Sentences with phrase «gallery scene through»

Continue reading for our highlights of the NYC gallery scene through April 22.

Continue reading for our picks of the NYC gallery scene through May 13.

Continue reading for our highlights of the NYC gallery scene through March 11, 2018.

Below, check out our favorite shows opening in the NYC gallery scene through March 4, 2018.

Below, check out our selection of highlights for the NYC gallery scene through January 7, 2018.

Continue reading for our picks for the NYC gallery scene through March 25, 2018.

Read on to discover the full range of options for the East End gallery scene through July 24, 2016.

Check out our selections for the NYC Gallery Scene through October 15 below.

Continue reading for our picks of favorite shows opening in the NYC gallery scene through April 8.

Read more for our selection of highlights of the NYC gallery scene through January 14 below.

Keep reading to check out our selection of new exhibitions deserving attention in the NYC gallery scene through February 4, 2018.

Continue reading for our picks of highlights of the NYC gallery scene through May 6.

Continue reading for our favorite highlights of the NYC gallery scene through April 30.

Check out our picks for shows to know on the NYC gallery scene through January 28, 2018.

Continue reading below for our favorites in the NYC gallery scene through April 15, 2018.

Not exact matches

Click through the gallery above to see more scenes from the Vatican.

Online, flip through a gallery of Roger's own behind - the - scenes photos, and watch web - exclusive blooper videos.

Click through the gallery above for the 14 most scene - stealing celebrity hair transformations of 2017.

«National Gallery,» a meandering trip through the famed London art institution, has many sublime scenes - and some tedious ones, too.

Additionally, you can step through a 32 - image stills gallery of behind - the - scenes and premiere photos and watch a trailer that maybe sells the film too well.

SPECIAL FEATURES INCLUDE: Featurettes: «Ferdinand's Guide to Healthy Living» with John Cena «A Goat's Guide to Life» «Ferdinand's Team Supreme» «Spain Through Ferdinand's Eyes» «Confessions of a Bull - loving Horse» «Creating the Land of Ferdinand» «Anatomy of a Scene: The Bull Run» «Learn to Dance with Ferdinand» «Ferdinand's Do - It - Yourself Flower Garden» «Creating a Remarka - Bull Song» «Home» Music Video Gallery 4K Ultra HD ™ Disc Specification Street Date: March 13, 2018 Screen Format: 2.40:1 Audio: English Dolby Atmos Subtitles: English SDH, French, Spanish Total Run Time: 108 minutes

Ferdinand's Guide to Healthy Living with John Cena Confessions of a Bull Loving Horse Creating the Land of Ferdinand Anatomy of a Scene: The Bull Run Learn to Dance with Ferdinand Ferdinand's Do It Yourself Flower Garden A Goat's Guide to Life Ferdinand's Team Supreme Spain Through Ferdinand's Eyes «Home» Music Video Creating a Remarka - Bull Song Art of Ferdinand Gallery Concept Paintings Character Designs Locations Stills

Audio Commentary by Film Historian Rudy Behlmer / Isolated Music Score / Documentaries: «Glorious Technicolor» (60:00), «Welcome to Sherwood: The Story of The Adventures of Robin Hood» (55:42) / «Warner Night at the Movies» Intro by Leonard Maltin (2:41) / Musical Short: «Freddie Rich & His Orchestra» (10:47) / Cartoons: «Katnip College» (7:26), «Rabbit Hood» (7:58), «Robin Hood Daffy» (6:56) / Shorts: «Cavalcade of Archery» (8:28) with Rudy Behlmer Intro (0:58), «The Cruise of the Zaca» (18:02) with Rudy Behlmer Intro (1:54) / Making - of Featurettes: «Robin Hood Through the Ages» (6:52), «A Journey to Sherwood Forest» (13:15), «From the Cutting Room Floor» Deleted Scenes & Outtakes (7:07) with Rudy Behlmer Intro (1:15), «From the Cutting Room Floor» Blooper Reel Short: «Breakdowns of 1938» (12:43) with Rudy Behlmer / 2 Newsreels (2:46) with -LRB-: 40) Intros / Errol Flynn Trailer Gallery.

We peer inside Warhol's life before he broke through: quiet scenes of family life, nights out at galleries where he experiences painful snubs, glimpses of his romantic relationships and his intense, ever - present drive to create are all laid out in these panels.

Shown for the first time in the U.S., Gaillard's monumental work Artefacts (2011) imparts a reflection on the myth of Babylon takes form through a montage of scenes from post-conflict Iraq interwoven with images of the ancient civilization's antiquities, none more famous perhaps than the Ishtar Gate, reconstructed in an austere gallery of the Pergamon Museum in Berlin in the 1930s.

The publication captures a snapshot of the evolving art scenes of these communities over the last half - century, as well as various locations around the world through the gallery's participation in art fairs, biennales and off - site projects.

Martina -RCB--LCB- Johnston, an artist - run house gallery in northwest Berkeley, will continue its ongoing program of presenting work by emerging and mid-career Bay Area artists to the public and supporting the local arts scene through solo and group exhibitions, artist talks, screenings, readings, and class visits.

CHELSEA SPACE Lynda Morris: Dear Lynda 04 July — 04 August 2012 The personal archive — part scrapbook part record of her extraordinary career at the centre of the London scene in the 60's through to her time as curator at the Norwich Gallery.

Moving beyond conventional ideas of the African continent and its «counterpart», «the Western hemisphere,» this year's Focus will provide a glimpse of international artistic production from contemporary African viewpoints: emerging curators, artists, galleries and art spaces that connect scenes and markets through global networks.

When it comes to today's art scene, Forrest Nash has seen it all — or at least as much as is humanly possible, in the process of sifting through gallery shows around the world to showcase the best on his avidly followed site Contemporary Art Daily.

Trying to give a breath of fresh air to the city's artistic scene, the gallery brings works that can expand horizons, open minds and view the world and life in general through various different eyes, ideas, and souls.

With a thriving art scene and a growing collector base, Sydney is a dynamic cultural destination with an international reputation for presenting the very best in visual art through its public institutions, private collections, leading commercial galleries, and internationally renowned Biennale of Sydney, the third oldest in the world.

Crochet, knitted and yarn works have been making their way into the fine art scene for years, from Mike Kelley's scruffy thrift store animals and blankets to the likes of Lisa Anne Auerbach, whose clever handmade sweaters including embedded words and pictures are currently being shown through Gavlak Gallery in Palm Beach.

On Friday, October 16, join the throngs of art ponies that will trek out to discover the thriving art scene in Gowanus through a self - guided tour featuring 10 galleries and alternative art spaces.

The gallery scene continues to be active across the East End of Long Island through the start of autumn.

The gallery celebrates 10 years of supporting exceptional artists, filmmakers and musicians, but the benefit (which raised $ 765,000 this year) extends beyond Texas» art scene: Fairfax Dorn, Ballroom Marfa's co-founder and executive director, told DuJour before dinner, «We're going to continue doing what we've been doing, but also expand our Marfa dialog,» the forefront of which is a focus on climate change and environmental issues through programs involving grants and partnerships in New York this fall.

Our guests are Hollywood gallerist Michael Kohn, who walks us through the retrospective exhibition «Wallace Berman — American Aleph,» on view at Kohn Gallery through June 25, 2016, and the artist's son, the author and publisher Tosh Berman, talking about his father's craft and character, and his importance in the mid-century West Coast cultural scene.

The East End Gallery Scene is lively this week with Openings and Events from Thursday through Saturday.

With unprecedented access to private family archives and personal interviews, Middleton has crafted a vivid behind - the - scenes look at the famous couple who shaped Texas culture and the 20th - century art world through civil rights support, art patronage, and public gallery innovations.

Join the throngs of art ponies who will ride out to discover the happening art scene in Greenpoint through a self - guided tour featuring galleries and alternative art spaces.

Although he had shown in some of New York's major galleries — including six solo shows at the Willard Gallery from 1950 through 1967 — neither he nor most other artists working in Southern California received much attention in the national and international art scenes.

Each class spent five school days receiving arts - integrated instruction from their teachers, sketching and writing in the galleries for extended amounts of time, engaging in movement lessons, and getting VIP treatment from Hammer staff through presentations on museum careers and behind - the - scenes tours.

The gallery's theatrical setting is activated through the energy of the environment, determined by the audience that enters the scene during the artist's two performances.

Much of the fair's success this year was due to its commitment to championing Istanbul's arts scene as a whole, and through its co-ordination with the cities biennial and several concurrent major gallery openings, the city currently is a big draw for collectors and tourists alike.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

This week's list of new exhibitions opening in New York galleries include shows presenting art from the Light and Space movement, minimal abstraction and paintings by Eric Fischl that continue his studied look at the underside of life presented through suburban scenes.

«Modern art has a continuing presence in the Hamptons art scene with the Parrish recently presenting a solo show of John Graham; through the art exhibited from their collection in their permanent galleries and to the current show on Photorealism,» Lehr said.

From its inception, the High Line struck through the heart of the Chelsea gallery scene.

Over the past fourteen years, Gallery MOMO has challenged the seams that bind the South African art scene and burst into the international scene with a certain degree of conviction that has captured a changing country and continent through its artists.

Over eight years in the making, the exhibition follows upon the museum's 2008 exhibition, «The American Scene; Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's mainGallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's maingallery on the museum's main floor.