Sentences with phrase «gallery presentations marking»

Not exact matches

Rounding out the amazing presentation, we have Mark Wickum, the best in the business at this sort of thing, contributing a wonderful «Wes Craven Biography»; an exhaustive stills gallery split into «Behind the Scenes,» «Posters & Advertising,» and «Storyboards»; two trailers and four TV spots; and a DVD - ROM feature containing the full script in PDF (as well as a couple of screensavers that I'm afraid to load on my antiquated system).

After Mark Grotjahn's recent solo show of drawings at the Whitney Museum, this is the first presentation of paintings in New York in four years and his second solo show at Anton Kern Gallery.

On view at 24 Grafton Street in London, it marks the artist's first show at the Mayfair gallery and his first solo presentation in the city in ten years.

Alexander Calder: Motion Lab is the inaugural presentation in SFMOMA's Calder gallery and marks the first in a series of annual exhibitions about his work.

WHEN BEARDEN»S BLACK ODYSSEY COLLAGES were exhibited at DC Moore Gallery in 2007 - 08, the occasion marked the first comprehensive presentation of the works since they were created 30 years earlier.

This presentation marks the 50th anniversary of Jean Dubuffet working with Pace Gallery.

This exhibition marks the New York premier of Gilewicz» Cuboids video and the fourth presentation of the artist's three painterly objects (previously presented in New York in the framework of group exhibitions in ISCP Gallery in 2010, Queens Museum of Art in 2013, and Art Omi in Ghent, NY in 2014).

Scheduled to be unveiled on November 2017, the new 360 - degree work will be the largest Bradford has ever created inddors and the special presentation marks the first time a single artist has been given carte blanche to use the entire expanse of the museum's inner - ring gallery.

Collector and historian of LSD blotters Mark McCloud will talk about the history of psychedelics at Ever Gold Gallery on Thursday, October 11 at 7 pm, an Art Gallery Week special presentation.

This exhibition marks the gallery's first solo presentation of the artist's work.

The exhibition marks the first gallery presentation of Rothko's work in London in nearly fifty years and continues Pace's series of exhibitions that explore affinities between artists working across decades and mediums.

The presentation of Mural at the Gallery will mark the first time the painting has been on view in Washington, and its first time on the East Coast in more than 15 years.

James Welling: Seascape marked his seventh solo presentation at the gallery in 2017.

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Solo and special presentations that promise to be focal points in the fair include: Carsten Höller (Gagosian Gallery, London), Eric Bainbridge (Workplace Gallery, Gateshead), Rosa Barba (Meyer Riegger, Berlin & Gió Marconi, Milan), Will Benedict (Overduin & Co., Los Angeles), Martin Creed (Galerie Rüdiger Schöttle, Berlin), Koo Jeong A (Pilar Corrias Gallery, London), Lee Kit (Vitamin Creative Space, Guangzhou), Goshka Macuga (Kate MacGarry, London), a pairing of work by Mark Grotjahn with Tabwa masks (Anton Kern Gallery, New York); and a booth curated by Mark Wallinger (Hauser & Wirth, London).

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

Conceived and originally co-curated by Julia Peyton - Jones (Director, Serpentine Gallery and Co-Director Exhibitions and Programs, Serpentine Gallery), Hans Ulrich Obrist (Co-Director Exhibitions and Programs and Director, International Projects, Serpentine Gallery), and Gunnar B. Kvaran (Director, Astrup Fearnley Museet), Indian Highway at the UCCA marks the most comprehensive presentation of contemporary art from India ever mounted in China.

National Gallery of Canada Director Marc Mayer commented: «Isuma's participation in Venice also marks the first presentation of art by Inuit in the Canada Pavilion.

This exhibition that marks the artist's fifth time presentation at Tomio Koyama Gallery for the first one in three years, features works created since 2006 as well as a selection of her latest works.

This marks the artist's inaugural exhibition with the gallery, and will be his first solo presentation in Los Angeles.

This marks the artist's tenth solo presentation since joining the gallery in 1993.

This marks the artist's third solo presentation with the gallery.

Artist Matt Stokes marks the culmination of his year - long Bartlett Fellowship residency at University of Newcastle with a series of presentations in association with Matt's Gallery, London.

This joint exhibition takes place across both gallery spaces in Hong Kong and marks Emin's first solo presentation in Greater China.

For the presentation of this work at SFMOMA, the Los Angeles — based artists Chris Kallmyer and Mark Allen have selected a diverse roster of resident musicians, who will be stationed adjacent to galleries devoted primarily to California art from the museum's painting and sculpture collection.

The exhibition marks the first private gallery presentation of Rothko's work in London in nearly fifty years and continues Pace's five - decade tradition of exhibitions that explore affinities between artists working across decades and mediums.

The inaugural iteration of this morphing, touring show, Nostalgia para o futuro (2 - 21 April 2013 at the Centro Brasileiro - Britânico) marked the first major presentation of the gallery's programme in Brazil, alongside its presence at São Paulo's art fair, SPArte.

The exhibition marks his third solo presentation at the gallery.

Akashi's exhibition at SculptureCenter marks her first solo institutional presentation and includes new works commissioned for the lower level galleries incorporating large and mid-scale glass forms.

Rebecca Hart, Polly and Mark Addison Curator of Modern and Contemporary Art, will curate DAM's presentation of the exhibition in the Museum's Gallagher Family Gallery.

Regen Projects now announces an exhbiition of new and recent work by Pierson, marking his ninth solo presentation in the gallery.

Following the presentation, Laurie Wilson and Arezoo Moseni converse about Nevelson's unshakeable self - confidence, even in the face of failure, her relationship to other artists of her era (Mark Rothko, Diego Rivera, Willem de Kooning), and the gallerists, curators and critics who shaped her career, most especially The New York Times critic Hilton Kramer and the art dealer Arne Glimcher, founder of the Pace Gallery.

But the exhibitions, at the Hayward Gallery and the newish BFI Gallery, easily won out over sleep: The former, «The Painting of Modern Life,» curated by Hayward director Ralph Rugoff, was recommended to me by many passersby in art - fair aisles; the latter, a presentation of three recent films by artist Mark Lewis, promised the perfect balm for harried eyes.

Solo presentations that promise to be focal points in the fair include: Mark Grotjahn (Anton Kern Gallery, New York); Goshka Macuga (Kate McGarry, London); Martin Creed (Galerie Rüdiger Schöttle, Berlin) and Barbara T Smith (The Box, Los Angeles).

The New York School, 1969 curated by Stewart Waltzer features fascinating works from the original presentation by Josef Albers, Alexander Calder, John Chamberlain, Joseph Cornell, Mark di Suvero, Dan Flavin, Helen Frankenthaler, Adolph Gottlieb, Hans Hoffmann, Donald Judd, Ellsworth Kelly, Roy Lichtenstein, Morris Louis, Robert Motherwell, Isamu Noguchi, Kenneth Noland, Claes Oldenberg, Jules Olitski, Robert Rauschenberg, James Rosenquist, Frank Stella and Andy Warhol.The presentation will be open to the public at Paul Kasmin Gallery 293 Tenth Avenue location till March 14th

This occasion will mark the artist's sixth solo exhibition with the gallery and his first major presentation in the United States since the 2007 - 2009 traveling survey titled © Murakami.

The artist's recent presentation at London's Serpentine Sackler Gallery confirms his heady ascent, proving that his complex and sometimes shocking virtual world has well and truly made its mark.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

For the curious, this Sunday, October 29, will mark the opening of the gallery's next project, «alone walker,» the first solo presentation of artist Jackie Furtado.

Martha Rosler Library, the publication, has been produced to mark the presentation of the project at Site Gallery in Liverpool and Stills in Edinburgh.

This edition was produced to mark Cornaro's solo exhibition at the gallery in 2015 which included a presentation of the film Figures, 2011.

Public Events - Saturday, September 23, 4 p.m.: Canadian Art Magazine's Gallery Day with talk by Lindsay Nixon - Saturday, September 30, 7 p.m. to 7 a.m.: Nuit Blanche at Onsite Gallery - Tuesday, October 10, 7 p.m.: Lisa Myers Artist Talk - Friday, October 20, 5 p.m.: imagineNATIVE Art Crawl Kick - Off - Saturday, November 4, 2 p.m.: Mark Igloliorte Artist Talk - Thursday, November 16, 12 to 4 p.m.: Wiki - Edit - a-Thon with the Inuit Artist Database - Thursday, November 16, 6 p.m.: Panel Talk: Indigenous Tattoo Revitalization with Native Women in the Arts - Saturday, December 2, 2 p.m.: Land Claims: raise a flag Pennant Workshop and Artist Presentation - Sunday, December 3, 2 p.m.: Indigenous Art Today: Lindsay Nixon & Ryan Rice Supporters

A thesis exhibition in the College's main gallery and an oral presentation mark the culmination of each student's studies.

This marks the artist's second solo presentation at the gallery.

Marian Goodman Gallery is pleased to present an exhibition of work by Christian Boltanski, which will mark the artist's first solo presentation in London since 2010.

Chronicling the exhibitions mounted since the gallery's founding in 2013, this presentation features 20 artworks by some of the most influential artists of our era, including Jean - Michel Basquiat, Daniel Buren, Alberto Burri, Lucio Fontana, Wade Guyton, Hans Hartung, Joan Miró, Gustave Moreau, Albert Oehlen, Sigmar Polke, Richard Prince, Mark Rothko, Egon Schiele, Rudolf Stingel, Antoni Tàpies, Cy Twombly, Andy Warhol, and Christopher Wool.

Alice Neel: Late Portraits & Still Lifes marked the second solo presentation of her work at the gallery in 2012.

Mark Moore Gallery «s current exhibition, Decade, signifies Tim Bavington «s tenth year of representation by the gallery, as well as the fifth solo presentation of his work at the gGallery «s current exhibition, Decade, signifies Tim Bavington «s tenth year of representation by the gallery, as well as the fifth solo presentation of his work at the ggallery, as well as the fifth solo presentation of his work at the gallerygallery.

In 2013, a solo exhibition of Sone's sculptures marked his first presentation at the gallery's London location.