Sentences with phrase «gallery presentations as»

Not exact matches

Speakers at a presentation tied to the latest AAAS Art Gallery exhibit addressed the similarities between artists and scientists as well as the intersections between art, science and policy.

Located in an actual art gallery, the Katie Gallagher presentation was a nice change of pace as well as location from the previous events.

Disc 2 is deluged with games and activities such as an Under the Sea Virtual Ride (as well as featurettes about its creation), DisneyPedia: Life Under The Sea (full of fun facts about fish), Backstage Disney's Treasures Untold (the making - of The Little Mermaid), deleted scenes and an alternate ending (with filmmaker introduction), Storm Warning (meet the special effects unit), art galleries, an early presentation reel, the original theatrical trailer and a song demo of Silence Is Golden.

His dance films (Ballet, 1995; La danse, 2009; and Crazy Horse, 2011) are astounding, and, along with 2010's Boxing Gym, form with National Gallery as expansive a look at the business, craft and sheer effort that goes into the presentation of art to an audience.

Rounding out the amazing presentation, we have Mark Wickum, the best in the business at this sort of thing, contributing a wonderful «Wes Craven Biography»; an exhaustive stills gallery split into «Behind the Scenes,» «Posters & Advertising,» and «Storyboards»; two trailers and four TV spots; and a DVD - ROM feature containing the full script in PDF (as well as a couple of screensavers that I'm afraid to load on my antiquated system).

Georgia Aquarium general admission tickets include admission to all of our galleries, Under the Boardwalk sea lion presentation and AT&T Dolphin Celebration presentation, as well as any special exhibits when available.

Free cultural activities are included for all our Spanish students and include lectures, movie presentations, cooking classes, tango lessons and also field trips to museums, art galleries, parks and many others such as the Cemetery of Recoleta, and the famous Caminito in La Boca.

Attractions include Wat Thmei Pagoda and Wat Preah Inkosei as well as the Angkor National Museum, which hosts eight galleries of artefacts from the ancient Khmer empire and multi-media presentations on the history and culture.

The presentation of the game is solid with a great user interface across various menus such as the main menu, character gallery menus, options menus and various gameplay menus with support for navigation via the left analogue stick, directional pad, face buttons and touch pad, although there is no support for navigation via the right analogue stick.

Commissioned by The Ballroom as a component of the Fire Into Music presentation, the silkscreened mural was printed directly onto the gallery walls.

«After - after Tears» is organized as part of CHR's Museum as Hub residency and gallery presentation by the same title (on view from May 22 — July 7, 2013).

In the gallery — conceived by the artist as an antichambre to the program of presentations of the film — the rich black and white palette of «A Village by the Sea» is juxtaposed with monochrome color.

On the first floor of the gallery, complex layers of sculptures unfold as a series of experiments, leftovers, or introductions, challenging the distinctions between the process of creation and presentation.

Exhibitions, Lectures, Presentations & Gallery Tours Beginning with dedicated frame exhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal confeGallery Tours Beginning with dedicated frame exhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal confegallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal confegallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal conferences.

New artists editions by Paul Chan, Rashid Johnson and Richard Prince will be launched at the upcoming Frieze New York, as Marian Goodman Gallery makes a presentation on behalf of Downtown 4 Democracy.

Solo presentations include Zabludowicz Collection, Enclave Gallery, The Architecture Foundation, Martin Creed's House and Auto Italia, London; as well as group projects including Can Felipa, Barcelona, ICA, South London Gallery, SPACE Gallery, Milton Keynes Gallery, Ibid Projects, Paradise Row, Ceri Hand Gallery and David Roberts Art Foundation amongst others.

Through a series of talks, conversations, and presentations with professional curators, artists, and thinkers, and site visits to museums, galleries, studios, and alternative spaces, participants will be able to engage with the local art community and advance their careers as curators.

With two LES gallery spaces as of 2014, Miguel Abreu's program is one of the most dynamic, with a constant stream of openings, readings, performances and book presentations (he also runs Sequence press) throughout the year.

The gallery staged three Willem de Kooning exhibitions as well as presentations of new work by visionary contemporary artists including David Hammons and Paul McCarthy.

Hirst was awarded the prize for his curatorship of, and contribution to, «Some Went Mad, Some Ran Away» (Serpentine Gallery, London, 1994), as well as for presentations of his work in the UK and abroad.

The museum's six adjustable ground - floor galleries feature a combination of long - term and rotating special exhibitions, including commissions and highlights from the permanent collection, as well as presentations that spotlight under - recognized bodies of work by pioneering artists.

California (Sacremento to be exact), native, Liz Larner presents a new body of work at Regen Projects in Los Angeles, but what is happily off - kilter about this bold, sculptural presentation, is that coupled with it viewers find a side gallery in which an earlier selection of notably smaller, object - based works acts as an unusual and telling counterpoint.

While the Green Gallery was not a commercial success, it was distinguished by Bellamy's wide - ranging taste and his presentation of artists working in directions that soon became recognized as vital trends.

Carel Visser studied architecture as well as Drawing and Sculpture at The Hague and throughout his career has been an extremely popular and well respected artist in The Netherlands having had a large retrospective of his works at The Stedelijk Museum in Amsterdam in 1960 at 32 years of age, as well as having a number of museum and gallery presentations, Bienniale participations and commissions in graphic design.

As newcomers to the material themselves, they sensed that a presentation organized geographically might not mean much to most visitors, so they laid out the show thematically; an introductory gallery is followed by sections on «the Dreaming» — a belief system connecting «all objects, lands, life forces, and beings — the land, ceremony, and mortality.»

Deliverance, as a gallery exhibition, functions more as an educational presentation of documentation of the various artists» work, rather than a visually meaty presentation of performance documentation.

Past winners have gone on to solo - exhibitions with the gallery, presentations at art - fairs, or inclusions in publications, such as «100 Painters of Tomorrow», as well as other noteworthy opportunities with Beers and other galleries alike.

Our two fairs (Basel and New York) began with their own unique identities: VOLTA Basel was founded by three galleries as a fair «by dealers, for dealers», meaning first and foremost we have the galleries» (and their artists») best interests in mind, from the quality and curation of art to the venue and presentation of it.

Programs such as keynote lectures from visiting scholars, gallery talks, readings, archival presentations, adult education courses, and film screenings at the Museum will be presented at no cost to all registrants.

Curated by Arne Glimcher, the founder of Pace Gallery, the exhibition evolved from the critically successful presentation of the series at Pace Gallery in London in 2017 and showcases several monumental paintings from that exhibition, as well as new loans from major museums including the Albright - Knox Art Gallery and the National Gallery.

While the organizational principles of the first presentation remain — such as gallery installations aligned with the geographic locations where the works were created — a deeper understanding of Still's imagery and themes are revealed through new comparisons and associations, suggesting there is still much to learn about this extensive body of work.

The first major presentation of Truitt's work at the Gallery, the exhibition celebrates the museum's acquisition of several major artworks by Truitt in recent years, including seminal works from the collection of the Corcoran Gallery of Art as well as several outstanding loans.

He has had solo shows and presentations at prominent venues such as the Institute of Contemporary Art, Philadelphia; Carl Kostyal, Stockholm; David Risley Gallery, Copenhagen; Artspeak, Vancouver; Mother's Tankstation, Dublin and the Institute of Contemporary Art, Portland, Maine.

WE (Not I) began as a series of discussions and presentations at South London Gallery, London and Artists Space, New York in 2015, which gathered over 100 women artists, writers and curators together to discuss their projects in relation to authorship, collaboration, and the valuation of feminist practices.

Featuring five of eight computer - animated films that comprise the artist's seminal Poemfield series (1966 - 1971), as well as a small selection of related computer graphic prints on paper, this presentation illuminates a significant pillar of the gallery's ongoing mission to re-engage historical work within contemporary contexts.

As in the case of our juried exhibit open to artist of all ages & persuasions, Viridian has instituted a digital presentation of 30 artists selected by the gallery director, Vernita Nemec, giving an opportunity to 30 additional artists and giving gallery visitors a chance to see the work of more artists of merit.

The 2017 programme includes the returning Spotlight section for rare solo presentations of 20th - century pioneers curated by Toby Kamps (Blaffer Art Museum, University of Houston) as well as the Collections section, featuring specialist galleries with extraordinary art and objects, selected by independent curator Sir Norman Rosenthal.

Both tours include visits to artist - run spaces, studios, galleries, museums, and more, as well as presentations, potlucks, and facilitated discussions amongst the artists and participating administrators.

Curators Andrew Bonacina (The Hepworth, Wakefield) and Laura McLean - Ferris (Swiss Institute, New York)-- who takes over from Ruba Katrib (MoMA PS1, New York)-- will advise ambitious solo shows by 19 emerging galleries in Frame; and Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, a section dedicated to 20th - century pioneers which expands to 35 presentations this year.

Its presentation, timed to coincide with the 25th anniversary of the LA riots in April 2017 at Gallery 169 in Santa Monica, CA, served as a memorial honoring the 23 unsolved homicide victims who lost their lives during the uprising.

In addition to appearing in the special exhibitions listed above, Quiet House — Black Mountain was shown in SFMOMA's galleries in 1999, 2000, and 2005 as part of rotating presentations of the permanent collection.

Curators Andrew Bonacina (The Hepworth, Wakefield) and Ruba Katrib (MoMA PS1, New York)-- who hands over to Laura McLean - Ferris (Swiss Institute, New York)-- will advise on ambitious solo shows by 19 emerging galleries in Frame; and Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, a section dedicated to 20th - century pioneers which expands to 35 presentations this year.

In addition to appearing in the special exhibitions listed above, Untitled [glossy black painting] was shown in SFMOMA's galleries in 1999, 2000, 2003, 2004, 2005, 2006, and 2016 as part of a series of rotating presentations of the permanent collection.

As per tradition, The Armory Show will present different sectors of its rich exhibition programs, which includes Armory Presents, dedicated to single and dual artist presentations by galleries fewer than ten years old and exhibiting in Pier 94, a section devoted to contemporary galleries.

For the 2017 edition, ADAA members will present a wide range of solo exhibitions highlighting artists from around the world, including presentations that offer new insights on established and influential artists, such as Abstract Expressionist Norman Lewis, whose paintings will be presented by Michael Rosenfeld Gallery; leading Minimalist Josef Albers, whose paintings and drawings on paper will be presented by David Zwirner; and Post-Impressionist Édouard Vuillard, whose paintings and works on paper will be presented by Jill Newhouse Gallery.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

Thanks to developments in conceptual art in the 1970s, wherein artists, in the lineage of Joseph Kosuth, attempted to distill the artwork into the presentation of words and ideas rather than crafted objects — not to mention the recent vogue for archival ephemera as exhibition material — artists, curators, and museumgoers are well - acclimated to seeing pieces of text on display in museum galleries.

Their presentation implies that these objects are not intended to be interpreted as individual works so much as a matrix of things, illustrating the complex relationships between the assorted objects, light emitting elements, and the architecture of the gallery.

In addition to appearing in the special exhibition listed above, Erased de Kooning Drawing was shown in SFMOMA's galleries in 1999, 2000, 2004, 2005, 2006, 2008, and 2016 as part of a series of rotating presentations of the permanent collection.

In addition to appearing in the special exhibitions listed above, White Painting [three panel] was shown in SFMOMA's galleries in 1999, 2000, 2001, 2004, 2005, 2006, 2007, 2008, and 2016 as part of a series of rotating presentations of the permanent collection.