Sentences with phrase «gallery press release»

We spoke to the Brooklyn - based funnyman about why he's so curious about craniums and his dislike of gallery press releases.

Below: Miron, 2006 - 07, vinyl, dispersion and dry pigment on canvas, 12 x 18 inches.The gallery press release calls his work «organic geometry,» and you can really see that here — the way the artist has dragged and pushed his pigment, creating lines that waver and vibrate

[1] Damien Hirst cited in Gagosian Gallery Press Release: Damien Hirst Visual Candy and Natural History (2017).

October 1, 2012 KARIN DAVIE, PRESS RELEASE, 1999 I don't keep very many gallery press releases but here's one that I've held on to: the announcement for Karin Davie's 1999 solo show at Marianne Boesky.

NEMO Belize — This site is filled with up to date weather information, image gallery press releases and useful information about where the shelters are and how to care for yourself and your pets in the event of a major storm.

This was perhaps most apparent in her first solo show, last year's Exotic Trade at The Goodman Gallery in Johannesburg, which explored the histories, politics and memories of information communication technologies through 13 artworks, with the aim of exposing — as the Goodman Gallery press release puts it — «the violence and erasure carried by our current networks» and exploring the potential of spiritual technologies.

I once saw curator Nick Stillman render a hilarious - because - it's - true critique by simply reading aloud a selection of current gallery press releases paired with visuals obtained by Googling the term «art.»

Word ref: Skarstedt Gallery press release and website.

The Vancouver Art Gallery press releases assert that Classified Materials: Accumulations, Archives, Artists «examines how artists find creative ways to produce meaning through the process of collection and classification.»

Here were paintings that I believed had political content, but there was no statement on the wall to tell me this (and I have a strong aversion to reading gallery press releases ever since the nineties, when American art turned away from radical aesthetics and toward ideology and promotion).

Through various mediums such as sculpture, collage and multimedia installation, the exhibition humorously explores the «conceptual and formal foundations of the manmade world (quote courtesy of Jessica Silverman Gallery press release).»

Gagosian Gallery: Camino Real [Gagosian Gallery] Gagosian Gallery Paris Gallery Press Release [Gagosian Gallery] Behind the scenes of Gagosian's new Paris gallery [The Art Newspaper] Go See — Paris: Cy Twombly's permanent installation «The Ceiling» at Musée du Louvre [Art Observed] Gagosian Sells $ 20 Million Art in Paris, Plans Global Growth [Bloomberg]

I don't keep very many gallery press releases but here's one that I've held on to: the announcement for Karin Davie's 1999 solo show at Marianne Boesky.

Because many artworks embody contradictory positions, articulating them as seemingly insurmountable polarities can be an unnecessary task, but it is one readily tackled by the authors of gallery press releases and museum wall labels.

Mind Moves features new sculptural works and paintings created by the artist, bringing «together various formal experiments in which space is divided, sliced, opened, and closed (courtesy of Gagosian Gallery press release).»

The gallery press release describes this image as a «slacker's Dejeuner sur l'herbe,» referencing Edouard Manet's controversial masterpiece.

To introduce Merz both as an Arte Povera artist and as the only woman of that group is to do something of an injustice to her work as it is shown here (although, admittedly, the gallery press release commits exactly that same crime).

This diamond shape, the artist noted in a gallery press release, functioned «as a stabilizing force, a form that interacts compositionally with what's around it.

The three artists share an interest in depicting — in hard - edged artworks of pulsating abstract painting — the vibrating, undetermined power of the universe and the movement of the world as reflected in everyday life, according to the gallery press release.

Only not actually that but merely nominally that: that is, they don't have much to say, but what little there is has to be explainable in the gallery press release in terms of critique.

The gallery press release mentions the Liar's Paradox as inspiration for Sprecher's exhibition title, I Always Lie.

In «Transient,» the artists reveal a shared interest in what a gallery press release calls «the proto - light of the west, that blue, harsh light... reflecting and refracting off surfaces, smog, mist.»

According to the gallery press release: «-LSB-...] this will be the first exhibition of its kind in twenty - five years.

From the gallery press release: This picaresque saga unfolds in an allegorical environment, much like the topographical constructions behind renaissance religious paintings.

The gallery press release mentions Norman Mailer, Egyptian mythology, and a Chrysler Imperial in an attempt to describe «a complex system of storytelling that intertwines personal, historical, and modern mythologies.»

The gallery press release notes the «work ranges from the highly structured and pre-planned to more spontaneous painterly language... The process of painting is reliant upon the discovery of new possibilities.

In the gallery press release, Chris Sharp writes of Berryhill's work: «The paintings of Michael Berryhill exist on their own terms, unequivocal, stark, structured, phosphorescent and protean.

The gallery press release states that through «her role as a journalist that [von Wiegand] met Dutch modernist Piet Mondrian.

As noted in the gallery press release, the show centers around the installation «Indianapolis Motor Speedway Pits # 4, # 7, # 9, # 26, # 32, # 33, # 35, # 37, # 39, # 40... a vibrantly - colored large - scale pounce wall drawing wrapping around all four walls of the main gallery and incorporating tracings of tire tracks from the Indy Speedway.

The gallery press release mentions that the artist's influences range from «18th - century Indian bed - curtains and the Constructivist textile designs of Varvara Stepanova to the work of Keith Haring, Yayoi Kusama, and Chris Ofili.»

As the gallery press release describes it: «Working from both sides of the canvas, and often stretching and restretching it several times before deciding which is front or back, she stains, soaks and pours paint, sometimes forcing it through incisions or hosing down the canvas with water.»

Titled «Sincere Auto Care» with demotic aplomb (the new series of work is named after an actual auto body shop in Nebraska), Kurland's exhibition functions, according to the gallery press release, as an exploration of American car culture and the enduring fantasy of the open road.

Known for his paintings and drawings of the desert, Mel Pekarsky is known considered one of the most significant landscape painters in contemporary art, according to a gallery press release.

Stanczak drew upon his personal experience, specifically the places where he lived, and the trompe l'oeil characteristics of his paintings evoke «a distinct visual experience from within the surface of the canvas,» according to a gallery press release.

Wackers recontextualizes everyday objects from the contemporary world in an ambiguous way, suggesting instability and uncertainty, while the presence of the natural world in sprawling foliage offers access to spaces of calm through a clearing in the dark woods, according to a gallery press release.

Meticulous drawings, composed of tiny circles, evolve spontaneously until the work finds its complex form, according to a gallery press release.

The project has been seven years in the making, according to Frederick in a gallery press release.

Rendered in a style that synthesizes post-Cubist Picasso, Pop Art and traditional African sculpture and design, the figures in these paintings reflect the tension arising from interracial contact and the psychological substructure of racism in everyday life,» the gallery press release states.

The group portraiture exhibition features work by John Alexander, The Bruce High Quality Foundation, Chuck Close, Gregory Crewdson, Kent Dorn, Dennis Hopper, Elizabeth Peyton, Richard Prince, Mel Ramos, Larry Rivers, James Rosenquist, Lorna Simpson, Francesco Vezzoli, John Waters and Kelli Vance, according to a gallery press release.

As the artist observes in a gallery press release: «My strategies came by way of making shapes that would move along a wall, and allow a viewer to have a kinesthetic experience.»

From the gallery press release: «In the tile paintings made in the same year, the artist rejects atmosphere and illusionistic space altogether.»

How else to explain why Elmer Bischoff: Figurative Paintings at George Adams Gallery (June — August 2015) is, according to the gallery press release, «[the first] New York exhibition in 25 years to feature Bischoff's figurative paintings.»