Oil on canvas Typical of the artist portrait of a woman removed from canvas places on panel early tack marks evident signed lower left
gallery label on verso The dimensio...
Untitled from 1962 is a complex tangle of rusted metal scraps exploding from a support of stapled brown paper, an early example of Chamberlain's iconic car part collages that retains the Leo
Castelli Gallery label on the reverse.
(170.2 x 218.4 cm) Signed in pencil, printed title, date and number 3/4 on
gallery labels affixed to the reverse of the frame.
Night Voyage: Homage to Joseph Cornell (c. 1962) is the perfect tribute to Edith's friend, complete with a collaged
gallery label from Cornell's exhibition at the Charles Egan Gallery in the early 1950s.
Signature lower right; retains artist's label verso; retains LA
Louver Gallery label verso; retains Corcoran Gallery of Art exhibition label verso
Bears the inscription in ink lower left sheet «353»; inscribed in ink by Lydia Park Moore «Work of my late husband David Park c. 1955 - 59 / Lydia Park Moore, 8-29-66» verso; bears the inscription in pencil «C. 4426» verso; retains James
Corcoran Gallery label verso; retains Stanford University exhibition label verso
Unique mixed media collage in artist made frame from Andre Emmerich Gallery & Bellas
Artes gallery labels, 1994
Edward Dugmore Blue - Black 1958 Oil on canvas Signed, titled, and dated canvas verso Canvas: 76 ″ x 48 ″; Frame: 77.625 ″ x 49.625 ″ Together with Holland -
Goldowsky Gallery label and Art Institute of Chicago exhibition label Estimate: $ 40,000 - 60,000 June 10, 2018 Modern Art & Design Auction
Signed and dated «F. Hammersley 1966» lower left; retains a Gary Snyder Fine
Art Gallery label verso; retains a Gary Snyder Fine Art Gallery exhibition label verso
Signed and dated lower right; inscribed «White Camel 1980» verso; retains Marlborough Gallery and Elaine
Horwitch Gallery labels verso
Lot 281 Hassel Wendell Smith Untitled 1961 Oil on canvas Signed and dated upper right edge of canvas; signed and dated verso; retains Ferus Gallery, Hackett Mill, and Hackett
Freedman Gallery labels verso; retains Pasadena Art Museum and Pomona College Gallery exhibition labels verso Canvas: 68 ″ x 48 ″; Frame: 69 ″ x 49 ″; (Canvas: 173 x 122 cm) Estimate: $ 20,000 — $ 30,000
Signed and dated in pencil lower left; signed and dated in pencil on the frame backing verso; retains
Ferus Gallery label verso
Signed and dated lower right; edition lower left; blind stamp lower right; retains Sue
Scott Gallery label verso
Signed and dated upper right; retains
Thibaut Gallery label verso; retains «In Memory of My Feelings: Frank O'Hara and American Art» and «Alex Katz: Small Paintings» exhibition labels verso; bears the inscription» # 12» in red ink verso
Bears the inscription «Llyn Foulkes / 1985 / David» verso; retains LA Louver Gallery, Kent Fine Art, and Andrea
Rosen Gallery labels verso
Cibachrome, 16 x 20 inches (405 x 508 mm), signed, dated, and numbered 1 from the edition of five in pencil on verso, with the Marian
Goodman Gallery label on back mat.
Initialed and dated «J.N.U....» in pencil on the overmat l.r., identified on a
Witkin Gallery label on the backing l.c. Gelatin silver print, image size 14 3/4 x 17 1/2 in.
Helen Frankenthaler Jade 1976 Acrylic on canvas Signed lower left; signed, titled, and dated verso; retains André Emmerich and Ameringer McEnery
Yohe Gallery labels verso Canvas: 44.5» x 41.5»; Frame: 45.5» x 42.5» Together with copy of invoice from André Emmerich Gallery
EUCALYPTUS LEAVES / BOLINAS (with Denver Museum of Art Exhibition Label, along with University of Texas Museum of Art and
Fischbach Gallery labels), 1971
Together with exhibition catalogue, copy of invoice from Louis Stern Fine Arts, and original Pasadena Art Museum, Max Protech Gallery, Henri Gallery, and Felix Landau Gallery labels
Initialed and dated in pencil «RD84» lower right; edition lower left; retains Obelisk Gallery and Richard
Green Gallery labels verso
Signed and dated «L. Mullican 1963» verso; bears the inscription «From the East» in graphite on canvas stretcher verso; retains partial San Francisco Museum of Art and Rose
Rabow Gallery labels verso
Lot 187 Edward Dugmore Untitled (1960 - G) 1960 Oil on canvas Signed and dated lower right; signed and dated in black felt - tip marker verso «Dugmore / 1960 - G»; retains Manny Silverman Gallery and
Joseloff Gallery labels verso Canvas: 79.5 ″ x 93.875 ″; Frame: 80.75 ″ x 95 ″ Estimate: $ 40,000 — $ 60,000
Signed and dated in graphite «Sept. 19 - 87 © K. Haring 87» verso; retains Martin Lawrence Galleries Michael
Kohn Gallery labels verso
Initialed «RM» in graphite lower right sheet; retains Manny Silverman Gallery, John Berggruen Gallery, and color copy of a
Marlborough Gallery labels verso
Signed and dated in graphite lower right edge of sheet; inscribed «Madrid» lower left; retains Hackett Mill, Hackett Freedman Gallery, and Manny
Silverman Gallery labels verso
Signed in pencil «A.B. Davies» lower right; retains Pomona College Gallery, La Jolla Museum of Art, University of Utah Museum of Fine Arts, Tucson Art Center, and partial American
Masters Gallery labels verso
Signed with edition in graphite lower right margin of sheet beneath image; retains John
Berggruen Gallery label verso
Signed lower center; dated lower right; retains artist's studio label and L.A.
Louver Gallery labels verso
Retains a Contemporary Arts Museum Houston exhibition label, an artist's studio label, an Oakland Museum label, and two James
Corcoran Gallery labels verso
Retains Leo
Castelli Gallery label verso; retains partial Los Angeles County Museum of Art exhibition loan label verso
Museum and
gallery labels on verso of Robert Rauschenberg's Untitled [glossy black painting], ca. 1951.
Initialed and dated in pencil lower right margin beneath image; printer blind stamp lower right edge of sheet; edition lower left margin of sheet; retains a John Berggruen Gallery label verso
For older children, you can show
them the gallery label, where the medium is usually listed along with the artist's name and the name of the piece.
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Provenance: Kenmore Galleries, Philadelphia, with
the gallery label on the frame back; private collection, Philadelphia.