Sentences with phrase «gallery of images taken»

Check out the amazing video below, scroll down for a full gallery of images taken & a step

Not exact matches

And yet, when the gifted musician / author Jeremy Begbie reviewed art historian Dan Siedell's book God in the Gallery in the current issue of Image, Begbie appeared - ever so subtly - to take issue that Dan Siedell, in a book about art, limited himself to «one particular current within the Nicene river, the Eastern Orthodox tradition... and the council of Niceae (787 CE), the conference which established the orthodoxy of icons.»
As the folks at the Michael Kohn Gallery in L.A. explain it, the art exhibit that opened last Saturday «takes the idea of the object — in this case the seductive shape of the surfboard — and attempts to trap the image beneath the fiberglass and resin surface.
Images of space - age dreams From Russia's cosmonaut training facility to NASA's Apollo control centre, our gallery takes you inside the space industry — but with a twist.
Weissman - Unni's images took first place in a 2006 contest sponsored by the Barcelona Science Museum and have been featured everywhere from an online photo gallery for the journal Cell to the Web site of the Museum of Modern Art.
This gallery features beautiful and fascinating images of volcanoes and eruptions taken from satellites orbiting our planet.
Prehistorians say the find is exceptional not just because of the number and variety of animal images, but for the sheer size of its four main halls and smaller interconnecting galleries, and the care the cavers took to leave the floor undisturbed.
Take a look through our gallery featuring a selection of the best space images and photographs of 2017.
Take a trip through some of humanity's most spectacular galactic glimpses in our special gallery featuring the best deep space images ever captured.
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This Wednesday sees the release of Uncanny Avengers Annual # 1, and you can take a look at a preview of the issue right here; click on any of the gallery images for hi - res versions... The only good Nazi is an undead Nazi... The Uncanny Avengers take on magic in this supernatural adventure!
Ahead of its debut on Wednesday, Marvel has released a preview of Silver Surfer # 1, which we have for you here; click on any of the gallery images for hi - res versions... The Surfer has taken Dawn Greenwood to the end of the universe, and now he's going to show her the most fantastic planet -LSB-...]
Carnage is back and heading up his own series from this coming Wednesday, and you can take a look at a preview of the first issue right here; click on any of the gallery images for hi - res versions... Get ready to scream!
This November, the symbiote psychopath and most dangerous serial killer in the Marvel Universe is back in Carnage # 1, and we've got a first look preview for you right here; click on any of the gallery images for larger versions... Legendary writer Gerry Conway (Amazing Spider - Man: Spiral) and artist Mike Perkins (Deathlok) take you -LSB-...]
Michelle has been spotted in NYC on February 06, the pictures are available in the gallery, you will also find 4 new stills of Michelle in The Greatest Showman and the latest social media images, one from Busy's Instagram account, taken during her birthday in 2005 and another one from the actor Judge Reinhold who played Michelle's dad in the tv show «Raising Caines» in 1995, michelle was 15 years old, here is his message:
A viewer - navigated gallery of photos presents 50 images taken by set photographer Philippe Antonello, offering another compelling angle of behind - the - scenes coverage.
Legendary's Pacific Rim: Tales From The Drift gets underway today, and we have a preview of the first issue for you right here; click on any of the gallery images for hi - res versions... Following the graphic novel Tales From Year Zero, Legendary takes you back to the front lines with Pacific Rim: Tales From -LSB-...]
To take a look at Awardsline's exclusive gallery — also featuring images of Natalie Portman, Emma Stone, and Ryan Gosling — click the image above.
Check out the picture gallery for a set of new images taken live on the show's floor.
For GT - R fans, we've got a full gallery of images and if you're an R35 fan, you'll want to take your time going through these pix.
The 2014 Lamborghini Huracan LP610 - 4 takes over the decade long reign of the most succesful Bull ever, the Gallardo, check out almost 150 images in our gallery
If you take a look at the gallery down below, you'll notice a bunch of images taken at MWC showing off this device.
If you take a look at the gallery down below, you'll notice a couple of images showing of a ton of Samsung accessories for you to take a look at.
Take a look at our image gallery to view some of the items we currently have available now for purchase.
Take a glance at our Cancun resort photo gallery and see for yourself everything you will enjoy here for it has images of this impressive resort, as well as of the amenities and services that you are about to receive while staying with us.
Shown for the first time in the U.S., Gaillard's monumental work Artefacts (2011) imparts a reflection on the myth of Babylon takes form through a montage of scenes from post-conflict Iraq interwoven with images of the ancient civilization's antiquities, none more famous perhaps than the Ishtar Gate, reconstructed in an austere gallery of the Pergamon Museum in Berlin in the 1930s.
In November, the gallery, at its West 20th Street location, will mount a show of Mr. Eggleston's «The Democratic Forest» images, taken on his travels in the 1980s.
Hosting its first exhibition dedicated to time - based media this past spring, IPCNY joined the bevy of galleries now taking on the moving image.
An exhibition of photographs by George Hallett Consigned for Future Memory presented at PR1 Gallery and the Centre for Contemporary Art brings together a selection of images taken by South African photographer George Hallett during his life in exile in the 1970s and 1980s.
Gander is an inventive polymath, a creator of worlds and teller of tales, whose making takes forms as varied as a lecture series entirely based on «loose associations,» a nonlinear narrative of wildly disparate ideas and images found and collected by the artist; re-creations of children's tent - forts sculpted in marble; the construction of complex mechanisms to generate a gentle breeze that wafts through a gallery; a conveyer belt carrying sculptures that can only be seen through one window; or detailed designs for an art school that may never be realized.
Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY
On view until 20 February at New York's Steven Kasher Gallery, «Louis Draper» is a major retrospective of over 75 prints, taken from the 1950s to the 1980s, featuring portraits of civil rights leaders and artists, Civil Rights - era street photography and images taken in Senegal in 1977 — 78.
Taking advantage of an ancient optical principle that a ray of light entering through a small hole into a dark room will project an upside - down view of the outside world, Leonard covered one of the Whitney's distinctive «eyebrow» windows with a lens board, throwing a ghostly, inverted image of the street onto the walls, floor and ceiling of an unlit gallery.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
Serpentine Gallery, London, November 2015 — 14 February 2016 Transience, Michael Craig - Martin RA's first solo show since 1989, takes images of obsolete technology and transforms them into a commentary on the disposable nature of innovation today.
Through three floors of the gallery, Leonard's family narrative unfolds — beginning with the various iterations of her old family photographs and then expanding to new images of pigeons over a New York skyline she took, presented as contact sheets.
In the exhibition, Tate presents iconoclasm as largely a historical phenomenon, but in doing so overlooks acts of image - breaking that are taking place all too frequently today both outside and inside the gallery.
While Fried described the spectator's connection with a work of art as a momentary visual engagement, Smithson's non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery.
Tseng never left home without his camera, and the Grey Art Gallery exhibition features rarely seen images he took that document the downtown performance and club scene of 1980s New York.
Taking process as a central subject, Chu and Huang will use the gallery for both exhibition and studio, creating an ever - changing workspace to consider the visual resonance of an image, place or narrative once it has ceased to exist.
The profile of artists working in moving image has been elevated in recent years by those who've made the leap into cinema — Steve McQueen, Sam Taylor - Wood, Gillian Wearing — and those taking over leading gallery spaces — Tacita Dean at Tate Modern, Pipilotti Rist at The Hayward.
Images of numerous flies and a clear plastic collared shirt are mounted on a white polysilk curtain, which takes up the entire back wall of the gallery.
«The 23rd Street Gallery Brunch was organized by the participating galleries as an opportunity for Chelsea visitors to view some of the current exhibitions along 23rd St in addition to the nearby art fairs taking place nearby, including the Moving Image Art Fair and the Independent Art Fair.»
In the main gallery, alongside a soft sculpture of a stand of velvet ropes, Holstad will exhibit new «eraserhead» works (1996 - ongoing), so - called for method the artist has developed by taking clippings from newspapers and erasing and redrawing elements of the image.
Dinh Q. Lê's exhibition at Shoshana Wayne Gallery, Los Angeles, also presents a continuation of Dinh Q. Lê's photo - weavings in which black and white photographs taken during the Vietnam War are woven together with richly colored images from present day.
Today from the archives we bring you Anuradha Vikram's review of the Hammer Museum's 2014 show Take It or Leave It: Institution, Image, Ideology, which includes an extended reflection on Fraser's noteworthy early performance Museum Highlights: A Gallery Talk and how Fraser's career has «paralleled that of institutional critique as a -LSB-.....]
Lawler's work takes two significant images from her archive and stretches them at eye - level around the perimeter of the gallery space.
Taking a cue from programs that the ensemble presented with curators at the National Geographic Society and the Metropolitan Museum of Art, Gallery music department head Stephen Ackert combined the ensemble's holiday repertoire with images of paintings from the Gallery's permanent collection, which have in past years been featured on Christmas stamps issued by the Unites States Postal Service.
Today from the archives we bring you Anuradha Vikram's review of the Hammer Museum's 2014 show Take It or Leave It: Institution, Image, Ideology, which includes an extended reflection on Fraser's noteworthy early performance Museum Highlights: A Gallery Talk and how Fraser's career has «paralleled that of institutional critique as a discipline.»
At the Gagosian Gallery, Richard Prince has been getting it in the neck for taking images from Instagram feeds, reprinting them on large canvases and presenting them as a new body of work.
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