Sentences with phrase «gallery notes by»

Insightful gallery notes by costumer Caroline McCall.

Not exact matches

The point may be facile, but it was noted by all the journalists peering down from the press gallery.

You will see your photograph move up to the front of the gallery after you have logged in, but please note that «Paid Members» always get priority position in the Gallery, followed by free mgallery after you have logged in, but please note that «Paid Members» always get priority position in the Gallery, followed by free mGallery, followed by free members.

The Blu - ray debut features all the supplements of that release: three commentary tracks (one by director Terry Gilliam, one by stars Johnny Depp and Benicio Del Toro, and one by producer Laila Nabulsi and author Hunter S. Thompson), deleted scenes with commentary by Gilliam, the 1978 BBC «Omnibus» documentary «Fear and Loathing on the Road to Hollywood» (with Hunter S. Thompson and artist Ralph Steadman), the ten - minute featurette «Hunter Goes to Hollywood,» an audio documentary on the controversy over the screenplay credit, a survey of the marketing campaign, selections from the correspondence between Johnny Depp and Hunter S. Thompson (read on camera by Depp), an excerpt from the 1996 audio CD «Fear and Loathing» starring Maury Chaykin, Jim Jarmusch, Harry Dean Stanton, and Glenne Headly, background notes on Oscar Zeta Acosta (the real life activist and attorney who inspired the character of Dr. Gonzo), and galleries of storyboards, stills, and Ralph Steadman art.

Extras: Visual commentary by director Barry Sonnenfeld and actor Tommy Lee Jones with on - screen diagrams, Character animation studies, Scene deconstruction, Extended and alternate scenes, Photo galleries, Storyboard comparisons, Featurette, Documentary, Theatrical trailers, Production notes, Talent files.

Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across space and time on many themes of character, identity, success, failure, anger and disappointment.

Home Video Notes: Lion Release Date: 11 April 2017 Lion releases to home video (Blu - ray / Digital HD) with the following special features: - Deleted Scenes - Behind the Scenes Gallery - «Never Give Up» Official Lyric Video performed by Sia

Home Video Notes: Miracle on 34th Street (1947) Release Date: 10 October 2017 Miracle on 34th Street releases to home video (DVD or Blu - ray + Digital HD) in a 70th Anniversary Edition with bonus materials: - Feature Audio Commentary by Maureen O'Hara - Hollywood Backstories: Miracle on 34th Street - Fox Movietone News Footage: Hollywood Spotlight - Miracle on 34th Street TV Version — DVD ONLY - Macy's Thanksgiving Day Parade: Floating in History Featurette - Promotional Short - Poster Gallery

Extras include a liner notes essay by novelist Grady Hendrix, an interview with film critic Tony Rayns, a video essay by film critic Travis Crawford, a photo gallery, and a trailer.

The new, previously unreleased bonus features will include: • Audio commentary • Full - length documentary, «The Making of Lilo & Stitch» with scene selections and notes • 2 Animator Conversations: «Andres Deja discusses Lilo» and «Alex Kupershmidt discusses Stitch» • Deleted scenes & Early Concepts • Chris Sanders» Photo gallery • 2 new music videos: «Your Ohana», «Suspicious Minds» by Gareth Gates • The Style Book of Chris Sanders • The Story of Stitch • A Conversation with Joe Grant and Dean DeBlois • Ric Sluiter Interviews Maurice Noble • Dean DeBlois pitches a New Sequence • Mulan: «Mulan's Decision» • Dumbo: «The Train Arrives»

Rounding out the platter: a «Hong Kong Beauty Stars» animated picture gallery scored with the same sort of abhorrent techno - crap that plagues the film; a stills gallery that's brief and nudity - free, too; a few promotional stills, posters, and lobby cards; two trailers (a theatrical one and a «new» one); and a «Production Notes» segment — essentially a synopsis followed by perfunctory cast and crew biographies.

A Stills and Research gallery consists of 71 production and publicity stills, followed by six images of influential religious artwork and notes.

Of note are Northwest By Northwest Gallery which features work by two of the Sculpture Without Walls winning artists, Wayne Chabre and Steve JenseBy Northwest Gallery which features work by two of the Sculpture Without Walls winning artists, Wayne Chabre and Steve Jenseby two of the Sculpture Without Walls winning artists, Wayne Chabre and Steve Jensen.

Please note: gallery photos have been updated to showcase the result of our guest room renovation, while 360 ˚ tours shall be changed to reflect updated decor by May 1.

«When someone is offered a new work by Johns,» notes Paul Gray, co-owner of the Richard Gray Gallery in New York and Chicago, «they don't often say no.»

(Zeng is also currently represented by Gagosian Gallery and ShanghART Gallery, and a release notes that he will continue to maintain a relationship with both operations.)

A press release also notes that Gavin Brown's Enterprise and Paula Cooper Gallery are returning to the show after taking some years off, and hints at some interesting projects — David Zwirner will be showing Josef Albers's works on paper, for instance, and Petzel will be hosting a four - decade survey of works by Joyce Pensato.

Note: This essay, written by artist and art writer Thomas Micchelli, originally appeared in the catalogue for «Free Fall,» Cordy Roman «s 2017 solo show at Tower 49 Gallery.

1986 Art on Paper, Weatherspoon Art Gallery, UNC Greensboro, NC Romanticism & Cynicism in Contemporary Art, Haggerty Museum of Art, Marquette Univ., Milwaukee, WI First Impressions, Allan Frumkin Gallery, New York, NY Ten From The Drawing Center, Paine Weber Art Gallery, New York, NY Senza Paura, Wessel O'Connor Gallery, Rome, Italy Inaugural Exhibition, Curt Marcus Gallery, New York, NY Notes From the Underground, Allan Frumkin Gallery, New York, NY 57th Between A & D, Holly Solomon Gallery, New York, NY EL Arte Narrativo, PS 1, Long Island University, New York, NY Alumni Exhibition, Pratt Institute, Brooklyn, NY New Art, Modernism Gallery, San Francisco, CA New York, NY / Seattle, Seattle Center on Contemporary Art, Seattle, WA Outline, Cutout, Silhouette, Allan Frumkin Gallery, New York, NY Avenue C By The Sea, Tower Gallery, East Hampton, New York, NY East Village Collection, Palladium, New York, NY Summer Pleasures, Nancy Hoffman Gallery, New York, NY

Please note that the correct provenance for this lot is: Estate of Willem de Kooning, New York Thomas Ammann Fine Art, Zurich Private collection Matthew Marks Gallery, New York Private collection, New York L&M Arts, New York Acquired from the above by the present owner

Her work was recently featured at Prospect.3: Notes for Now, curated by Franklin Sirmans, New Orleans, LA and the Jamaica Biennial 2014, National Gallery of Jamaica, Kingston.

The catalogue, published by the Upper East Side gallery Zwirner & Wirth, includes two pages of notes written by the artist in the 1970s, which read like a crash course in the paradoxes woven into his incorporeal realm of three - dimensional lines drawn in space:

Please note: This Returns Policy applies to items purchased through lawrencealkingallery.com and by telephone only (assuming there has been no visit to our gallery to inspect the item), items purchased by any other method (including at our high street gallery) are likely to have a different policy, please ask for details when making your purchase.

In an essay about the Quogue Gallery exhibition, Charles A. Riley II notes that the show «calls for an aesthetic that traverses the boundaries of artistic categories» and suggests that an understanding of the «tectonic» weaving together of materials as described by architecture professor Kenneth Frampton can be useful in enhancing the appreciation of beauty in different media.

Of note is the 12th Street Gallery, a pop space organized by Danceplace that will pay homage to Hispanic culture via a group show of mixed media visual art.

All Activations will be held at Girls» Club, in the main gallery amongst the contemporary art exhibition I think it's in my head, curated by the TM Sisters, unless otherwise noted.

Please note this work will be included in the forthcoming catalogue raisonné currently being prepared by McKee Gallery.

As the gallery notes: «Although often initiated by spontaneous encounters and intuitive connections with his sitters, Taylor's portraits carry a visual lexicon that he has developed over decades.

A few observers noted how the exhibitions she organized — among them, Eccentric Abstraction at the Fischbach Gallery in 1966 and 557,087 at the Seattle Art Museum three years later — bolstered Lippard's own «creative originality» at the expense of the «explanatory historicism» exemplified by the artists she championed.

A 2002 exhibition at the Addison Gallery of American Art, curated by Klaus Kertess and accompanied by an ambitious exhibition catalogue, also served to cement his place as a contemporary artist of note.

Two UK exhibitions last year were of particular note: the ambitious but skewed Peace and Freedom at Tate Liverpool, which interpreted the work solely through the single, distorting lens of Picasso's «political activism», and the Gagosian Gallery's Mediterranean Years, which, in simply highlighting Picasso's playfulness, was by far the more beguiling and seductive.

By the time of his first show, which was held in 1975 at Susan Caldwell Gallery, Reed was able to synthesize the reductivist, materialist legacy of everything that had happened to abstract painting since Minimalism and use it to reopen the medium (at a moment when it was widely denigrated) to sensuality, expressivity, and performative presence, to the «new precisions of feeling» noted by Peter SchjeldahBy the time of his first show, which was held in 1975 at Susan Caldwell Gallery, Reed was able to synthesize the reductivist, materialist legacy of everything that had happened to abstract painting since Minimalism and use it to reopen the medium (at a moment when it was widely denigrated) to sensuality, expressivity, and performative presence, to the «new precisions of feeling» noted by Peter Schjeldahby Peter Schjeldahl.

Washburn Gallery will offer a selection of recently rediscovered landscapes and tree studies by abstract painter Myron Stout, and Chambers Fine Art will exhibit recent abstract ink paintings on rice paper by noted Chinese artist and calligrapher Wang Dongling, alongside mixed - media paintings by Yan Shanchun.

Gallery hours are: Wednesday - Saturday 13:00 - 18:00 and by appointment Please note that the gallery is closed on Sat 28th ofGallery hours are: Wednesday - Saturday 13:00 - 18:00 and by appointment Please note that the gallery is closed on Sat 28th ofgallery is closed on Sat 28th of April.

The gallery exhibitions will run from December 1 to February 1, 2012, and additional entries will be featured in special online exhibitions on the project website, curated by noted museum curators and gallery directors.

With McCarthy aping Koons and Sehgal trespassing into the work of Parreno and Huyghe, it's interesting to note that the new series at Sadie Coles Gallery by Richard Prince — both the jester and king of appropriation — seems to portend a move away from that controversial practice.

Apfelbaum's Color Notes, and Imprints in the Landscape, which features photographs by Diane Burko on the 3rd floor of the gallery, are Independent Projects of Philagrafika 2010.

Catalogue of the exhibition of works using textile dyes on unsized paper at Tate Gallery, London, with a Portrait of the Artist by Bruce Chatwin and Artist's Notes, 1982.

«Her radiant paintings of the past three decades evoke the rhythms of the natural world,» the gallery's obituary notes, «marked by constantly changing dynamics of everyday events of the sky.»

This is the third show of Hammons's work presented by Mnuchin (formerly L&M Arts), and though much care has been taken to note that the gallery does not strictly represent the artist, it seems clear that Hammons finds satisfaction in the contrast of having his work — frequently made from lowbrow or dilapidated materials — showcased in the refined and august premises of the Upper East Side townhouse.

OPENING PERFORMANCES Thurs 21 May Goodman Gallery, JHB • 18:30 The DISRUPTER X Project: NOTES FROM THE ANCIENTS by Pamela Phatsimo Sunstrum & Thenjiwe Niki Nkosi, featuring Dion Monti and Lisa Jaffe (SA) • 19:00 Anamnesis initiatory vision by Joël - Claude MEFFRE (FR) for artist Haythem Zakaria (FR / TN).

The sketch Mist Fantasy, Sand River, Algoma (1920, National Gallery of Canada) shows how he used the sketches he made in Algoma: the finished canvas (1922, now in the Art Gallery of Ontario), with its long ribbons of mist, was noted by a later critic as the height of MacDonald's way of stylizing form.

Exhibition notes written in discussion with Valentine are available in the gallery and by request.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

Of particular note were the moving image photos by Leslie Thornton at the Winkleman Gallery from Chelsea, New York.

, Yamamoto said he and his wife feared the $ 350,000 monochrome by Corse that they purchased from L.A. gallery Kayne Griffin Corocoran's Armory Show offerings «would go away» if he didn't purchase it immediately, noting that «Normally, we'd put it on reserve, come here, see it and then buy it.»

2014 Venus Drawn Out: 20th Century Drawings by Great Women Artists, The Armory Show Modern, New York, NY Beyond the Spectrum: Abstraction in African American Art, 1950 - 1975, Michael Rosenfeld Gallery LLC, New York, NY RISING UP / UPRISING: Twentieth Century African American Art, Michael Rosenfeld Gallery LLC, New York, NY The Harmon & Harriet Kelley Collection of African American Art: Works on Paper, Pennsylvania Academy of Fine Arts, Philadelphia, PA African American Art: Harlem Renaissance, Civil Rights Era and Beyond, Crocker Art Museum, Sacramento, CA Conversations: African and African American Artworks in Dialogue from the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby Jr., Smithsonian National Museum of African Art, Washington, DC Prospect.3: Notes for Now, New Orleans Museum of Art, New Orleans, LA

On this tape we see four recent exhibitions at the Mary Boone Gallery in New York, a 1984 interview with Fischl by noted art critic Peter Schjedahl as well as an interview conducted by Paul Tschinkel in 2002 at the artist's NY studio.

Lehigh University announces an exhibition of work by noted Abstract Expressionist Joan Mitchell at the Zoellner Arts Center Main Gallery from January 16 — May 19, 2013.

Hadley Holliday: One with the Sun, New Paintings at Carl Solway Gallery, by Karen Chambers, Aeqai, February 2013 XYZ The Geometric Impulse in Abstract Art, exhibition catalog, Torrance Art Museum, 2012... might be good, Issue # 199, Technicolor from Coast to Coast, by Emily Ng Art on Paper 2012, exhibition catalog, Weatherspoon Art Museum, 2012 Hadley Holliday Sets New Sights at Taylor de Cordoba, Huffington Post, March 2012 Hadley Holliday Wows with Striking Abstractions, by Angelica Martin, Societe Perrier, March 2012 Get Lost in a Patterned Wonderland, by Lilian Min, Refinery 29, February 2012 Rainbow Connection, by Sierra Feldner - Shaw, Style Section LA, March 2010 Hadley Holliday: Paintings at Solway Jones, by George Melrod, Art Ltd., November 2009 Artist of a Totally Different Stripe, by Holly Myers, Los Angeles Times, September 18, 2009, p. D23 West Coast Painters, Korea Times, June 23, 2009 Gravity and Transformation at Kristi Engle Gallery, ArtWeek, Sept 2008 Notes from the Overpass, by Adam Schwartz, Open Studio Magazine, April 2008 Supersonic: One Wind Tunnel, Eight Schools, 120 Artists, exhibition catalog, Art Center College of Design, Pasadena, CA, 2004