Not exact matches
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Filling the
Focus section booth for the Max Estrella
gallery, which is based in Madrid, the work engages the phenomenon of pareidolia, which accounts for the mind's habit of seeing things or finding patterns where none exist — «like if we look at a cloud and see a face or an animal,» Estrella, the
gallery director, said.
Within the
Focus section (for
galleries 12 years and younger), is Lower East Side dealer David Lewis's solo presentation of works by conceptual artist Barbara Bloom.
Other Stand Prizes awarded elsewhere across the fair include Portugal's Nuno Centeno, exhibiting via the subsidised
Focus platform for younger
galleries, and Canada's Cooper Cole, in Frame (a curated
section for emerging talents) for their solo presentation of Tau Lewis - who, at 23, is perhaps the youngest artist exhibiting in the fair.
Ruba Katrib and Fabian Schoeneich have organized a really strong group of
galleries in the
Focus section of Frieze London this year.
One
section, Frame,
focuses on newer
galleries.
Thanks to Jacob Fabricius, the Director of the Malmö Konsthall and the curator of Nordic
Focus section, an entire
section of the fair is dedicated to primarily showcasing artist - run and non-profit
galleries.
Armory
Focus is an invitational
section on Pier 94 that spotlights the artistic landscape of a different region each year, bringing together influential
galleries, artists and art professionals to present unique geographic and cultural perspectives via
gallery presentations, special projects, a dedicated symposium and the annual Armory Artist Commission.
In 2017, four works were acquired from
galleries in the
Focus, Sex Work and main
gallery sections.
Building on Frieze's long - term commitment to supporting
galleries throughout their development, this year four returning exhibitors who first exhibited at Frieze London in the
Focus section will join the main
section for the first time, including Clearing (New York), Fonti (Naples), Simon Preston (New York) and Société (Berlin).
A «projects»
section brings some downtown
galleries into the action, but the «
focus»
section, introduced in 2015, does not offer much of a
focus.
Curatorship, too, was well served; an impressive number of
galleries signed on to the
Focus section with solo shows of work too ephemeral, high maintenance, or heavy on concept to be readily collectible.
Additional
sections include: EXPOSURE featuring solo and two - artist presentations represented by
galleries eight years and younger, EXPO PROFILE presenting solo booths and
focused projects that showcase ambitious installations and tightly
focused thematic exhibitions, EXPO Editions + Books showcasing limited editions and publications offering a diverse array of print media and object - based practices, and Special Exhibitions featuring select regional, national, and international non-profit institutions, museums, and organizations.
There were a few arresting installations, nonetheless, such as Danh Vo's floating gilded cardboard segments that comment on moral transgressions, for which the Marian Goodman
gallery eliminated its walls; Liu Wei's architectural Library at Lehmann Maupin that collapses a metropolis to outrageous effect and, among the young artists who showed gripping promise, Aki Sasamoto's Luncheon Field, which livened the
Focus section with a table perforated to suspend forks that bobbed in the breeze of a fan, and Eddie Peake's rumination on past and future that filled the Lorcan O'Neill booth with a tinted Plexiglas and steel installation involving a bear, a robot and lost Atlantis viewed through a meandering cut - out.
A feature
section at Frieze London,
Focus showcases ambitious artist presentations by the world's most relevant and exciting emerging
galleries.
«
Focus» has evolved into a more significant
section and is dedicated to fostering a community of the most exciting emerging
galleries.
The 2017 fair will also feature a new themed
gallery section devoted to the legacy of radical feminist artists, organized by Alison M. Gingeras (independent curator); and curator Ruba Katrib (SculptureCenter, New York) will co-advise on the
Focus section dedicated to emerging
galleries.
Focus section: Emerging Talents Bringing together 34
galleries from Cairo to Berlin,
Focus features
galleries aged 12 years or younger and is advised for the first time by Ruba Katrib (SculptureCenter, New York) in collaboration with returning curator Fabian Schoeneich (Portikus, Frankfurt).
• Awarded to a
gallery in the
Focus section for
galleries aged 12 years or under, the
Focus Stand Prize will be judged by Gary Carrion - Murayari, (Kraus Family Curator, New Museum), Martin Clark (Director, Bergen Kunsthall) and Yung Ma (Curator, Service Création Contemporaine et Prospective, Centre Pompidou) and Judith Welter (Director, Kunsthaus Glarus).
Young
galleries this year offered a range of ambitious presentations across the
Focus section, which attracted significant institutional attention and resulted in acquisitions from international institutions and private foundations.
The
section at Frieze London for
galleries aged twelve years or younger,
Focus has evolved to become a definitive destination for emerging art worldwide.
Frieze New York 2018 included three awards recognizing exceptional presentations from
galleries across the fair, including the Frieze Stand Prize, for the most exceptional presentation by a
gallery taking part in any
section of the fair; the Frieze
Focus Prize, for
galleries aged 12 years or younger; and the Frieze Frame Prize, for
galleries ages eight years or younger, supported by Bulleit Frontier Whiskey.
In 2016 the fair will debut a new
gallery section, The Nineties, recreating seminal exhibitions from the decade, alongside the return of
sections Focus and Live, the definitive platforms for emerging
galleries and performance art respectively.
Building on Frieze's long - term commitment to supporting
galleries throughout their development, this year four returning exhibitors who first exhibited at Frieze London in the
Focus section will join the main
section for the first time, including Clearing (New York), Fonti (Naples), Simon Preston (New York) and Société (Berlin).
The
Focus and Frame
sections where newer
galleries are given a voice and a chance to show via subsidized rent at the fair.
Installation view of works by Billie Zangewa at blank
gallery of Cape Town, South Africa, in
FOCUS section, Frieze London 2017 Photo by Mark Blower.
From the
gallery, Kiwanga spoke to Studio International about how anthropology has informed her research - led art practice and her response to being named as the commissioned artist of the
Focus Section at the Armory Show 2016.
This year the
Focus section, featuring
galleries under the age of 12 years, will present 37
galleries under the direction of SculptureCenter curator Ruba Katrib in collaboration with returning curator Fabian Schoeneich from Portikus, Frankfurt.
Everyone picks up on the
Focus section of young
gallery projects, so I've concentrated on the main fair with works from some of the best stands.
Uptown at The Armory Show, Vigo
Gallery, situated within the Focus: Africa section, devoted its booth to El - Salahi's black - and - white series of works dating from the 1960s to the present (the gallery noted that the series is the artist's fav
Gallery, situated within the
Focus: Africa
section, devoted its booth to El - Salahi's black - and - white series of works dating from the 1960s to the present (the
gallery noted that the series is the artist's fav
gallery noted that the series is the artist's favorite).
Emerging - art action is still prevalent in two
sections: «Frame,» which features
galleries founded after 2009, and «Projects,» which
focuses on special installations.
As always, there is a lot to take in, or try on, such as at Oslo
gallery's VI, VII mini atelier in the Frieze
Focus section where artist Than Hussein Clark measures immodest fair - goers for their very own custom couture in a collaboration with Studio GAN.
Taking place each year in March, Art Dubai presents a select yet diverse line - up of around 90
galleries from the UAE and around the world, across three programmes: Contemporary; Modern, devoted to masters from the Middle East, Africa and South Asia; and Marker, a curated
section of artspaces that
focuses each year on a particular theme or geography.
Alex Gartenfeld, Deputy Director and Chief Curator of the Institute of Contemporary Art, Miami, remarked: «Frieze always offers so many opportunities to discover artists and
galleries from around the world, especially through the Frame
section and
Focus.
The
Focus section at Frieze London, advised by Jacob Proctor and Fabian Schöneich, will feature 37
galleries all under 12 years of age.
Additionally, there are two new spaces to explore: a special
Focus section where
galleries present exhibits of a single artist and the Editions and Multiples hall where visitors can find artist editions published by museums and institutions.
The
Focus section returns with a careful selection of 32
galleries founded in or after 2004.
Focus, a
section of solo or curated presentations by young
galleries conceived especially for the fair, debuting work that has never before been presented within an art fair context.
The Frame
section, which had previously
focused on a single artist designed for
galleries 10 years or younger, did not return this year, but the
Focus section, for emerging
galleries expanded from 22 exhibitors in 2013 to 36.
The Frieze Tate Fund saw an international jury select a work by Dorothy Iannone acquired from Air de Paris in the new
gallery section Sex Work, a work by Mary Beth Edelson acquired from David Lewis also in the Sex Work
section, a piece by Hannah Black purchased from Arcadia Missa in
Focus, and a work by Lawrence Abu Hamdan acquired from Maureen Paley in the main
section.
This
section of the fair is dedicated to showcasing international
galleries, invited exhibitors as part Armory
Focus, and Solo Projects, featuring single artist presentations by a selection of emerging
galleries and artists.
In the
Focus section, for solo representations, two filmworks by Amie Siegel at Simon Preston
Gallery are being premiered prior to a museum show in Munich.
Focus at Frieze London At Frieze London,
Focus is a curated
section open to
galleries formed in or after 2006, which can apply with solo or curated group presentations.
As a way of bringing the latest developments in art to its audiences, Frieze London has a
section called
Focus, dedicated to presenting recently established
gallery spaces which, on the whole, present more young and emerging artists than their older peers.
Focus has evolved into a more significant
section of the fair, dedicated to fostering a community of the most exciting emerging
galleries.
Serious collectors and the curious alike should look for a surge in sculpture, a large selection of contemporary art from China (the dedicated region of the fair's
Focus section), a rise in the number of emerging
galleries and the increase of single - artist presentations and thematic groupings of work that vary across media and generation.
Apart from the general program, ARCO Madrid 2011 presented special sectors again, such as «
Focus Russia», a
section hosting eight Russian
galleries: XL
Gallery; M & J. Guelman
Gallery; Aidan; Anna Nova; Marina Gisich; GMG; Paperworks and ARKA.
Leaving Certificate guided tours will
focus on the
gallery question within the Art Appreciation
section of the Art History Leaving Certificate Paper.
Below, see the exhibitors» list for Expo Chicago's main exposition plus different
sections including Exposure, reserved for solo and two - artist presentations by
galleries that have been in business for eight years or less; Editions + Books, which features artists books, editions, and prints; and, for the first time, Profile, which «highlights single artist installations and
focused thematic exhibitions by established international
galleries.»
Participation in
Focus is more expensive than it is for the «Presents»
section, which is devoted to emerging
galleries, but it accommodates
galleries that may not be able to mount a full booth.