Sentences with phrase «gallery space becomes»

Here, the gallery space becomes a utopian realm and an alternative reality where power lies within transformation, and where identities and aesthetics become fluid.
For Basanta, the gallery space becomes «a giant resonator that amplifies both acoustic activity and inactivity.»
The artist creates works as signifiers of the destruction of the natural world by «colonial powers», via a series of tabletops containing mineral fragments and photographs of equatorial scrublands.The minerals are representative of the original environment now re-contextualized within the white cube of the gallery space becoming «art», and forming a dialectic concerning «value».
In Meckseper's work, the full complexity and contradictions of how contemporary life, art, commerce and politics intertwine are addressed and embodied; the gallery space becoming a site of inquiry into hidden ideologies and power systems.
The ways in which we might conventionally quantify, physically experience or theoretically categorise our surrounding environment are subverted, as the materiality of each object and the syntax of the gallery space itself become fluid and unfixed.
With A Gesture Towards Transformation, the gallery spaces become a territory encoding a multiplicity of identities and geographies, constantly shifting and moving.
The gallery space became a place to socialize with the artist, creating a feeling of community between makers and sellers.

Not exact matches

5) In our profiles I'd love to have space to put a couple of pictures — to show ourselves or our workspaces / materials etc and perhaps a space for a gallery — for people to put examples of work for commissions, or to use as a portfolio space so our profiles become somewhere to direct people to in themselves instead of just being an «about» page for our shop.
Meanwhile, a partially vacant building at 552 W. 52nd St. that currently houses the Police Athletic League's William Duncan Center will become a 13 - story building that houses 110 affordable housing units for artist families and individuals, space for the PAL and an art gallery.
The near - Earth asteroid Bennu will become the first extra-terrestrial art gallery, with the space agency inviting the public to contribute works of art that are inspired by the spirit of exploration.
Alexander and Bonin has announced that they will be moving to a new space at 47 Walker Street in Tribeca this summer, thereby becoming the latest gallery to join the mass exodus from Chelsea.
The crown moldings and wood floors and banisters that make the space familiar have become part of his narrative here, yet each gallery is made distinct, and the intimate effect of his works would result even working within a white - cube gallery space.
Chelsea became a refuge for galleries fleeing soaring real estate prices in Soho in the late»90s, and white box spaces run by Larry Gagosian, Pace Gallery and Paul Kasmin are holding fast there, and even expanding, today.
The move signalled the centre's shift to becoming a contemporary arts venue, with improved gallery spaces and facilities.
But with Berlin - based media artist Nils Völker's latest exhibition, Bits and Pieces, the gallery becomes a space of «poetic performance» through a choreographed dance of what the artist calls «ordinary objects.»
Once SoHo became known as an artists» neighborhood, the galleries followed, also attracted to the large spaces and cheap rents.
It's also a compliment to the gallery that the space became part of the creative process, deemed by the artists to be the right environment to present their work.
Gallery Chronicle: «Becoming Modern in America» at Minus Space, Brooklyn, by James Panero, The New Criterion, November 2010.
Assemble's win signifies a larger move away from the gallery into public space that is becoming ever more privatised.
By transforming its exhibition space into a laboratory and classroom, 18th Street Arts Center's main gallery becomes a space for civic engagement, experimentation, presentation and discourse.
Natural creatures, specimens and artifacts become metaphors and metonyms for human potential in Kate Javens» The Animals I Sleep With and Christian Bradley West's Alchemy, at Marcia Wood Gallery's new Midtown space.
The period rooms of the Met will be adapted internally, but apart from the substantial dismantling of the Tudor room (which will become the entrance gallery), they will continue to occupy around 30 per cent of the total gallery space available.
With the rise of new experimental spaces like Copenhagen Contemporary, an outburst of galleries in the meatpacking district, and brand new fairs like CHART and CODE, Copenhagen has become a thriving, international center for contemporary art.
The gallery now occupies one of the largest gallery spaces in what has become a hub area for contemporary art in Stockholm.
The new site, planned to open in autumn 2020 on West 21st Street in Chelsea, will become the «center of gravity» for gallery operations in New York, where Zwirner currently holds three other spaces (including one rented property on West 19th Street, which will probably close), the German dealer told the New York Times.
As part of the exhibition programming, the gallery will become a common space for storytelling and tea drinking with Dylan Miner; a bustling executive assistant's office with Sheryl Oring; and a tactile, expansive personal archive with the performance collective The Hinterlands.
Just as the material conditions of the studio in this way become inseparable from the finished artwork, Murillo invites viewers to approach their physical engagement with the gallery space as part of the viewing process.
Recently, Karline has become a freelance curator for galleries as well as finding alternative exhibition spaces to showcase art in different formats.
When the building became a contemporary art museum in 1950, the gallery transitioned from a private to public space.
Glenstone to become the largest private museum in the US; Cardi Gallery readies its London space after a two - year renovation
By working with a reflective surface, Pistoletto enables the viewer to become an integral part of the piece while the subject of the work is drawn into the activity of the gallery space.
Among others, Stacy Leigh's deeply strange nudes at Fortnight Gallery; Nicholas Cueva's mysterious paintings at the Brooklyn community space Five Myles; Louis Fratino's weird realism at Thierry Goldberg; Jordan Casteel at Casey Kaplan; Maryam Hoseini's complex illuminated manuscript - like paintings at Rachel Uffner; Nina Chanel Abney's grand combinations of Stuart Davis and Jacob Lawrence, at Mary Boone and Jack Shainman (who's become one of the better galleries in the world); Marcia Marcus's prescient 1970s paintings at Eric Firestone; the teeny storefront 56 Henry mounted consecutive excellent shows of Cynthia Talmadge, Richard Tinkler, and Kate Shepherd; personal perennial faves shone, including Cary Leibowitz, Lisa Beck, Mira Schor, Keith Mayerson, Julian Lethbridge, Betty Tompkins, Jack Pierson, Ken Tisa, Tabboo, and Ashley Bickerton.
Occupying the entire gallery space, as well as the building's façade and surrounding garden, the exhibition highlights the extraordinary expansion of an artistic movement that developed on the streets of New York in the early 1970's to rapidly become a worldwide phenomenon.
As the participants walk, the sounds they produce and record from their environment will be transmitted to the gallery space and become a part of the music created by Ochiai and Hasunuma.
Born in Albany, California, in 1935, De Maria moved to New York City in 1960, where he became entrenched in the burgeoning downtown art scene, taking part in Alan Kaprow's «Happenings» and showing Dada - inspired wood sculptures at Paula Cooper's space on the Upper East Side (then called Paula Johnson Gallery).
A $ 3 million expansion, overseen by New York - based architects HWKN, includes a remake of the interior of its library, while one of its big gallery spaces will become a new archive, designed by the British conceptual artist Liam Gillick.
When she walks into the building site that will become her new gallery space just off Golden Square, in London's Soho, she is dwarfed by scaffolding.
And increasingly, it becomes harder to tell galleries, museums, and alternative spaces apart.
We see the responsibility of the gallery as threefold: to work for the long - term development of each artist's career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible public space in which the exhibitions become an exemplary gesture of the power of subjectivity to the audience at large.
The gallery started out in Bushwick before moving into the heart of the LES, becoming one of New York's most - written - about, market - friendly, young artist - run spaces.
An abstract architectural structure composed of industrial materials and ecological matter ranging from aluminium scaffolding to grass turf and aquatic plants, the installation itself becomes a synthetic eco-system requiring its own life support systems to sustain it within the gallery space.
The drama culminated last month with the news that Mr. Schimmel will become a partner in Hauser Wirth & Schimmel, the planned L.A. branch of Swiss gallery Hauser & Wirth, which also operates a space in London and last year opened the largest commercial gallery in New York.
The gallery space too becomes part of the work, as the architecture containing each group of paintings he installs by colour in three separate rooms.
Trials and Terrors, Museum of Contemporary Art, Chicago New German Painting, Carré d'Art — Musée d'Art Contemporain, Nîmes Imagination becomes Reality, Part II Painting Surface Space, Sammlung Goetz, Munich The Triumph of Painting - Part 3, The Saatchi Gallery, London
She will activate the space with performance on scheduled dates throughout the run of the exhibition that dramatically alters the architecture of the gallery space and result in the detritus of each performance becoming part of the exhibition.
Painting Expanded, Tanya Bonakdar, New York, NY Back Room, UNTITLED, New York, NY Sean Bluechel, Anne - Lise Coste, N. Dash, Nicole Klagsbrun Project Space, New York, NY Common Love; Aesthetics of Becoming, Wallach Gallery, New York, NY Prolonged Engagement, Elizabeth Foundation for the Arts, New York, NY In Absentia, Pace University Gallery, New York, NY
«Established in 2000, the Sundaram Tagore Gallery has become one of the most important alternative cultural spaces in New York, with a focus on a dialogue between Western and non-Western cultures.»
Voted Best Neighborhood - Wide Gallery Night by L MAGAZINE, Beat Nite has become the signature party of all parties with art above all else, this bi-annual night is half art stroll, half bar crawl, where selected art spaces stay open late welcoming the public to see real art in real time.
Upon returning to Berlin in 2008 he opened the project space called EXILE, which after immediate success and acclaim became a professionally operating gallery.
Still, the amount of space dedicated to stairways and places for the millions to «meet up» seems, to this visitor, to be excessive, with space in the galleries (which become smaller on the upper levels) sacrificed for public areas.
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