Sentences with phrase «gallery modes at»

Employing a unique optomechanical interaction called Brillouin Optomechanics (described previously in Bahl et al, Nature Communications 2:403, 2011; Bahl et al, Nature Physics, vol.8, no. 3, 2012), the researchers achieved the optical excitation of mechanical whispering - gallery modes at a phenomenal range of frequencies spanning from 2 MHz to 11,000 MHz.

Not exact matches

«Whispering gallery mode resonators, which are basically optical resonators, have been intensely studied for at least 20 years,» said Srinivas Tadigadapa, professor of electrical engineering.

Maleki and his research crews at OEWaves and then Strobe further improved laser detection with what he calls a «whispering gallery mode» optical resonator, which reduces a laser's linewidth and produces a far clearer signal.

But seeming as There's no final boss at the end of the 5 level Arcade mode, the gallery has barely any pictures in it, and every Character has only 1 SUPER MOVE, it ruined it.

Raiden V: Directors Cut also features modes such as «Double Play» where you can control 2 ships at the same time, same screen co-op, Boss Rush & a Gallery for viewing concept art from the game.

At the main menu, hold L1 + L2 + R1 + R2 + D - pad Up / Left + Left Analog - stick Down / Right to unlock all bonus modes, alternate costumes, and gallery entries.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

His selection of sculptures for the Royal Academy's Summer Exhibition will be drawn from his most recent solo show at the Lambeth gallery Corvi Mora — a cast of icons à la mode that included the baby - blue - haired art student Rosie, as well as Larry, whose camouflage baseball cap offsets a deep pink tank - top vest.

Christopher Williams's ascetic aesthetic mode is the subject of a traveling mid-career retrospective, The Production Line of Happiness, on view at Whitechapel Gallery, London, until the end of June.

An effort to further the dialogue between postwar and contemporary modes of expression resides at the crux of the gallery's program.

A month before and at the same gallery, Macyn Bolt also joined disparate panels and modes of expression.

Los Angeles - based painter Allison Miller's show «Speeds,» at Susan Inglett Gallery, offers engaging new work in the casualist mode, authoritatively executed.

At the entrance to Gallery 2, viewers encounter Olafur Eliasson's Your Compound Eye, the artist's first kaleidoscope and among his earliest experiments with modes of perception relating to space, time, and movement.

Also seen the same day, down the block from Pace Gallery, in the show at Lennon - Weinberg Gallery, «H.C. Westermann: The Human Condition, Selected Works, 1961 - 1973,» some early drawings by H.C Westermann (1922 - 1981), done (as I overheard the gallerist explaining) when the artist was in the hospital being treated for testicular cancer — which he survived: his wife had brought him some crayons and paper, and he worked on a group of small drawings, some in the artist's characteristic graphic, cartoon - related style, some in a more abstract and less over-determined mode — after he recovered, these were packed away and never shown until now.

The convergence of a general mistrust of government in the wake of Watergate and the first sale of a contemporary artwork for more than $ 100,000 (at the 1973 auction of the Scull collection) saw artists seeking alternative modes of presenting and experimenting with the process of art's presentation outside the museum or the commercial gallery.

As warmup for that major event, Stella will present a show of new work at Boesky — his first since signing with the gallery this spring — that will present the dynamic sculptural works he now creates as a mode of painting in three dimensions, including one monumental piece that promises to drop a few critical jaws.

By 1936, Biederman was working in an increasingly abstract mode, and was given his first solo exhibition at the Pierre Matisse Gallery.

Recent exhibitions organized by Rudder include Embracing the Farb: Modes of Reenactment at Columbia College's Glass Curtain Gallery (2012).

Opening: «Mark Mothersbaugh: Myopia» at Grey Art Gallery As a musician, Mark Mothersbaugh has worked in playfully sophisticated and deceivingly naive art - pop modes as a founding member of the band Devo and the composer of scores for children's movies and TV shows (among them Pee - wee's Playhouse and Nickelodeon's Rugrats among them).

Using this model as a mode of presentation, Coping Copy at Konstanet, simultaneously displays work online and in a gallery space.

This ambiguity ties into the small - scale works organized for the gallery at 18th Street Arts Center in that through various modes and utilizing diverse genres, they deal with investigating the shortcomings and inexactitudes of different systems of transcribing and historicizing an authentic telling of the tales about what constitutes Latin America (ness) and its dislodging into the United States.

1988 Group Show, Marian Goodman Gallery, New York, US Broken Music - Artists» Recordings, DAAD Galerie, Berlin, DE Saga 88, Eric Linard Editions, Grand Palais, Paris, FR Gordon Matta - Clark and Friends, Galerie Lelong, New York, US Forum, Hamburg Art Fair, Hamburg, DE A Bid for Human Rights, Brendon Walter Gallery, Santa Monica, California, US Art in Bookform / Book in Artform, Presented by Zona Archives at ACRL / Weiss Conference, Firenze, IT As Far as the Eye Can See, Marian Goodman Gallery, New York, US Delfryd Celf in London, Victoria Miro Gallery, London, UK Der Hund in Mir / The Dog Within, Galerie Hubert Winter, Vienna, AT Collection du Musee Van Abbe d'Eindhoven, premiere partie, Musee des Beaux Arts de Nimes, Nimes, FR Amsterdam Koopt Kunst, Museum Fodor, Amsterdam, NL Modes of Address: Language in Art Since 1960, Whitney Museum (downtown), New York, US The Turning Point - Art and Politics in 1968, Cleveland Center for Contemporary Art, Cleveland, Ohio, US; Lehman College Art Gallery, Bronx, New York, US Collection du Musee Van Abbe d'Eindhoven, Deuxieme Partie, Musee des Beaux Arts de Nimes, Nimes, FR Le Marche comme Objet, Picard Surgeles, Paris, FR Art Conceptuel I, Musée d'art contemporain, Bordeaux, FR From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Chicago, Illinois, US Skulpturen Republik, Kunstraum Wien, Vienna, AT; John Hansard Gallery, The University of Southhampton, Southhampton, US; Third Eye Centre, Glasgow, UK Ships Sail at Night: Art and the Image of Sea, Maritime Museum, Rotterdam, NL Concept Art, Stalke Galleri, Copenhagen, DK; Brigitte March Galerie, Stuttgart, DE; L'Espace des Arts, Chalon sur Saone, FR Balkon mit Facher - 25 Jahre Berliner Kunstlerprogramme des DAAD, Akademie der Kunste, Berlin, DE Symmetry» 88, International Etalageproject, Middelburg, NL Tellus # 22 (Audio Visual Issue II), Audio Cassette magazine, New York, at ACRL / Weiss Conference, Firenze, IT As Far as the Eye Can See, Marian Goodman Gallery, New York, US Delfryd Celf in London, Victoria Miro Gallery, London, UK Der Hund in Mir / The Dog Within, Galerie Hubert Winter, Vienna, AT Collection du Musee Van Abbe d'Eindhoven, premiere partie, Musee des Beaux Arts de Nimes, Nimes, FR Amsterdam Koopt Kunst, Museum Fodor, Amsterdam, NL Modes of Address: Language in Art Since 1960, Whitney Museum (downtown), New York, US The Turning Point - Art and Politics in 1968, Cleveland Center for Contemporary Art, Cleveland, Ohio, US; Lehman College Art Gallery, Bronx, New York, US Collection du Musee Van Abbe d'Eindhoven, Deuxieme Partie, Musee des Beaux Arts de Nimes, Nimes, FR Le Marche comme Objet, Picard Surgeles, Paris, FR Art Conceptuel I, Musée d'art contemporain, Bordeaux, FR From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Chicago, Illinois, US Skulpturen Republik, Kunstraum Wien, Vienna, AT; John Hansard Gallery, The University of Southhampton, Southhampton, US; Third Eye Centre, Glasgow, UK Ships Sail at Night: Art and the Image of Sea, Maritime Museum, Rotterdam, NL Concept Art, Stalke Galleri, Copenhagen, DK; Brigitte March Galerie, Stuttgart, DE; L'Espace des Arts, Chalon sur Saone, FR Balkon mit Facher - 25 Jahre Berliner Kunstlerprogramme des DAAD, Akademie der Kunste, Berlin, DE Symmetry» 88, International Etalageproject, Middelburg, NL Tellus # 22 (Audio Visual Issue II), Audio Cassette magazine, New York, AT Collection du Musee Van Abbe d'Eindhoven, premiere partie, Musee des Beaux Arts de Nimes, Nimes, FR Amsterdam Koopt Kunst, Museum Fodor, Amsterdam, NL Modes of Address: Language in Art Since 1960, Whitney Museum (downtown), New York, US The Turning Point - Art and Politics in 1968, Cleveland Center for Contemporary Art, Cleveland, Ohio, US; Lehman College Art Gallery, Bronx, New York, US Collection du Musee Van Abbe d'Eindhoven, Deuxieme Partie, Musee des Beaux Arts de Nimes, Nimes, FR Le Marche comme Objet, Picard Surgeles, Paris, FR Art Conceptuel I, Musée d'art contemporain, Bordeaux, FR From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Chicago, Illinois, US Skulpturen Republik, Kunstraum Wien, Vienna, AT; John Hansard Gallery, The University of Southhampton, Southhampton, US; Third Eye Centre, Glasgow, UK Ships Sail at Night: Art and the Image of Sea, Maritime Museum, Rotterdam, NL Concept Art, Stalke Galleri, Copenhagen, DK; Brigitte March Galerie, Stuttgart, DE; L'Espace des Arts, Chalon sur Saone, FR Balkon mit Facher - 25 Jahre Berliner Kunstlerprogramme des DAAD, Akademie der Kunste, Berlin, DE Symmetry» 88, International Etalageproject, Middelburg, NL Tellus # 22 (Audio Visual Issue II), Audio Cassette magazine, New York, AT; John Hansard Gallery, The University of Southhampton, Southhampton, US; Third Eye Centre, Glasgow, UK Ships Sail at Night: Art and the Image of Sea, Maritime Museum, Rotterdam, NL Concept Art, Stalke Galleri, Copenhagen, DK; Brigitte March Galerie, Stuttgart, DE; L'Espace des Arts, Chalon sur Saone, FR Balkon mit Facher - 25 Jahre Berliner Kunstlerprogramme des DAAD, Akademie der Kunste, Berlin, DE Symmetry» 88, International Etalageproject, Middelburg, NL Tellus # 22 (Audio Visual Issue II), Audio Cassette magazine, New York, at Night: Art and the Image of Sea, Maritime Museum, Rotterdam, NL Concept Art, Stalke Galleri, Copenhagen, DK; Brigitte March Galerie, Stuttgart, DE; L'Espace des Arts, Chalon sur Saone, FR Balkon mit Facher - 25 Jahre Berliner Kunstlerprogramme des DAAD, Akademie der Kunste, Berlin, DE Symmetry» 88, International Etalageproject, Middelburg, NL Tellus # 22 (Audio Visual Issue II), Audio Cassette magazine, New York, US

First up from 4 September in Seventeen's new incarnation at 270 - 276 Kingsland Road is the group show «Either» and a solo for Sachin Kaeley, the only painter the gallery represents, albeit in a decidedly post-internet mode.

It is the largest show ever mounted by the Gallery, providing a comprehensive look at how the «collage» emerged as a mode of artmaking in the early twentieth century and has evolved through the rapid uptake of technology and digital media to facilitate new modes of production in all fields of visual culture today,» said Kathleen S. Bartels, Director of the Vancouver Art Gallery.

Director of the Vancouver Art Gallery, Kathleen S. Bartels, says the exhibition provides, «a comprehensive look at how the «collage» emerged as a mode of artmaking in the early 20th century and has evolved through the rapid uptake of technology and digital media to facilitate new modes of production in all fields of visual culture today.»

By the time he returned to New York in the early 1950s, he had evolved his own mode of abstraction, presented in his first solo Manhattan show at the Betty Parsons Gallery in 1956.

Among the well - known examples of his work in this mode were Soft Light Switches (1964) in the collection of the William Rockhill Nelson Gallery of Art, Kansas City, and Giant Soft Fan (1966 - 1967), a piece which was displayed in the American Pavilion at Expo»67 and was later in the Museum of Modern Art.

* catalogue 1980 * Philip Guston, (retrospective exhibition 1930 - 1979) originating at the San Francisco Museum of Modern Art: traveled to Corcoran Gallery of Art, Washington, D.C.; Museum of Contemporary Art, Chicago; The Denver Art Museum, CO; Whitney Museum of American Art, New York Philip Guston, Akron Art Museum, OH 1981 * A New Spirit in Painting, Royal Academy of Arts, London Philip Guston, Montgomery Museum of Fine Arts, Montgomery, AL 1981 - 1982 * Philip Guston: The Last Works, organized by the Phillips Collection, Washington, D.C.: traveled to Cleveland Museum of Art, OH; Museum of Art, Carnegie Institute, Pittsburgh, PA; David McKee Gallery, New York * XVI Bienal Internacional de Sao Paulo, Brazil: traveled as Philip Guston: Sus Ultimos Anos to Museo de Arte Moderno, Mexico City; Centro de Arte Moderno, Guadalajara, Mexico; Museo de Arte Moderno, Bogota, Colombia 1982 * Philip Guston: Paintings 1969 - 1980, Whitechapel Art Gallery, London: traveled to Stedelijk Museum, Amsterdam; Kunsthalle, Basel 1983 * The First Show — Paintings and Sculpture from Eight Collections, Museum of Contemporary Art, Los Angeles, CA 1984 * Philip Guston: The Late Works, National Gallery of Victoria, Melbourne; Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney * La Grande Parade: Highlights of Painting after 1940, Stedelijk Museum, Amsterdam Philip Guston: Last Works, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA 1986 * Philip Guston, Greenville County Museum of Art, SC; North Carolina Museum of Art, Raleigh; The Atlanta College of Art, GA 1987 * l'epoque, la mode, la morale, la passion, Centre Georges Pompidou, Paris, France * Philip Guston: Early & Late Works, Skidmore College Museum of Art, Saratoga, NY 1988 * The Drawings of Philip Guston, The Museum of Modern Art, New York: traveled to Museum Overholland, Amsterdam; La Fundacion La Caixa, Barcelona; Museum of Modern Art, Oxford, England; Douglas Hyde Gallery, Dublin; Galeria Nazionale D'Arte Moderna e Contemporanea, Rome.

Some apps, such as the web browser, gallery, and phone app, support Simul - Task mode, which allows you to run a different app on each screen at the same time.

We see in the portrait gallery that the Honor 7X and Moto X4 are easily the worst at portrait mode shots.