Sentences with phrase «gallery scene knows»

Does the Chelsea gallery scene know where the bodies are bodied?

Not exact matches

Though it's a title sure to do most of its business on DVD, How Do You Know's Blu - ray offers some exclusive bonus features: an interactive script gallery, a conversation with James L. Brooks and composer Hans Zimmer, additional deleted scenes with Brooks commentary, and a featurette called «The George» with Brooks commentary.

Blu - ray / DVD Combo Pack Extras: Mandela: The Leader You Know, The Man You Didn't; Behind - the - Scenes featurettes; Tribute Video Gallery; and Director's Feature Commentary;

Perth is known for its wonderful parks, beaches, tourist attractions and amazing sights, but it also has a thriving arts scene, with cinemas, theatres, concert halls, museums and galleries.

Check out our picks for shows to know on the NYC gallery scene through January 28, 2018.

All the anachronisms were kept to illustrate just how fast paced the London gallery scene is, some people we interviewed no longer work at the same galleries, and some galleries no longer exist in the same form they did last year.

In the Munich art scene he certainly represents the most well known position within the gallery.

To New York's artist - run gallery scene, the emerging Canadian - born, New York - based artist and musician Fin Simonetti is known for her drawn tableaus rendered in red pen ink, depicting women both fighting and caressing one another.

NYC Gallery Scene - New Shows to Know publishes weekly with exhibitions selected by Hamptons Art Hub staff.

A founding member of the seminal Park Place Gallery in Soho and perhaps best known for The Wall, located on the side of a building not far from the gallery, Myers was part of an emerging downtown scene that ignored traditional boundaries between disciplines and between aesthetics and fuGallery in Soho and perhaps best known for The Wall, located on the side of a building not far from the gallery, Myers was part of an emerging downtown scene that ignored traditional boundaries between disciplines and between aesthetics and fugallery, Myers was part of an emerging downtown scene that ignored traditional boundaries between disciplines and between aesthetics and function.

Widely considered one of the most important players in the Chicago art scene, Richard Gray Gallery has been known for its high quality contemporary art since 1963.

For this reason, you can walk behind the «sun» and, if you climb to the top of the gallery, peek behind the «sky» (doing so made me think of The Truman Show - you know the scene).

«We can divide the main gallery into eight spaces and give a reasonable size for everyone to work in... we want it to be part of an ongoing process which means we want them to get to know each other, show in each other's spaces, in the future develop contacts, and really build a much, much bigger integration of the art scenes here and in Berlin.

WHITEWALL: You're known as one of the bigger risk - takers in the San Francisco gallery scene.

It's an unusual sensation to stand among the spacious front galleries in the Parrish Art Museum and be surrounded by scenes of life, in such detail that it's difficult to know where to look first as if action was about to unfold elsewhere and might be missed.

Jeffrey Lew's raw storefront and basement - cum - gallery space, known as 112 Greene Street, represents a singular moment in the art history of the «70s and the SoHo art scene.

The veteran of many solo exhibitions, Willis is well - known on the New York scene, where he was included in the influential «80s» show curated by Barbara Rose, and where he is currently represented by the Elizabeth Harris Gallery in Chelsea.

Sarah Wiseman Gallery and West Two Gallery are delighted to be collaborating to bring you a unique opportunity to view some amazing work from two artists; Mariano Molina from Argentina and Claudio Castelo from Brazil, two countries well known for their contemporary arts scenes, and which enjoy a rich cultural heritage.

And above all, thriving arts scene, from well - known institutions like the Museum of Contemporary Art to an intriguing array of independent galleries.

This underground world made up of galleries and chalk quarries are the scene for fascinating, shadowy Contemporary Art exhibitions known as Expériences Pommery.

Often known as a «neo-Pop» painter, the artist has been a key figure of the New York art scene for decades as editor - in - chief of Artnet magazine, alongside being subject to exhibitions at several New York galleries.

No doubt, that scene and knowing that Fisher would die of a cerebral hemorrhage at the age of forty - seven, two weeks after Kitaj's retrospective opened at the Tate Gallery, colors my view.

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

Since its inception in 2008, Flow has become a prominent player in New York and Los Angeles art scenes — particularly on the Lower East Side and other emerging - art gallery sectors — where she is known for her savvy in brokering deals.

In his last exhibition, at Trans Hudson Gallery in Greenwich Village, he showed curious small paintings depicting scenes like «The Death of Irene Silverman» and «David Cone's No - Hitter.»

A fixture of the Los Angeles contemporary art scene since it was founded by owner Michael Kohn in 1985, the Kohn Gallery is known for its exhibitions of art by globally renowned artists like Andy Warhol, Dan Flavin and Mark Tansey.

The erosion of San Francisco's traditional gallery scene motivated Deborah and Andy Rappaport — who are well - known arts patrons — to create a complex that offers below - market rents in a welcoming, warehouse environment.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

In the early 1950's, when his tall, angular presence first became known on the New York art scene, he showed painterly abstractions at several downtown galleries before branching into sculpture.

Chelsea dominates the New York City gallery scene this week with new shows opening worth knowing.

It showcases the artistic dialogue shared with his peers from the Castelli Gallery, as pioneers of the mid-century New York art scene as we know it today.

While it began as a loose collection of work by people whom Bush knew and liked, regardless of whether or not they were represented by the gallery, 100 Grand has grown into a unique community event, the de facto salon of Santa Barbara's art scene.

Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

In addition to the Hamptons gallery scene making its presence known at Miami Art Fair Week (or Basel Art Fair Week, as you please), galleries who live in the work appear with a range of galleries set across America.

A ceramics school was begun by Peter Voulkos at Otis in the 1950s and was part of art movements like the Craft - to - Art movement, also known as the American Clay Revolution, [3] which influenced the Ferus Gallery scene of the 1960s.

Artists with a Hamptons connection are prominent in this week's selections of new exhibitions to know about in the New York City gallery scene.

Having a strong tie to artists in Los Angeles, the gallery was known for bringing an international program to the burgeoning art scene in Paris with LA artists such as Sam Durant, Jim Isermann, John Miller, Analia Saban and Marnie Weber among others.

Butler's manipulated canvases extract and reconfigure abstracted elements of modernist sculpture from the National Gallery of Art, while Manch's embroidered and watercolor works isolate well known symbols of the western desert in scenes that create the sense of a figure in search of its narrative.