman trying to make her art gallery dreams come true, taking a job as an assistant for curator Greg (Antonio Banderas).

Included is an excellent new audio commentary by the always informative film historian / author Troy Howarth; an additional audio commentary by director Peter Duffell and author Jonathan Rigsby; a new 10 - minute interview with second assistant director Mike Higgins; A-Rated Horror Film, a 17 - minute vintage featurette about the film featuring interviews with director Peter Duffell and actors Geoffrey Bayldon, Ingrid Pitt, and Chloe Franks; the English and Spanish theatrical trailers for the film, both in HD; 4 radio spots; an animated image gallery with 68 stills containing on - set photos, promotional materials, and advertisements; and a collection of Amicus radio spots and still galleries for Asylum, At the Earth's Core, From Beyond the Grave, Madhouse, Scream and Scream Again, Tales from the Crypt, The Beast Must Die, The Land That Time Forgot, The Mind of Mr. Soames, The People That Time Forgot, and Vault of Horror.

She goes at the behest of her daughter, Sally (Naomi Watts), a gallery assistant stuck in a failing marriage with a failing writer, Roy (Josh Brolin).

Orly was in conversation with Adam Glick, Assistant Director of Gallery Lelong and former Martin Friedman Curator of Mad.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

In 2012, the gallery held its first showcase of art created by the ever - expanding David Zwirner staff of art handlers, sales assistants, registrars, and photographers.

They are painted a pale green, not a found green but one mixed by the artist and then matched to a Pantone color in the paint store and applied to the walls by gallery assistants.

Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery

Elyse Goldberg, Director, James Cohan Gallery Flora Katz, Independent Curator Erin Kimmel, Associate Curator, Ballroom Marfa Christopher Lew, Assistant Curator, MoMA PS 1 Omar Lopez - Chaoud, Independent Curator Matthew Lyons, Curator, The Kitchen Allyson Melchor, Trustee, La Napoule Arts Foundation Erica Papernik, Assistant Curator, MoMA Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Elisabeth Sherman, Curatorial Assistant, Whitney Museum Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, Curator, Brooklyn Museum Hrag Vartianian, Editor in Chief, Hyperallergic Edward Winkleman, Director, Edward Winkleman Gallery Jordana Zeldin, Executive Director, ArtBridge

The Art House director, Shân Edwards — who first encountered Ryan when, as a junior gallery assistant at the Camden Arts Centre, she was helping Ryan to unwrap her work for a show — hopes that this exhibition will remind the UK what a powerful talent Ryan is, and intends to tour it around other UK galleries in 2018.

At one point, we hear an Artists Space staffer in a downtown dive bar explain the gallery's horizontal organizational structure while assistant curator Harry Burke stabilizes a precarious pyramid of cocktail glasses.

Recorded as lost in the disastrous Tate Gallery flood of 1928, the painting was rediscovered by Christopher Johnstone, a Research Assistant at the gallery, when he was researching his book «John Martin» Gallery flood of 1928, the painting was rediscovered by Christopher Johnstone, a Research Assistant at the gallery, when he was researching his book «John Martin» gallery, when he was researching his book «John Martin» (1974).

An expert panel comprising Emily Butler, Mahera and Mohammad Abu Ghazaleh Curator, Whitechapel Gallery; Cameron Foote, Assistant Curator, Whitechapel Gallery; artist Ryan Gander; Co-Owner of Hales Gallery Paul Hedge; Deputy Editor of Frieze Magazine Amy Sherlock; and collector Robert Suss embraced the formidable challenge of choosing work to feature in the exhibition.

In early February 2015, I met with UC Berkeley Art Museum and Pacific Film Archive adjunct curator Constance Lewallen and assistant curator Stephanie Cannizzo in the now - closed galleries (BAM / PFA is preparing for its move to.In early February 2015, I met with UC Berkeley Art Museum and Pacific Film Archive adjunct curator Constance Lewallen and assistant curator Stephanie Cannizzo in the now - closed galleries (BAM / PFA is preparing for its move to.in the now - closed galleries (BAM / PFA is preparing for its move to...

Exhibition Tours: Daily, 13:00 and Last Fridays, 19:00 Free You can join the SLG's gallery assistants for an informal, drop - in tour of the current exhibition.

Join ICP's Assistant Curators Susan Carlson and Claartje van Dijk in the ICP Gallery at Mana Contemporary for a walk through and discussion of Winning the White House: From Press Prints to Selfies.

Mickalene Thomas (B.F.A.» 00), visiting assistant professor, Fine Arts Thomas's installation was on view in Kavi Gupta Gallery's booth in the Kabinett section of Art Basel at the Miami Beach Convention Center.

Prior to joining MoMA, Michelle Elligott was Assistant Director at the C. Grimaldis Gallery in Baltimore, Maryland.

11a — 3p: Art - making, Peking Opera Face, relating to Wŏmen (我们): Contemporary Chinese Art (Saligman Family Atrium) 11a — 3p: Button - making (Saligman Family Atrium) 11a — 3p: Scavenger hunt (Permanent Collection Gallery) 11a — 3p: Scavenger hunt: Georges Braque and the Cubist Still Life, 1928 - 1945 (Ebsworth Gallery) 11a — 3p: Calligraphy (Saligman Family Atrium) 11a — 3p: Art - making with still - life artist Bill Neukomm (Saligman Family Atrium) 11:30 a — 12p: Live music by Washington University's Asian acapella group Sensasians (Saligman Family Atrium) 12 — 12:30 p: Storytelling: Lon Po Po: A Red - Riding Hood Story from China by Ed Young (Teaching Gallery) 1 — 2p: Gallery talk with Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, on Face and Figure in European Art, 1928 — 1945.

Alien She is organized by the Miller Gallery at Carnegie Mellon University (CMU), and is curated by Astria Suparak, independent curator and former director of the Miller Gallery, and Ceci Moss, assistant curator for the Yerba Buena Center for the Arts — both of whom possess deep roots in the Riot Grrrl movement.

In the centre of the gallery, he set up a fully functional print studio, where he was present with a team of assistants two afternoons per week, making carefully carved woodblock prints as visitors observed him.

Before the Met he was graduate curatorial fellow and curatorial assistant at New York University's Grey Art Gallery, where he worked on a groundbreaking survey of art from New York in the 1970s and early «80s, The Downtown Show: 1974 — 84 (2005).

Founds the New Provincetown Print Project in conjunction with the Fine Arts Work Center; during summer, collaborates with master printer Robert Townsend and guest artists Mary Frank, George McNeil, Fred Sandback, and Gregory Gillespie on monoprint and monotype projects; at Harvard's Carpenter Center for the Visual Arts, attends weekly drawing and printmaking sessions with fellow faculty and teaching assistants, resulting in the continuing Harvard Evenings print series; solo exhibition: Michael Mazur: Color Prints, Mary Ryan Gallery, New York (also has solo exhibitions there in 1994, 1995, 1996, 1997, 1998, and 1999).

Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

And, we have a wonderful new gallery assistant, Lauren Purje, an artist from Ohio University, my alma mater, who arrived in New York City just 6 months ago and here she is already in the center of the NYC Art World!

In this conversation, Curatorial Assistant Ali Demorotski will discuss the new installations in our North Exhibition Gallery, including works on view for the first time by twentieth - century artist Elsie DriggIn this conversation, Curatorial Assistant Ali Demorotski will discuss the new installations in our North Exhibition Gallery, including works on view for the first time by twentieth - century artist Elsie Driggin our North Exhibition Gallery, including works on view for the first time by twentieth - century artist Elsie Driggs.

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

She was also a print room assistant at The Courtauld Gallery in London.

Assistant to the Director of Operations David Johnson then explains the efforts to install this extremely large, flat field painting in our galleries.

He began his career as a Research Assistant in the Department of Prints and Drawings at the British Museum before moving to work in the Education Department of the National Gallery, London as Head of Education.

The exhibition is curated by Piper Marshall, assistant curator, Swiss Institute, NY, and John Riepenhoff, Green Gallery, Milwaukee, in association with Polly Morris, Lynden's executive director.

Past events include: • Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.

Cara Manes is Assistant Curator in the Department of Painting and Sculpture at The Museum of Modern Art, where she works extensively on the ongoing displays in the collection galleries and sculpture garden, as well as on temporary exhibitions and special installations.

Carrie is currently represented by Pop Gallery in Santa Fe, New Mexico, and works as an Assistant Professor of Painting and Drawing at Florida State University.

Prior to his time with the Metropolitan, he was a gallery educator at the Morgan Library and Museum, a curatorial assistant with the City University of New York, Hunter College, and was an exhibition site supervisor with Creative Time in New York.

Published by the National Gallery of Art in association with Princeton University Press, the accompanying exhibition catalog includes essays by Greenough, Philip Brookman, consulting curator, Andrea Nelson, associate curator of photographs, and Diane Waggoner, curator of 19th - century photographs, all at the National Gallery of Art, Washington, as well as Leslie Ureña, assistant curator of photographs, Smithsonian National Portrait Gallery.

Dr. Mika Cho was appointed as Special Assistant to the President for Arts and the director of the Cal State LA Fine Arts Gallery in 2017.

With a focus on building critically thinking, historically conscious artistic communities, Butt previously served as Executive Director and Curator of Sàn Art in Ho Chi Minh City, Vietnam; Director of International Programs at Long March Project in Beijing, China; and Assistant Curator of Contemporary Asian Art at Queensland Art Gallery, Brisbane, Australia.

Reese has worked in commercial galleries since 2006 and was most recently the assistant director of Fleisher / Ollman Gallery in Philadelphia from 2010 to 2012.

Our gallery assistant Romira Halden is finalizing her bachelor in Master Urben Management.

PROXY GALLERY is Assistant Chair Annetta Kapon's micro-gallery project operating in Culver City as of January 2013, as a continuation of her Hole - in - the - Wall gallery in El SGALLERY is Assistant Chair Annetta Kapon's micro-gallery project operating in Culver City as of January 2013, as a continuation of her Hole - in - the - Wall gallery in El Sgallery project operating in Culver City as of January 2013, as a continuation of her Hole - in - the - Wall gallery in El Sgallery in El Segundo.

In the main gallery, Gregory Harris Selects, a group show of contemporary photographic works curated by Gregory Harris, Assistant Curator of Photography at the High Museum of Art, from a national call for submissions.

In 1983, he joined Tate Gallery, London as an Assistant Keeper in the Modern Collection, rising to the position of Director of Collections in 199In 1983, he joined Tate Gallery, London as an Assistant Keeper in the Modern Collection, rising to the position of Director of Collections in 199in the Modern Collection, rising to the position of Director of Collections in 199in 1998.

Panellists in 2018 included invited curator Hugh Mulholland (Senior Curator, The MAC, Belfast), Cliodhna Shaffrey (Director, Temple Bar Gallery + Studios, Dublin and IMMA Acquisition Committee member) and Christina Kennedy (Senior Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections, IMMA).

Kenneth Brummel is the coordinating curator of Mitchell / Riopelle: Nothing in Moderation and the Assistant Curator of Modern Art at the Art Gallery of Ontario.