Sentences with phrase «gallery scene returned»

Following its summer aestivation, the New York gallery scene returned with strong openings all September.
The East End gallery scene returns to vibrancy with new exhibitions hosting receptions on the South and North Forks through November 13, 2016.

Not exact matches

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.
Carried over from the previous DVD release are the complete ten - minute robbery sequence that Carpenter cut from the film (it was meant to be the opening scene) with optional commentary by Carpenter and Russell, the vintage promotion featurette «Return to Escape From New York,» trailers, and a gallery of stills, posters, and promotional art.
When she returned from her uptown wilderness to the fashionable Upper West side in the 1960s she was out of step with the contemporary scene, however Neel made a concerted effort to reengage with the New York art world painting numerous portraits of artists, curators and gallery owners, including the poet and MOMA curator Frank O'Hara, and artists Andy Warhol and Robert Smithson.
Since the nineties, however, the city's art scene has progressively flourished due to a growing number of artists who have either relocated or returned to Guadalajara to set up studios, galleries, alternative project spaces or residencies that have positioned the city as a cultural center rivaling Mexico City.
In it's 4th year since being resurrected, EXPO Chicago has been gaining steam attracting major sponsors including returning presenting sponsor Northern Trust Bank, Tiffany & Co., Rolls - Royce, and to kick it off on the evening of Thursday, September 17, the Women's Board of Museum of Contemporary Art (MCA) Chicago hosted the preview night that drew over 7,000 people which included VIPs and the see and be scene crowd checking out the available art pieces from the showing galleries before the general public.
Collectors, dealers and critics alike agreed that EXPO has returned Chicago to its legacy of hosting a prominent art exposition that does justice to the city's currently thriving cultural institutions and gallery scene.
Yet, the majority of the 44 galleries who returned this year were based in Istanbul, reinforcing the city as a major player within the contemporary art scene.
Having just returned from abroad and immersed himself in the New York art scene, he found himself in a cauldron of ideas about action, process, concept, and nothingness, navigating an artistic landscape that was being redefined through influences such as Cage's intellectual Zen advances, Rosenberg's painting as an action, the Janis Gallery Dada show, and the Stable Gallery exhibition of his very own White Paintings.
Boyhood Line follows informal path on Bristol Downs and marks return to scene of early works by the artist, who is subject of major solo show at Arnolfini Gallery
Upon returning to the space for the 2015 edition — only to be wowed again — she decided that her gallery, which she describes as «interested in authenticity,» would invest in the art scene of Harare.
In 1998 her work, long absent from the New York scene, returned when three SoHo galleries, Mitchell Algus, Rosen & Van Liere and Margarete Roeder, each showed a different phase of her painting.
This past Friday, the beat returned to Bushwick with Beat Nite: All Stars, a twice - yearly celebration of the Bushwick and Ridgewood gallery scene.
Slinkachu @ Andipa Gallery The master of miniature art returns with another great selection of precise craftsmanship and humorous scenes, including a massive homage to the river Thames.
After a notable break from making art, Narissara Pianwimungsa returns to the art scene with a gallery show that explores her transition from painting to embroidery, the parallels between the two art forms, and how this new foray serves as a way to address the artist's long time preoccupations.
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