Sentences with phrase «gallery framed by»

Youth Leadership Council members at Intermedia Arts will facilitate a discussion among youth artists in the gallery framed by the exhibition Hands Up, Don't Shoot — HER and the themes of race, gender, equity, and social justice.

Not exact matches

The needlework has been float - mounted to a burgundy background with a burgundy - stained ash frame and conservation glass (framing by Powers Gallery).

Feeling inspired today by your gallery wall, think I might need to pull some frames & see what I can do with the blank wall in front of me.

Living room with PB Comfort Square Slipcovered Sofa in White, Barbara Barry Poetical Linen Pillows, Ballard Designs Durham Bunching Table, Jayson Home Gold Athena Tray, hydrangeas, Anthropologie Capri Blue Mercury Glass Candles, Pottery Barn Lamp, West Elm Jute Boucle Rug, Pottery Barn Gallery Single Opening Frames, Chanel and Her World by Edmonde Charles - Roux, Glamorous Rooms by Jan Showers and Face Forward by Kevyn Aucoin.

PB Comfort Square Slipcovered Sofa in White, Barbara Barry Poetical Linen Pillows, Ebay white leather Moroccan pouf, Ballard Designs Durham Bunching Table, Jayson Home Gold Athena Tray, hydrangeas, Anthropologie Capri Blue Mercury Glass Candles, Pottery Barn Lamp, West Elm Jute Boucle Rug, Pottery Barn Gallery Single Opening Frames, Chanel and Her World by Edmonde Charles - Roux, Glamorous Rooms by Jan Showers and Face Forward by Kevyn Aucoin.

«Equisses des personnages» is a step - frame gallery of the creature and costume designs by (former Jean - Pierre Jeunet collaborator) Marc Caro and Fabien Esnard - Lacombe, respectively; French comprehension is irrelevant here and in the «Galerie d'affiches,» an archive of Vidocq poster concepts.

Like those other films, Gallery is divided into a series of segments highlighting different aspects of the institution: the tour guides explaining a work or an artist; the craftsmen and women building frames, gallery spaces, designing and testing lighting; restorers at work fixing paintings damaged by time; and administrators debating the best ways to persevere the museums brand and grow its auGallery is divided into a series of segments highlighting different aspects of the institution: the tour guides explaining a work or an artist; the craftsmen and women building frames, gallery spaces, designing and testing lighting; restorers at work fixing paintings damaged by time; and administrators debating the best ways to persevere the museums brand and grow its augallery spaces, designing and testing lighting; restorers at work fixing paintings damaged by time; and administrators debating the best ways to persevere the museums brand and grow its audience.

Currently under the working title of Ocean's Ocho, the film will be a continuation from the Clooney / Brad Pitt / Matt Damon - led films directed by Steven Soderbergh with Bullock starring in the Clooney - Danny Ocean role and will «form a team of thieves to steal a necklace from the Met Ball in order to frame a villainous gallery owner.»

During the bizarre (and embarrassing) courtroom melodrama that serves as the film's framing story, her hockey star attorney Bill (Woody Harrelson) will object to an exhumation of her sexual history — but by the time people have finished standing up in the gallery in a show of Dead Poets Society moral support, it's evident that for director Niki Caro and screenwriter Michael Seitzman, that Josie's sexual history be clean as the driven snow means absolutely everything.

Bonus features: - «Alice's Cartoon World»: Leonard Maltin discusses shorts with the original Alice, Virginia Davis - «From Kansas City to Hollywood» Walt's silent era timeline - «A Feather in His Collar», rarely - seen Community Chest short - Audio commentary by composer Richard Sherman on «A Symposium on Popular Songs» - still frame galleries

You'll find an exceptionally scenic stretch of coastline framed by gently rolling hills along with a robust collection of art galleries.

If you start out by asking about your gallery publicity, wall space, shows, framing, marketing materials and so on, it's not going to sit well.

In the fair's Frame section, which includes galleries in existence for eight years or less, São Paulo's Jaqueline Martins gallery presents a selection of recent floor and wall installations by Brazilian artist Ana Mazzei.

2004 Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY Beginning Here: 101 Ways, Curated by Jerry Saltz, Visual Arts Gallery, New York, NY Tokyo - Chicago - New York, Tokyo National University of Fine Art and Music, Japan Sympathetic Nerve, Capsule Gallery, New York, New York The Truck Stops Here, Plus Ultra Gallery, Brooklyn, New York Six Outdoor Projects, Long Island University, NY Slice and Dice, Visual Arts Gallery, New York, NY Transmotion, Lower Manhattan Cultural Council, NY 1800 Frames 2004, City Without Walls, Newark, NJ

Stephanie undertook to enhance the galleries by pairing American paintings with appropriate antique frames.

For the Whitechapel Gallery group show Spirit of Utopia, featuring ten artists and collectives from around the world and bringing together an assembled exploration of the «what if» scenario, Liversidge has created this limited edition, Proposal for Whitechapel Editions, as a diptych: part manually type - written, part silver - leafed, each proposal has been framed by Darbyshire Framers.

The South Street Gallery & Framers in Greenpoint, NY offers custom framing for artists, by artists.

September 8 — October 8, 2007 Sharon Brant, Untitled, 2000 Enamel on canvas under handmade glass, framed, 24 x 24 x 2.25 inches Curated by Kat Griefen, Director of AIR Gallery, from the membership of American Abstract Artists, the artists in Material Matter affirm the group's openness to difference, both in form and theory, and its non-party line approach.

C24 GALLERY is pleased to Through the Frame, the first solo exhibition by California based artist Christian Vincent at C24 GGALLERY is pleased to Through the Frame, the first solo exhibition by California based artist Christian Vincent at C24 GalleryGallery.

2016 Making and Unmaking curated by Duro Olowu, Camden Arts Centre, London, UK 30 Americans, Cincinnati Art Museum, Ohio, USA Remix, Columbia Museum of Art, Columbia, South Carolina, USA You go to my head, Galerie Templon, Paris, France The Human Form, Berggruen Gallery, San Francisco, California, USA A Material Legacy: The Nancy A. Nasher and David J. Haemseigger Collection of Contemporary Art, Princeton University Art Museum, Princeton, New Jersey, USA Framing Beauty, The Grundwald Gallery, Bloomington, Indiana Turn the Page, Virginia Museum of Contemporary Art, Virginia Beach, Virginia Versus Rodin: Bodies across space and time, The Art Gallery of South Australia, Adelaide, Australia

It brings together some of the ornate frames, going back to the early 16th century, collected by the National Gallery to enclose its canvases.

A white - haired woman looks unnervingly across a huge white space in the Saatchi Gallery from ashen eyes magnified by huge tortoiseshell - framed spectacles.

Allen Frame is an artist and writer, represented by Gitterman Gallery in New York where he has had solo photo exhibitions in 2005, 2009, and 2013.

New to the fair was a sector called Survey, bringing gravitas with a deliberately digital - free zone that called on 13 galleries to present tightly curated historical projects — the standout, New York artist Alison Knowles's The Boat Book, 2014, eight 8ft - high, wood - framed movable pages covered with images described by her dealer, James Fuentes, as «seminal social sculpture» that is «read» by crawling through it.

Support for this exhibition has been provided by the Los Angeles County Arts Commission, the Tournament of Roses Foundation, Lorser Feitelson and Helen Lundeberg Arts Foundation, Bente and Gerald Buck, Anthony and Mary Podell, George and Irene Stern, Lynn and Tim Mason, Jerry Solomon Custom Picture Frames, Louis Stern Fine Arts, Kelley Gallery, Whitney Ganz, Maurine St. Gaudens, National Mustang Association and Harris Art Works, and Simon Chiu.

, silver gelatin photograms mounted to sheets of aluminum stand upright on the gallery floor, stabilized by rectangular white frames.

dalla Rosa Gallery and London Art Fair present PERFORMANCE: Some things I am not very good at by Jeremy Evans Starting with a Pecha Kucha format, Jeremy Evans walks with us through the linguistic lines that we use to frame our reality.

There will be solo shows by 19 emerging galleries in Frame and Toby Kamps of Blaffer Art Museum, University of Houston, curates Spotlight, which focuses on 20 - century pioneers.

Frieze New York 2016 included three new awards recognizing exceptional presentations from across the fair, including two Frieze Stand Prizes and a specific prize for a younger gallery in the Frame section, supported by Stella Artois.

Curators Andrew Bonacina (The Hepworth, Wakefield) and Laura McLean - Ferris (Swiss Institute, New York)-- who takes over from Ruba Katrib (MoMA PS1, New York)-- will advise ambitious solo shows by 19 emerging galleries in Frame; and Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, a section dedicated to 20th - century pioneers which expands to 35 presentations this year.

The prize acknowledged the gallery's exceptional sculptural presentation by Tau Lewis in the Frame section, dedicated to ambitious solo shows by emerging galleries.

Curators Andrew Bonacina (The Hepworth, Wakefield) and Ruba Katrib (MoMA PS1, New York)-- who hands over to Laura McLean - Ferris (Swiss Institute, New York)-- will advise on ambitious solo shows by 19 emerging galleries in Frame; and Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, a section dedicated to 20th - century pioneers which expands to 35 presentations this year.

Installed in the same gallery, Frames per Second (2011) also interacts with viewers who pass by.

Frieze New York 2018 included three awards recognizing exceptional presentations from galleries across the fair, including the Frieze Stand Prize, for the most exceptional presentation by a gallery taking part in any section of the fair; the Frieze Focus Prize, for galleries aged 12 years or younger; and the Frieze Frame Prize, for galleries ages eight years or younger, supported by Bulleit Frontier Whiskey.

Advised by curators Jacob Proctor and Fabian Schöneich, the Frame section features 18 of the world's most exciting galleries under eight years old, presenting solo shows of today's most relevant artists.

Curators Andrew Bonacina (The Hepworth, Wakefield) and Ruba Katrib (MoMA PS1, New York)-- handing over to Laura McLean - Ferris (Swiss Institute, New York)-- advised on ambitious solo shows by 19 emerging galleries in Frame; and Toby Kamps (Blaffer Art Museum, University of Houston) returned as curator of Spotlight, a section dedicated to 20th - century pioneers which expanded to 35 presentations this year.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Among the pieces that caught our (camera) eye are artworks by Tomás Saraceno (Ring Bell Light, at Esther Schipper); Rob Pruitt (Safety Cones, at Gavin Brown's Enterprise); Jennifer Rubell (Portrait of the Artist, at Steven Friedman — interview with Jennifer Rubelll coming soon); Matias Faldbakken (at Standard, Oslo); Jeppe Hein (Right Diagonal Cut, at 303 Gallery); Dan Graham (2 - Way Mirror Cylinder Bisected By Perforated, at Lisson Gallery); Jeff Koons (at Gagosian Gallery); Raphael Hefti (at Ancient & Modern); Marlie Mul (Frame, at Fluxia); James Lee Byars (Four in a Dress, at Michael Werner); Adrián Villar Rojas (at Marian Goodman), and Amelia Pica (Memorial for Intersections # 3, at Herald Stby Tomás Saraceno (Ring Bell Light, at Esther Schipper); Rob Pruitt (Safety Cones, at Gavin Brown's Enterprise); Jennifer Rubell (Portrait of the Artist, at Steven Friedman — interview with Jennifer Rubelll coming soon); Matias Faldbakken (at Standard, Oslo); Jeppe Hein (Right Diagonal Cut, at 303 Gallery); Dan Graham (2 - Way Mirror Cylinder Bisected By Perforated, at Lisson Gallery); Jeff Koons (at Gagosian Gallery); Raphael Hefti (at Ancient & Modern); Marlie Mul (Frame, at Fluxia); James Lee Byars (Four in a Dress, at Michael Werner); Adrián Villar Rojas (at Marian Goodman), and Amelia Pica (Memorial for Intersections # 3, at Herald StBy Perforated, at Lisson Gallery); Jeff Koons (at Gagosian Gallery); Raphael Hefti (at Ancient & Modern); Marlie Mul (Frame, at Fluxia); James Lee Byars (Four in a Dress, at Michael Werner); Adrián Villar Rojas (at Marian Goodman), and Amelia Pica (Memorial for Intersections # 3, at Herald St).

The exhibition, which looks spectacular in Andrew's light - filled apartment gallery, features drawings by Anthony Browne, Maria Calandra, Kevin Curran, Ryan Michael Ford, Libby Hartle, Francesco Longenecker, Eric Mavko, Thomas Micchelli, Mathew Miller, Andrew Szobody, and an amazing two - sided drawing by Alberto Giacometti himself (pictured above and at bottom), hanging by chain link from a three - dimensional wooden frame.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

The long, narrow first gallery is garnished with altered furniture frames with weavings by Dodd, strange constructions, wooden blocks fashioned into antennae configurations, gathered materials hanging from above like rotting Spanish moss, scratchy drawings, and other tilting paintings.

Whether looking over her shoulder to the more intimate Tefaf Spring, or forward to the much smaller first edition of Frieze Los Angeles 2019, her idea was to create interacting isles of visual stimulus informed by a cluster of new material (Frame), younger galleries (Focus) and underappreciated artists (Spotlight), so as to energize and broaden the experience of art.

The best booth art to be seen was (not surprisingly) featured by galleries who opted to frame their goods in the way of a curated and / or thematic exhibition.

Carrie Moyer, Sap Green, 2007 Acrylic, glitter on canvas, 50 x 40 inches January 11 — February 17, 2008 Thrust Projects presents the group exhibition FREEZE FRAME organized by gallery artist Elizabeth Cooper.

Using modernist aesthetics and ideals elucidated by the Russian constructivists and the Bauhaus school — both of which are movements known for their utopian aspirations — Cerrillo makes steel frames that outline empty gallery space, exploring the failure of Modernist abstraction to connote real meaning.

Frieze New York 2017 included three awards recognizing exceptional presentations from galleries across the fair, including two Frieze Stand Prizes and a specific prize for a gallery in the Frame section, supported by Stella Artois.

In addition to custom framing services, The South Street Gallery specializes in superior paintings, drawings, and works by artists from the northeast and around the country.

There was a point watching Hannah Ringham and Tim Crouch in Gallery 1 of the Whitechapel Gallery when, from where I was standing, the pair were perfectly framed by two Isa Genzken sculptures.

TERROIR: A NOVA SCOTIA SURVEY - THE ART GALLERY OF NOVA SCOTIA June 25, 2016 — January 15, 2017 1723 Hollis Street, Halifax, NS https://www.artgalleryofnovascotia.ca/exhibitions/terroir-nova-scotia-survey NEW DRAWINGS - STUDIO 21 FINE ART GALLERY June 10 - July 7, 2015 1273 Hollis Street, Halifax, NS http://www.studio21.ca/young2016.html ART TORONTO - Solo Booth Toronto Convention Centre Oct. 23 - 26th, 2015 Presented by Studio 21 Gallery, Charley Young will be exhibiting framed drawings on mylar and a 12 foot long mountain dGALLERY OF NOVA SCOTIA June 25, 2016 — January 15, 2017 1723 Hollis Street, Halifax, NS https://www.artgalleryofnovascotia.ca/exhibitions/terroir-nova-scotia-survey NEW DRAWINGS - STUDIO 21 FINE ART GALLERY June 10 - July 7, 2015 1273 Hollis Street, Halifax, NS http://www.studio21.ca/young2016.html ART TORONTO - Solo Booth Toronto Convention Centre Oct. 23 - 26th, 2015 Presented by Studio 21 Gallery, Charley Young will be exhibiting framed drawings on mylar and a 12 foot long mountain dGALLERY June 10 - July 7, 2015 1273 Hollis Street, Halifax, NS http://www.studio21.ca/young2016.html ART TORONTO - Solo Booth Toronto Convention Centre Oct. 23 - 26th, 2015 Presented by Studio 21 Gallery, Charley Young will be exhibiting framed drawings on mylar and a 12 foot long mountain dGallery, Charley Young will be exhibiting framed drawings on mylar and a 12 foot long mountain drawing.

A rarely used sitting room in the main house, where the furniture is covered in muslin sheets and an antique mirror keeps cold air from entering through the fireplace; the entryway of the house where Del Roscio now stays when he is in Gaeta, with a chair by Arne Jacobsen, 18th - century Neapolitan floor tiles and a poster for a Twombly show at Gagosian Gallery from 2008, framed with a vintage Del Roscio find.