Here,
the gallery space becomes a utopian realm and an alternative reality where power lies within transformation, and where identities and aesthetics become fluid.
For Basanta,
the gallery space becomes «a giant resonator that amplifies both acoustic activity and inactivity.»
The artist creates works as signifiers of the destruction of the natural world by «colonial powers», via a series of tabletops containing mineral fragments and photographs of equatorial scrublands.The minerals are representative of the original environment now re-contextualized within the white cube of
the gallery space becoming «art», and forming a dialectic concerning «value».
In Meckseper's work, the full complexity and contradictions of how contemporary life, art, commerce and politics intertwine are addressed and embodied;
the gallery space becoming a site of inquiry into hidden ideologies and power systems.
The ways in which we might conventionally quantify, physically experience or theoretically categorise our surrounding environment are subverted, as the materiality of each object and the syntax of
the gallery space itself become fluid and unfixed.
With A Gesture Towards Transformation,
the gallery spaces become a territory encoding a multiplicity of identities and geographies, constantly shifting and moving.
The gallery space became a place to socialize with the artist, creating a feeling of community between makers and sellers.
Not exact matches
5) In our profiles I'd love to have
space to put a couple of pictures — to show ourselves or our workspaces / materials etc and perhaps a
space for a
gallery — for people to put examples of work for commissions, or to use as a portfolio
space so our profiles
become somewhere to direct people to in themselves instead of just being an «about» page for our shop.
Meanwhile, a partially vacant building at 552 W. 52nd St. that currently houses the Police Athletic League's William Duncan Center will
become a 13 - story building that houses 110 affordable housing units for artist families and individuals,
space for the PAL and an art
gallery.
The near - Earth asteroid Bennu will
become the first extra-terrestrial art
gallery, with the
space agency inviting the public to contribute works of art that are inspired by the spirit of exploration.
Alexander and Bonin has announced that they will be moving to a new
space at 47 Walker Street in Tribeca this summer, thereby
becoming the latest
gallery to join the mass exodus from Chelsea.
The crown moldings and wood floors and banisters that make the
space familiar have
become part of his narrative here, yet each
gallery is made distinct, and the intimate effect of his works would result even working within a white - cube
gallery space.
Chelsea
became a refuge for
galleries fleeing soaring real estate prices in Soho in the late»90s, and white box
spaces run by Larry Gagosian, Pace
Gallery and Paul Kasmin are holding fast there, and even expanding, today.
The move signalled the centre's shift to
becoming a contemporary arts venue, with improved
gallery spaces and facilities.
But with Berlin - based media artist Nils Völker's latest exhibition, Bits and Pieces, the
gallery becomes a
space of «poetic performance» through a choreographed dance of what the artist calls «ordinary objects.»
Once SoHo
became known as an artists» neighborhood, the
galleries followed, also attracted to the large
spaces and cheap rents.
It's also a compliment to the
gallery that the
space became part of the creative process, deemed by the artists to be the right environment to present their work.
Gallery Chronicle: «
Becoming Modern in America» at Minus
Space, Brooklyn, by James Panero, The New Criterion, November 2010.
Assemble's win signifies a larger move away from the
gallery into public
space that is
becoming ever more privatised.
By transforming its exhibition
space into a laboratory and classroom, 18th Street Arts Center's main
gallery becomes a
space for civic engagement, experimentation, presentation and discourse.
Natural creatures, specimens and artifacts
become metaphors and metonyms for human potential in Kate Javens» The Animals I Sleep With and Christian Bradley West's Alchemy, at Marcia Wood
Gallery's new Midtown
space.
The period rooms of the Met will be adapted internally, but apart from the substantial dismantling of the Tudor room (which will
become the entrance
gallery), they will continue to occupy around 30 per cent of the total
gallery space available.
With the rise of new experimental
spaces like Copenhagen Contemporary, an outburst of
galleries in the meatpacking district, and brand new fairs like CHART and CODE, Copenhagen has
become a thriving, international center for contemporary art.
The
gallery now occupies one of the largest
gallery spaces in what has
become a hub area for contemporary art in Stockholm.
The new site, planned to open in autumn 2020 on West 21st Street in Chelsea, will
become the «center of gravity» for
gallery operations in New York, where Zwirner currently holds three other
spaces (including one rented property on West 19th Street, which will probably close), the German dealer told the New York Times.
As part of the exhibition programming, the
gallery will
become a common
space for storytelling and tea drinking with Dylan Miner; a bustling executive assistant's office with Sheryl Oring; and a tactile, expansive personal archive with the performance collective The Hinterlands.
Just as the material conditions of the studio in this way
become inseparable from the finished artwork, Murillo invites viewers to approach their physical engagement with the
gallery space as part of the viewing process.
Recently, Karline has
become a freelance curator for
galleries as well as finding alternative exhibition
spaces to showcase art in different formats.
When the building
became a contemporary art museum in 1950, the
gallery transitioned from a private to public
space.
Glenstone to
become the largest private museum in the US; Cardi
Gallery readies its London
space after a two - year renovation
By working with a reflective surface, Pistoletto enables the viewer to
become an integral part of the piece while the subject of the work is drawn into the activity of the
gallery space.
Among others, Stacy Leigh's deeply strange nudes at Fortnight
Gallery; Nicholas Cueva's mysterious paintings at the Brooklyn community
space Five Myles; Louis Fratino's weird realism at Thierry Goldberg; Jordan Casteel at Casey Kaplan; Maryam Hoseini's complex illuminated manuscript - like paintings at Rachel Uffner; Nina Chanel Abney's grand combinations of Stuart Davis and Jacob Lawrence, at Mary Boone and Jack Shainman (who's
become one of the better
galleries in the world); Marcia Marcus's prescient 1970s paintings at Eric Firestone; the teeny storefront 56 Henry mounted consecutive excellent shows of Cynthia Talmadge, Richard Tinkler, and Kate Shepherd; personal perennial faves shone, including Cary Leibowitz, Lisa Beck, Mira Schor, Keith Mayerson, Julian Lethbridge, Betty Tompkins, Jack Pierson, Ken Tisa, Tabboo, and Ashley Bickerton.
Occupying the entire
gallery space, as well as the building's façade and surrounding garden, the exhibition highlights the extraordinary expansion of an artistic movement that developed on the streets of New York in the early 1970's to rapidly
become a worldwide phenomenon.
As the participants walk, the sounds they produce and record from their environment will be transmitted to the
gallery space and
become a part of the music created by Ochiai and Hasunuma.
Born in Albany, California, in 1935, De Maria moved to New York City in 1960, where he
became entrenched in the burgeoning downtown art scene, taking part in Alan Kaprow's «Happenings» and showing Dada - inspired wood sculptures at Paula Cooper's
space on the Upper East Side (then called Paula Johnson
Gallery).
A $ 3 million expansion, overseen by New York - based architects HWKN, includes a remake of the interior of its library, while one of its big
gallery spaces will
become a new archive, designed by the British conceptual artist Liam Gillick.
When she walks into the building site that will
become her new
gallery space just off Golden Square, in London's Soho, she is dwarfed by scaffolding.
And increasingly, it
becomes harder to tell
galleries, museums, and alternative
spaces apart.
We see the responsibility of the
gallery as threefold: to work for the long - term development of each artist's career, acting as a liaison to international
galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible public
space in which the exhibitions
become an exemplary gesture of the power of subjectivity to the audience at large.
The
gallery started out in Bushwick before moving into the heart of the LES,
becoming one of New York's most - written - about, market - friendly, young artist - run
spaces.
An abstract architectural structure composed of industrial materials and ecological matter ranging from aluminium scaffolding to grass turf and aquatic plants, the installation itself
becomes a synthetic eco-system requiring its own life support systems to sustain it within the
gallery space.
The drama culminated last month with the news that Mr. Schimmel will
become a partner in Hauser Wirth & Schimmel, the planned L.A. branch of Swiss
gallery Hauser & Wirth, which also operates a
space in London and last year opened the largest commercial
gallery in New York.
The
gallery space too
becomes part of the work, as the architecture containing each group of paintings he installs by colour in three separate rooms.
Trials and Terrors, Museum of Contemporary Art, Chicago New German Painting, Carré d'Art — Musée d'Art Contemporain, Nîmes Imagination
becomes Reality, Part II Painting Surface
Space, Sammlung Goetz, Munich The Triumph of Painting - Part 3, The Saatchi
Gallery, London
She will activate the
space with performance on scheduled dates throughout the run of the exhibition that dramatically alters the architecture of the
gallery space and result in the detritus of each performance
becoming part of the exhibition.
Painting Expanded, Tanya Bonakdar, New York, NY Back Room, UNTITLED, New York, NY Sean Bluechel, Anne - Lise Coste, N. Dash, Nicole Klagsbrun Project
Space, New York, NY Common Love; Aesthetics of
Becoming, Wallach
Gallery, New York, NY Prolonged Engagement, Elizabeth Foundation for the Arts, New York, NY In Absentia, Pace University
Gallery, New York, NY
«Established in 2000, the Sundaram Tagore
Gallery has
become one of the most important alternative cultural
spaces in New York, with a focus on a dialogue between Western and non-Western cultures.»
Voted Best Neighborhood - Wide
Gallery Night by L MAGAZINE, Beat Nite has
become the signature party of all parties with art above all else, this bi-annual night is half art stroll, half bar crawl, where selected art
spaces stay open late welcoming the public to see real art in real time.
Upon returning to Berlin in 2008 he opened the project
space called EXILE, which after immediate success and acclaim
became a professionally operating
gallery.
Still, the amount of
space dedicated to stairways and places for the millions to «meet up» seems, to this visitor, to be excessive, with
space in the
galleries (which
become smaller on the upper levels) sacrificed for public areas.