Not exact matches
Her
solo shows at the Edward Thorp
Gallery,
as well
as a survey, «Dangerous Pleasures: 1973 - 1993,» received numerous reviews.
A graduate of Pratt Institute (BFA in Painting) and Parsons School of Design (MFA), Cake's works have been exhibited at numerous
galleries and exhibitions, including a
solo show at The Untitled Space in July 2015, «Allegories Of The Held,»
as well
as public works such
as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress».
In November, he had his first
solo show at OHWOW
Gallery in Los Angeles, which included large - scale prints that doubled
as storyboards — a first for the artist.
I personally know one New York artist who ended up with a
solo show and
gallery representation in Berlin
as a result of the exposure, and a Boston artist who's now with a Boston
gallery, which then resulted in a commission for a major New England museum, so sometimes the dots do connect.
Paintings by Portilla are the subject of a
solo show at Birnam Wood Galleries in Chelsea (closing today) with paintings continuing on view at the
gallery's East Hampton location
as part of a group
show of
gallery artists.
He had his first
solo show at Tibor de Nagy
Gallery, New York, in 1960, and has subsequently exhibited at institutions such
as The Museum of Modern Art, Whitney Museum of American Art, Queens Museum of Art, New Museum of Contemporary Art, and P.S. 1.
This exhibition in
Gallery 1 runs alongside a
solo show featuring new paintings by artist Faye Wei Wei
as part of CFCCA's «Concepts of Gender» season.
Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous
solo exhibitions, including: Thomas Dane
Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink
Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group
shows at venues such
as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel
Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).
She has had
solo shows at the Moderna Museet, Stockholm; Cubitt, London; and Zach Feuer
Gallery, New York, and has participated in group exhibitions at the Mori Museum, Tokyo; Museum of Contemporary Art, Los Angeles; Reina Sofia, Madrid;
as well
as the PERFORMA 05 and PERFORMA 07 Biennials, New York.
After a long absence following his last
solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such
as Mitchell Algus
Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»
Even
as efforts have been underway to correct the lack of women in art
galleries and institutions, women still make up a far lesser share of
solo gallery shows.
Now, with the chance to display his work in the Art League's
gallery in May
as a
solo exhibitor — the organization has
solo exhibitors almost every month in Studio 21 of the Torpedo Factory — he can
show his love of the region to a wider audience through linocut prints.
Solo shows have also been held at prominent venues such
as Gagosian
Gallery in Beverly Hills, New York and London, Contemporary Fine Arts in Berlin and Kunsthalle in Mannheim.
Details such
as how to qualify for the Bin
Gallery, apply for a
solo exhibit and enter our monthly
shows will be covered.
Recent exhibitions include his
solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014),
as well
as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller
Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).
Simon Callery's
solo show Flat Paintings at FOLD
Gallery serves
as reminder that painting is far from dead.
After this
show I plan to write proposals that include
showing these pieces for group or
solo shows in Norman
galleries such
as: Mainsite, Dreamer Concepts, Dope Chapel, the Norman Public Library, Studio E, and the Social Club.
«It's also nice to have something that came with such a rich history with Chinese literati and the rich history of pen ink and how it's used
as a tag in China,» adds Odutola, who is now working in Alabama on her May
solo show for Jack Shainman
Gallery in New York City.
At Ad Reinhardt's prodding, in late 1961 his Parisian dealer Iris Clert offered him a
solo show in her
gallery, but because of expenses and scheduling it did not become a reality until June 1963.1 Reinhardt was elated about how great his painting looked
as part of the Guggenheim survey exhibition, Abstract Expressionists and Imagists, which had opened October 13, 1961.
This was perhaps most apparent in her first
solo show, last year's Exotic Trade at The Goodman
Gallery in Johannesburg, which explored the histories, politics and memories of information communication technologies through 13 artworks, with the aim of exposing —
as the Goodman
Gallery press release puts it — «the violence and erasure carried by our current networks» and exploring the potential of spiritual technologies.
Consequently, she had a
solo show at The Copper House
Gallery as part of PhotoIreland 2014.
Rosner's exhibition history includes group and
solo shows at The Newcomb Art Museum of Tulane (New Orleans, LA), The Aldrich Contemporary Art Museum (Ridgefield CT), Rick Wester Fine Art (New York, NY), Artspace (New Haven, Connecticut), Kathryn Markel Fine Art, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark
Gallery (Lincoln, MA)
as well
as various art fairs including PULSE and Texas Contemporary.
In addition to recent
solo photography
shows at the Martina Johnston
Gallery in Berkeley and the SOFA
Gallery in Austin, his artist book ALL THE BUILDINGS ON BURNET ROAD (2010) was exhibited at the Gagosian
Gallery and the Brandhorst Museum
as part of the exhibit Ed Ruscha & Co..
For his first
solo show with the New York
gallery, from February 17 through April 10 he is presenting new works with such inspirations
as Surrealist literature, Latin American poetry, and Jean - Paul Sartre.
Joe Zucker's
solo museum exhibitions include the Whitney Museum of Art and the Museum of Modern Art, New York; Museum of Contemporary Art, Chicago,
as well
as numerous
gallery shows in New York (including Mary Boone, Leo Castelli, Nolan / Eckman, and Paul Kasmin) and in venues worldwide.
Paddy Johnson writes about de Balincourt's paintings in Flavorpill: «Named by New York magazine
as one of ten artists most likely to succeed in 2005, Jules de Balincourt launches his third
solo show at Zach Feuer
Gallery.
Since, his work has been
shown extensively in international photography zines,
gallery exhibitions, and websites,
as well
as presented
as a
solo program at the Museum of Arts and Design (NYC) in 2011.
Her own work challenges these boundaries,
as seen in her
solo show Revenge, featuring consecutive paintings of black women protagonists and memorials to the horrors of the transatlantic slave trade, at Rochdale Art
Gallery and the South Bank Centre, London, in 1992, which contested the pictorial narratives so frequently repeated in art history.
As «Ambassador to the New,» Ileana Sonnabend found room for both Andy Warhol and European painting, but Jasper Johns, whose
solo show opened her Paris
gallery in 1960, still sends his regrets.
Hammond has had over 40
solo exhibitions and her work has been
shown internationally in venues such
as: the New Museum, the National Academy Museum, the Downtown Whitney Museum, and White Columns in NYC; the Brooklyn Museum and Smack Mellon Studios in Brooklyn; the Bronx Museum; P.S. 1 MoMA Contemporary Art Center in Long Island City, Queens; the Museum of Contemporary Art and the Hammer Museum in Los Angeles; the National Museum of Women in the Arts, in Washington, D.C.; the Tucson Museum of Art and Museum of Contemporary Art in Tucson; the Walker Art Center in Minneapolis; the Phoenix Art Museum; Site Santa Fe, the Center for Contemporary Arts in Santa Fe; the Vancouver Art
Gallery; the American Center, in Paris; the Neue Galerie, in Graz, Germany; the Gementemuseum Den Hague in The Hague, among others.
Mattingly has had
solo shows at Robert Mann
Gallery, NY and in 2006 she released a multimedia opera at White Box entitled Fore Cast that featured installation and music performance depicting World War IV
as predicted by Albert Einstein.
Recent
solo exhibitions of his work have been held at Gemeentemuseum, Den Haag; the BALTIC Centre for Contemporary Art, Gateshead; Limoncello
Gallery, London; and Mary Mary, Glasgow; his work has also been included in recent group exhibitions such
as the British Art
Show 8 at Leeds City Art
Gallery, Leeds and group
shows at TATE St. Ives, Saint Ives and Fondation d'Enterprise Galeries Lafayette, Paris.
This being Frieze week, there are plenty of other — free — art
shows to check out, such
as the first major
solo exhibition of Oscar Murillo at the South London
Gallery.
She was acclaimed worldwide,
as we can see in her participation in international exhibitions that year, most notably the Venice Biennial, along with
solo shows at the Stable
Gallery in New York nearly every year.
Greenbaum's exhibitions include
solo shows at the CCA Andratx in Majorca, the Chinati Foundation in Marfa, and the Saatchi
Gallery in London,
as well
as group exhibitions at institutions such
as MoMA PS1, the Hammer Museum in Los Angeles, the Museum of Contemporary Art in Chicago, and the Brooklyn Museum.
Her art practice has found its public through representation by the Julie Saul
Gallery in New York and many dozens of exhibitions over the years at Bard College, Exit Art and Mary Boone
Gallery (where she was the first female artist to have a
solo show),
as well
as in recent years at P!
His work has been on display in numerous
solo shows at REDCAT, Los Angeles, the Casey Kaplan
Gallery, New York (both 2011), and other venues,
as well
as the Witte de With, Rotterdam, and the Musée d'art contemporain de Montréal (both 2008).
Mundt has exhibited throughout the US and abroad, with recent
solo shows at Off Vendome, New York; Société, Berlin and Clifton Benevento,, New York;
as well
as group exhibitions at Greene Naftali
Gallery, New York; CAPC, musée d'art contemporain, Bordeaux, France; and Mitchell - Innes & Nash, New York.
Also
showing at Friedman Benda, the Chilean design studio unveils the fruits of its four - year research project, developed in collaboration with the
gallery as its first
solo exhibition.
He has had
solo shows and presentations at prominent venues such
as the Institute of Contemporary Art, Philadelphia; Carl Kostyal, Stockholm; David Risley
Gallery, Copenhagen; Artspeak, Vancouver; Mother's Tankstation, Dublin and the Institute of Contemporary Art, Portland, Maine.
In a world of artwork that is often cerebral and unapproachable for the everyday person, Nathan Pankratz's second
solo show at Bridgette Mayer
Gallery, So many ways to say I love you, I think I'll try every one accomplishes what few of today's painting
shows do: it presents paintings
as paintings, not
as intellectual exercises that require an essay to deconstruct.
If the artist has worked with the
gallery before, gallerists will «factor in what progress has been made since their last
show, such
as whether it was sold to museums, or whether the artist has had institutional visibility (
solo shows, inclusion in visible group
shows), and if we have built up a following of people waiting to see new works.
His multidisciplinary practice has been the subject of numerous
solo shows, at such venues
as Susanne Vielmetter, Los Angeles; Littman
Gallery, Portland; Galerie Catherine Bastide, Brussels; and Mitchell - Innes & Nash, New York.
She has had
solo exhibitions at La Panaderia, Mexico City and Daniel Reich
Gallery, New York in addition to participating in numerous group
shows, such
as Fight or Flight at The Whitney Museum of American Art and Hiding in the Light at Mary Boone
Gallery, New York.
Jerome Dupeyrat, Florence Loewy
Gallery (Paris), November - December 2013; Learn to Read Differently,
solo show (
as Information
as Material), cur.
Smith lives and works in Australia, her work has been exhibited in several
galleries around Australia
as well
as internationally, including at the AAF in London and a
solo show at Amy Li, New York.
Over the last five years, Saccoccio's visibility has risen dramatically, with a
solo museum
show at at the Museo D'Art Contemporanea in Genoa, Italy, a two - person
show with Joanne Greenbaum at the Nerman Museum of Contemporary Art in Kansas City, and currently has work in a group exhibition at the Rose Art Museum in Waltham, Massachusetts,
as well
as critically lauded
gallery shows at Eleven Rivington, in New York.
Over the years, she has had numerous, widely reviewed
solo shows, at
galleries such
as Rosa Esman, Michael Klein, Cheim & Read (all New York); including a mid-career exhibition at the Weatherspoon Art
Gallery (Greensboro, NC).
D'Arcangelo returned to New York in 1959, and in 1963, his reputation
as a seminal Pop artist was solidified with his first
solo exhibition in New York's Fischbach
Gallery in which he
showed his acrylic paintings of American highways and industrial landscapes.
Other works likeThe Sun Returning, 14 Hour Sunset and Rainbow Around the Sun were exhibited together at Yancey Richardson
Gallery as part of Jensen's
solo show Feels Like Real (2015).