Amelie von Wulffen's first solo museum show in the US comprised fifteen canvases that surrounded a conspicuous architectural intervention: The main gallery's ductwork had been handpainted green and connected to
the gallery floor by four green - striped faux columns that looked like so many oversize maypoles.
For this exhibition Neuenschwander will make a site - specific geometrical drawing on the parkett
gallery floor by placing marble dust in the gaps between the wooden boards.
The SCAD Museum of Art presents «Rorschach (Accidental IV)», an installation of 70 pieces of flattened antique silver, seeming to levitate just above
the gallery floor by Cornelia Parker.
Not exact matches
At 5 p.m., Brewer hosts the opening reception for an exhibition of works
by Béatrice Lebreton, Borough President's Office, Maggi Peyton Art
Gallery, 1 Centre St., 19th
floor, Manhattan.
Audio Commentary
by Film Historian Rudy Behlmer / Isolated Music Score / Documentaries: «Glorious Technicolor» (60:00), «Welcome to Sherwood: The Story of The Adventures of Robin Hood» (55:42) / «Warner Night at the Movies» Intro
by Leonard Maltin (2:41) / Musical Short: «Freddie Rich & His Orchestra» (10:47) / Cartoons: «Katnip College» (7:26), «Rabbit Hood» (7:58), «Robin Hood Daffy» (6:56) / Shorts: «Cavalcade of Archery» (8:28) with Rudy Behlmer Intro (0:58), «The Cruise of the Zaca» (18:02) with Rudy Behlmer Intro (1:54) / Making - of Featurettes: «Robin Hood Through the Ages» (6:52), «A Journey to Sherwood Forest» (13:15), «From the Cutting Room
Floor» Deleted Scenes & Outtakes (7:07) with Rudy Behlmer Intro (1:15), «From the Cutting Room
Floor» Blooper Reel Short: «Breakdowns of 1938» (12:43) with Rudy Behlmer / 2 Newsreels (2:46) with -LRB-: 40) Intros / Errol Flynn Trailer
Gallery.
Extra features on this non-SE include: a comprehensive commentary
by director Hoblit and co-screenwriter Billy Ray, with the occasional comment from Bruce Willis sandwiched in; another yak - track from producer David Foster, who concentrates on the film's background in WWII history; ten deleted scenes (in 16x9) that reveal that an even more structurally and politically complex film lies on the cutting room
floor, with elective commentary from Ray and Hoblit — they're especially sorry to see go, as am I, a bit in which the American soldiers entertain their German captors
by donning blackface; a 4 - part photo
gallery — see Bruce make serious expressions for «The Poster Shoot»; and trailers for Hart's War, Windtalkers, and the TV shows «Jeremiah» and «Stargate SG - 1».
But for those wishing to carry a long item back from their trip — whether it be a Mark Rothko from the Art
Gallery or a newly discovered artefact from the latest archaeological dig — a loading length of 2245 mm and load capacity of 1930 litres is accessed
by electronically raising the boot
floor to meet the seat base, allowing the item to slide through effortlessly.
There's a full
gallery below of the Galaxy S7 Edge — including a few side -
by - sides of the Galaxy S7 and the Galaxy S7 Edge — from the show
floor during their event, and we'll hopefully be able to add more images later on in the week.
Modern artworks created especially for the hotel
by locally born artist Marco Lanza have been added to the ground -
floor entrance hall, the
gallery and the lounge bar, depicting details of original paintings of Caterina de» Medici that now hang in the Uffizi G
gallery and the lounge bar, depicting details of original paintings of Caterina de» Medici that now hang in the Uffizi
GalleryGallery.
However, Nico can not enter the art
gallery as the investigator's guard has been instructed to not allow anyone in; when you figure out a rather amusing way past the guard, you will find that the investigator is only interested in blood related evidence which you deliberately falsify using tomato source from the underside of a pizza box that was conveniently dropped on the
floor by George earlier on, although the tomato source does have a piece of chewing gum stuck in the centre of it that has to be removed with Nico's press card.
Whether it's the work of Keith Sonnier and Joe Zucker (both of whom had shows in 2010 at Mary Boone
Gallery in New York) or the prototypes of «Rowing Needles» (1970)
by Buckminster Fuller, on view at Meulensteen in a recent show that paired Fuller's streamlined pieces with the lumpy «
Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rules.
MoMA will honor this gift
by christening three
floors of new
galleries, which are being built as part of the museum's expansion into a nearby tower at 53 West 53rd Street, the David Geffen Wing.
The first was «Eight Automobiles,» the 1951 MoMA show curated
by Arthur Drexler, who partly installed it on a ramp leading from the first -
floor galleries to the garden.
Scattered across the
gallery floor will be one thousand oranges accompanied
by a video projection documenting the fruit sellers at work.
START, presented
by Prudential, introduces START Projects, a series of curator - led initiatives that will occupy the entire second
floor of the Saatchi
Gallery.
As part of the Whitney Biennial 2012, Kasper moved everything she owns into a 23 -
by -22-foot
gallery on the third
floor of the museum.
The inaugural exhibition in 1992 took place at Hauser & Wirth's first
gallery, located in the first -
floor apartment of an Art Deco villa in the heart of Zurich; it united mobiles and gouaches
by Alexander Calder with sculptures and paintings
by Joan Miró.
Armory Show: Wolfgang Laib, small marble object placed on the
floor, surrounded
by grains of rice; at Sean Kelly
Gallery, New York City
In the white - walled, window - interrupted, vaulted - ceiling room that is the Renaissance Society's main
gallery, 20 meticulous objects shaped
by the longtime Chicagoan jut out from the walls, drop from the ceiling, rest on the
floor.
In the fair's Frame section, which includes
galleries in existence for eight years or less, São Paulo's Jaqueline Martins
gallery presents a selection of recent
floor and wall installations
by Brazilian artist Ana Mazzei.
Founded and organised
by Parallel Contemporary Art and Saatchi
Gallery, START takes place across all three
floors of Saatchi
Gallery.
Viewers can access the raised pathway via the mezzanine
gallery or stairs that lead up from the ground
floor to three scaffolding towers, where industrial 3 - D printers developed
by Formlabs will produce objects designed
by Glynn.
The Contemporary Wing's Front Room
Gallery will feature three immersive
floor - to - ceiling Wall Works overlaid with paintings, collages, and silkscreens on Mylar
by the artist.
Filled with some two dozen wire - woven openwork sculptures
by Ruth Asawa, the big second -
floor gallery at David Zwirner's West 20th Street space in Chelsea looks like a basketry forest, or a subaqueous garden, or a cloud of microbial life.
A case in point is the current exhibition of painting and installation
by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the
gallery floor while material unleashed from the book orbits about the space.
In the next
gallery, «Intersection»
by Dorothea Rockburne, one of the most widely admired artists from this period, returns to the
floor, reiterating the staining vocabulary in crude oil sandwiched between clear plastic.
The
gallery's layout is defined
by floor - to - ceiling scrims that create a maze - like installation that, coupled with the colored gels Irwin has coated the windows and fluorescents lights with,
«Assisted» KAVI GUPTA
GALLERY 835 W. WASHINGTON BLVD. «Assisted,» a vibrant group exhibition curated
by Jessica Stockholder, was predominantly installed on the second
floor of Kavi Gupta, above Stockholder's concurrent solo show «Door Hinges.»
From the front desk, one sees walls, but also two enormous
galleries for a
floor piece
by Walter de Maria.
On November 9, a group of yoga enthusiasts met at the Brandywine River Museum of Art's third
floor gallery for a session of restorative yoga surrounded
by contemplative images of the Brandywine River.The class laid out their mats and enjoyed an hour of calming, quiet yoga instruction...
David Zwirner's own architecture provides an obvious example in the so - called reveal created
by a narrow gap between the
galleries» white walls and their concrete
floor, which creates a sharp contour emphasizing the boundaries of the room.
The new London
gallery is located at Ely House in Mayfair, a historical five -
floor 18th - century mansion being sensitively restored
by New York - based architect Annabelle Selldorf.
The
galleries feature three
floors of wall drawings
by one of the greatest artists of the 20th century.
In the lush paper thicket coiling its way down the hallway, we see larger - than - life floral forms whose tranquility is undercut
by carnivorous plants creeping and crawling across the
gallery wall and
floor.
The homeyness of their work is reinforced
by the installation, with such midcentury touches as mint green walls and Eames chairs in the museum's wood - paneled second -
floor galleries.
By comparison, a seemingly similar floor piece, cast tiles by Rachel Whiteread, comes with the gallery's firm «do not touch.&raqu
By comparison, a seemingly similar
floor piece, cast tiles
by Rachel Whiteread, comes with the gallery's firm «do not touch.&raqu
by Rachel Whiteread, comes with the
gallery's firm «do not touch.»
New York — Pace
Gallery announces Grounded, an exhibition featuring a dynamic selection of
floor - based sculpture
by seminal figures in modern and contemporary art.
Finally, Gavin Brown's Enterprise (C9) dedicates its booth to new work
by Arthur Jafa, whose «Air Above Mountains (Buildings Within)» opens across all
floors of the
gallery's Harlem space on May 4.
Taking place in P.S. 1's second
floor Main
Gallery, the show will include film, video, sculpture, and installation
by ten artists.
Local Expeditions, the first major NY solo show
by artist Matthew Jensen, opened recently at Third Streaming, a decidedly un-sparkly yet beautiful second
floor gallery on the Lower East Side of New York City.
I was approached
by Natasha Manzaroli who has collected my work from way back and she is a partner at John McAslan they have a
gallery on their ground floor which is now the William Road G
gallery on their ground
floor which is now the William Road
GalleryGallery.
The museum's six adjustable ground -
floor galleries feature a combination of long - term and rotating special exhibitions, including commissions and highlights from the permanent collection, as well as presentations that spotlight under - recognized bodies of work
by pioneering artists.
A cleaning lady in southern Italy threw away a pack of broken biscuits
by modernist New York artist Paul Branca that were lying on the
floor of an art
gallery.
As one approaches the entrance to the ground -
floor main
gallery, it becomes clear that something is afoot: the open arch has been closed, sealed
by a sculpted barricade of metal, white concrete and plywood.
Artist's talk
by David Reed 7 p.m. Thursday, March 31 Rhatigan Student Center ballroom (3rd
floor) on the Wichita State University campus, 1845 Fairmount Street (Ulrich Museum
galleries open for viewing from 5 to 7 p.m.)
Spanning the
gallery's entire ground
floor, Joo's exhibition encompasses a body of new «caloric tray paintings,» as described
by the artist himself, influenced
by an older series, The Saltiness of Greatness, produced back in 1992.
«There were some glaring omissions in the collection that we were really trying to rectify, and this is one of them,» Panetta says of this abstract short
by the painter - turned - filmmaker Mary Ellen Bute (which will be screened in a black - box
gallery on the seventh
floor).
She is standing on the cement
floor of Night
Gallery in South Downtown L.A., surrounded
by «The Progress of Love,» her new show of paintings.
Off - site
galleries offered strong artist - is - present showings: at Central Fine on Normandy Drive, airbrushed paintings
by Hubert Bush; at Emerson Dorsch, Back On Earth, hatched
by Miami locals, Hugo Montoya and Brandon Opalka; at Locust Projects Daniel Arsham's fierce intervention into the
gallery floor, 25 feet wide and up to 3 feet deep, filled with artefacts from the recent past (a bashed - up guitar, a push - button telephone, radios, blown tyres — painstakingly recreated in concentric circles of volcanic ash, crystal and steel, and all sourced from eBay.
Changing Solo Shows with works
by Andy Warhol, Roy Lichtenstein, Tom Wesselmann or Mel Ramos on three
floors at the
Gallery Space in the Heart of Nuremberg expose different positions of our gallery p
Gallery Space in the Heart of Nuremberg expose different positions of our
gallery p
gallery program.