Sentences with phrase «gallery is interested in seeing»

Once you've established that a gallery is interested in seeing your work, there are a number of ways this can happen.

Not exact matches

Those of you heading to London in the coming days who aren't interested in seeing Kevin Federline's throat slit at the National Portrait Gallery may want to make your way over to the Victoria and Albert Museum which is featuring an exhibi... Read

If you are actually interested to see all of the crazy things you can do in these games (or Dream Club Zero in particular), check out the gameplay below the screenshot gallery.

the interview was very informative and it makes good sense to approach selling art with a good business mind, I felt relief as I enjoy both the arts and commerce skills and see that selling is an art and an artist should not have trouble in designing a path that will work out sales special interest groups in other social networks this is just another journey a new color on the canvas I can do this thanks Cory your channel has been an inspiration I printed and sold 6 prints the first time I pitched I was selling prints of my work all with in a week end among friends I have now professionally digitized my work for reproduction online and want to offer a nice web gallery and this is where it's scary I'm an artist not enjoying computer mode I moved from an area with an art culture in Cincinnati to rural where artist is odd man in town so this is nice chatting with creative people thank you to Melissa for her uplifting input as well blessings to all

I think the most interesting part of art blogs is the chance to reveal the creative process — that's the part that you don't see in the gallery.

Please contact us if you are interested in framing your Whitechapel edition with us, or for further information on the editions currently on sale, please see the editions page on the Whitechapel gallery website or...

Please contact us if you are interested in framing your Whitechapel edition with us, or for further information on the editions currently on sale, please see the editions page on the Whitechapel gallery website or visit the Whitechapel Gallergallery website or visit the Whitechapel GalleryGallery shop.

I have become very interested in Alex Hubbards» work, having first seen a painting of his at the Indiscipline show at the Mead Gallery, his work was also one of the a subjects of discussion at the event with Bob Nickas entitled The Trouble with Harry, at Mead on 3 March 2012, where the show Eat Your Friends at Simon Lee Gallery, London was recommended and I got to visit it last week.

«The world is so open to see things in so many different ways that it's interesting to have somebody who is a real source, to go back to an essential figure who has inspired so many things that have come after,» said Mr. VeneKlasen, a close collaborator with Polke who developed his gallery show to add to the occasion at MoMA.

Choose from Sabrina, Roman Holiday, Funny Face or Love in the Afternoon, which are complemented by a series of lectures providing interesting insights into the Hollywood star and fashion favourite (various dates in July and August, please see the National Portrait Gallery website).

In the gallery at Tate Britain it's interesting to see how people respond to her work.

Caitlin Haskell: For me, it has also been interesting to think about how the closing of SFMOMA's building allows you to see its works in new contexts — in other gallery spaces, or as parts of other stories.

This interest in the corruption of modern existance was seen recently in much more fantastical terms at The Pace Gallery's Edward Kienholz exhibition.

The artists do receive a portion of their artwork sales but proceeds from the $ 100 pricetag isn't the motivating factor (the first board is supplied by the gallery to the artists): making art and knowing it will be seen by those interested in art seem to be where satisfaction is being found by participating artists.

Goodman Gallery Cape Town is pleased to present History Doesn't Laugh, a solo exhibition by Hank Willis Thomas first seen in our Johannesburg gallery earlier this year, which highlights the artist's interest in representing photographic ideas through unconventional matGallery Cape Town is pleased to present History Doesn't Laugh, a solo exhibition by Hank Willis Thomas first seen in our Johannesburg gallery earlier this year, which highlights the artist's interest in representing photographic ideas through unconventional matgallery earlier this year, which highlights the artist's interest in representing photographic ideas through unconventional materials.

While Edwards wouldn't describe himself as an aficionado, he has a lively interest in art - he buys the odd piece for his London flat, which is just around the corner from Tate Britain, and last visited the gallery to see Mark Wallinger's State Britain («very disturbing»).

In 1999, interested in materials and anti-industrial gestures, I visited Richard Salmon Gallery in London to see the exhibition «Furniture»: I was convinced that artists invariably tell us more than designers do about the everyday things of the worlIn 1999, interested in materials and anti-industrial gestures, I visited Richard Salmon Gallery in London to see the exhibition «Furniture»: I was convinced that artists invariably tell us more than designers do about the everyday things of the worlin materials and anti-industrial gestures, I visited Richard Salmon Gallery in London to see the exhibition «Furniture»: I was convinced that artists invariably tell us more than designers do about the everyday things of the worlin London to see the exhibition «Furniture»: I was convinced that artists invariably tell us more than designers do about the everyday things of the world.

It's a really interesting approach to see Land art entering the white cube gallery space in such a way.

Internationally, I'm planning to go to Art Basel Hong Kong (24 — 26 March 2016), which I missed this year, hope to see the new National Gallery in Singapore which has just opened, and will be interested to see the new Louvre Abu Dhabi in its strange flying saucer by Jean Nouvel.

I am just depressed that the motif has been seized upon by those seeing the marketability, putting her real work in the shade: the galleries choosing the dots to make oo - wow rooms instead of interesting individual wall paintings; Louis Vuitton; traders selling pumpkins; and now Tate Modern and Airbnb.

That widespread practice of stealing golden geese from other galleries does not typically make for warm and fuzzy friendships, particularly when tens of millions of dollars are potentially at stake over the course of an artist's career, and these recent arrangements have come from rare situations where dealers can work together for the sake of a shared interest in an artist — or when they both see an opportunity to make more money.

Butler writes that both shows» [suggest] that a renewed interest in traditional genres — portrait, still life, landscape — is thriving within the painting community... That galleries are positioning a new kind of painting to replace what they (and many critics) see as a tired form of abstraction is a salutary development and very different from the days when the objectness of Minimalism, performance, installation, and electronic media challenged painting.»

Many galleries exist because some works are better seen in person than on the web & because some artists do not have the interest or ability to market themselves as you do.

An art review on Friday about «Human Interest: Portraits From the Whitney's Collection» at the Whitney Museum of American Art in Manhattan, which includes a sculpture by Gary Simmons, omitted an organizer of the group show «March Madness» at the nearby Fort Gansevoort gallery, where more of Mr. Simmons's work can be seen.

An extremely interesting artist, whose work is ripe for further scholarly attention, we are pleased to be promoting Laurencin in our gallery along with a number of contemporary women artists so that their work can be seen in a cross-generational dialogue.

It's interesting to see some of the larger New York galleries open downtown and what the expansion represents in their business.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

Here the work is installed in a relatively small windowless gallery space, it could equally occupy an entire corridor wing of the Museum, and as a work in the IMMA Collection, it will be interesting to see how future «users» configure the elements.

SO What interests me about the show you had last year at Lennon, Weinberg Gallery, and what attracted me to Stella's current work is that they're both desperate; I don't see that in younger painters» work — this incredible desperation to get it all in there, to load up the work and cover all bases.

With an exhibition of spot paintings planned next year to take place simultaneously in all of Larry Gagosian's 12 international galleries, it will be interesting to see whether Hirst can defy a gloomy economic situation a second time round.

Brandt said the gallery is particularly interested to see whether The Armory Show delivers a different sort of collector than the fair's main competitor in the city, Frieze New York, where it has regularly exhibited.

Everywhere you look in art fairs, galleries, and many museums, you'll see contemporary photography — it's often more interesting than other forms of contemporary art, at least to the public.

Consequently de Ville has also stated that although the History Paintings are quite conceptually driven, they are also designed to show that different pigments «all have their own nuanced identities», evidencing an interest in «the raw essentials of painting», which he sees as characteristic of Lalic's practice (Nicholas de Ville, «Maria Lalic: Recent Paintings», in Todd Gallery 1995, p. 9).

This is certainly a must see for anyone interested in works on paper as well or alternative gallery spaces.

When I was invited by YAY gallery in Baku to take the solo exhibition TalkCloud, by Mahmoud Bakhshi, to Azerbaijan, I thought it was an interesting opportunity to show the work in a context where it would have a multitude of historical references, and see how a project that touches upon the issues which have resonance in the country's history would interact with local audiences.

The title of her first solo exhibition in eight years at Tokyo's Kaikai Kiki Gallery, and its central work, May All Things Dissolve in the Ocean of Bliss, represent the artist's renewed interest in Indian philosophy and the idea that everything we see is part of a collective unconscious.

It is, as everyone says, a remarkable building, and it's interesting to see art shown in darkened rooms — in fact, it's the first time I've really experienced a gallery that since the South Bank iteration of the Saatchi gallery in London.

Tyburn Gallery opened Broken English featuring 15 artists in September and it has been fantastic to see so much interest from both the public and collectors.

Along with a group show in the on - site gallery, everyone is sure to see something that piques interest, provokes responses and enlightens.

Lindsay Howard is a curator, researcher, and gallery director based in New York City, whose work is informed by what she sees as an essential shift in contemporary culture, specifically a growing interest in collaborative creativity, open source philosophy, and unlimited access to information.

It is interesting to see this work in relation to Glare, a handwritten text that slants down and across a corner of the gallery, from floor to ceiling.

For anyone interested in artist - run galleries and this period of American art this exhibition is a must - see.

Select group exhibitions featuring her work include Selections from the Permanent Collection: Catherine Opie and Sterling Ruby, Museum of Contemporary Art, Los Angeles (2017); Breaking News, Getty Museum, Los Angeles (2016 - 2017); A Slow Succession with Many Interruptions, San Francisco Museum of Modern Art, CA (2016 - 2017); Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York (2016); Who Shot Sports: A Photographic History, Brooklyn Museum, NY (2016); Perfect Likeness: Photography and Composition, Hammer Museum, Los Angeles (2015); Residue: The Persistence of the Real, Vancouver Art Gallery, Canada (2015); America Is Hard to See, Whitney Museum of American Art, New York (2015); Storylines: Contemporary Art at the Guggenheim, Solomon R. Guggenheim Museum, New York (2015); Unbound: Contemporary Art After Frida Kahlo, Museum of Contemporary Art Chicago (2014); and Role Models: Feminine Identity in Contemporary American Photography, National Museum of Women in the Arts, Washington, DC (2008).

An art critic remarks to a young expatriate American painter enjoying his gallery debut of thinly painted abstractions, «I see you're not very interested in matière.»

If you're interested in seeing more of the Gear S3 Classic and Gear S3 Frontier, you can check out our regular hands - on post for a gallery of images with varying styles of watch straps as well as different features.

If you're interested in seeing the results from those you can view them in the gallery just below.

In case you're interested in getting wallpapers that come pre-installed on this smartphone, you can do so via the provided link down below, but before you do that, it might be wise to check out the gallery, just so that you see if you're interested in any of these imageIn case you're interested in getting wallpapers that come pre-installed on this smartphone, you can do so via the provided link down below, but before you do that, it might be wise to check out the gallery, just so that you see if you're interested in any of these imagein getting wallpapers that come pre-installed on this smartphone, you can do so via the provided link down below, but before you do that, it might be wise to check out the gallery, just so that you see if you're interested in any of these imagein any of these images.

The results from each test can be seen in the gallery of images just below if you're interested in seeing how the device held up.

The Gionee GN5006L is made out of metal, as you can see in the gallery down below, and what's interesting here, is that this phone does not sport a fingerprint scanner.

If you're interested in seeing the benchmark results you can view them in the gallery below.