Sentences with phrase «gallery space fit»

Ilex Regeneration Company was entrusted with the Pounds 2.4 million project to convert the two old buildings - which date back to the 1890s - into this new 9,500 sq ft single structure gallery space fit to display work short - listed for what is arguably the world's most prestigious award for contemporary art.

Not exact matches

The petite scale makes this print a perfect fit for gallery walls and places where space is limited.
The petite scale of this print makes them a perfect fit for gallery groupings and places where walled space is limited.
The petite scale makes it a perfect fit for gallery walls and places where space is limited.
The petite scale of this print makes it a perfect fit for gallery walls and places where space is limited.
The petite scale makes them a perfect fit for gallery walls and places where space is limited.
To remedy that we've assembled a 50 - plus strong image gallery, a brief teaser video and some lengthy press release downloads that have more info and details than you can fit in your 1680 litres of cargo space.
Taking over the entire gallery and transforming the space into a Natural History Museum meets island tourist bar, IF IT FLOATS... breaks the gallery into 4 separate rooms, each fit with its own unique art viewing experience.
The galleries will all be at liberty to change up their sections as often as they see fit, and they'll take turns being responsible for staffing the space from day to day.
Taken in from the vast windows of the Turner Contemporary, which has dedicated two of its gallery spaces to a retrospective of Jean Arp's works, the sea's expanse seemed to open out to France, Belgium, Holland — a fitting reflection of the dynamic internationalism of this sculptor - poet's long career.
It also addresses the artist's practice in the context of Chinatown: «As a gallery representing the non U.S., non New York based artist Omer Fast, it is reprehensible that you see fit to support this exploration of «temporal space» while contributing to the displacement of low income tenants and business owners in Chinatown.
To refer to it as a museum seems ill fitting, as PS1 functions within its own category of gallery cum project space — and in this way it achieves a unique level of accessibility within the public sphere.
Her work has been exhibited at The Kitchen, Nice & Fit Gallery, The Moore Space, Von Lintel Gallery, the Rose Art Museum at Brandeis University, Portland Institute for Contemporary Art, Human Resources, Fleisher Ollman Gallery, Real Art Ways, Soloway Gallery, and Neon > fdv.
If she ever wondered how many people fit into her gallery space, now Alison Jacques knows.
To this end, the vastness of Gagosian's 21st Street gallery is a fitting space in which to encounter the work of an artist deeply influenced by the storytelling richness of ancient epic and myth, and to be swept along on Twombly's own odyssey of pictorial exploration.
Other important artists of a younger generation like Lita Albuquerque have recently joined the gallery and their work fits within the context of West Coast Light and Space and Performance.
The idea of big got to many New York galleries, including Venus Over Manhattan, whose 14,500 square feet Californian outpost is called Venus Over Los Angeles, and Maccarone, whose two West Village spaces would likely fit into their new 50,000 square foot LA gallery, opened last year.
These two works and its compatriots, which are central in the main gallery, are guarded by Chloe Seibert's giant cement bloodhound, which was created on - site within the gallery space with the intention of being large enough not to fit through any of the Contemporary's doors (Seibert's signature hat trick).
Since the gallery was designated early on I was able to design the exhibition to more or less fit the space.
The Malaysian - born, London - based artist uses the overly precious setting of the gallery space to pull objects — cooking utensils, kitchen fittings, plastic tubs, sheets of jute, etc — out of their utilitarian context in such a way as to force viewers to think about them as discrete objects, or things in and of themselves, while in the process challenging the assumptions we make about their functionality and attendant concerns such as, for example, the social status of the person who might own such an object, its role in their lives and that relation in respect to one's own style of living.
Taking over the entire gallery and transforming the space into a Natural History Museum meets island tourist bar, If It Floats... breaks the gallery into 4 separate rooms, each fit with its own unique art viewing experience.
A pizza - themed exhibition seemed fitting for the opening of the gallery's new downtown space, Neykov says: «Sharing a pizza is a metaphor for community and getting together.»
Built expressly for the purposes of this exhibition, the work is designed to fit snugly inside the volume of the gallery space, where its form hovers between an autonomous sculpture and an immersive installation.
A painting made to fit the previous architecture is here edited; cut and repainted in relation to a new work that is itself made to fit the gallery space.
The total dimensions of artist Daren Keene's imaginary metropolis currently exceed what can fit inside the gallery space, and he plans for it to eventually be the length of a city block.
The front windows of Sector 2337 have also been transformed by the current show: a massive blue screen becomes the suggestion of another billboard, and fits into the space of the vertical windows as an intervention on the face of the gallery.
For this installation, Skip Gallery will return to its inaugural space in the car parking space opposite 19 Hoxton Square, London N1 6 PB, a site that is fitting for Turk's collaboration, who exhibited The Golden Thread (a series of casts of black refuse bags) in the now closed down White Cube Hoxton Square over a decade ago.
Love Life: Act 1 opens at PEER, where the gallery environment becomes a grotesque domestic space strewn with crudely made props, possessions, commodities, chattels, knick - knacks, gewgaws, bling, tools, trappings, and fixtures and fittings — with the visitor both participant and spectator.
Natual Porto Art Show, City of Porto, Casa da Música, PT Dieu Donné Annual Benefit, Dieu Donné Gallery, New York, US Just Love Me, Mudam Luxembourg, Luxembourg, LU TANK Art Attack Launch: Artists Support Women for Women International, DKNY, London, UK The Crude and the Rare, 41 Cooper Gallery, The Cooper Union, New York, US Contemporary Magic: A Tarot Deck Art Project, The National Arts Club, New York, US Platform 2010 / Projected Image, Artsonje Center, Seoul, KR NY Art Book Fair, Electronic Arts Intermix, MOMA P.S. 1, Long Island City, New York, US Broken Off, screening Estoril Film Festival, various cinemas in Estoril, PT 12 films and videos by Lawrence Weiner, screening Time / Store, e-flux, New York, US Der erste Impuls Skizzen Zeichnungen 1958 - 2010, Brigitte March International Contemporary Art, Stuttgart, DE Yes Or Yes, Yes Or Yes 2, curated by Lisa Holzer and Chiara Minchio, Nice and Fit, Berlin, DE Deutsche Angst, audio Painting and Sculpture, Lehmann Maupin, New York, US Je crois aux miracles, Collection Lambert en Avignon, Avignon, FR The Winter Show, i8 Gallery, Reykjavik, IS Display: Objects, Buildings and Space, Palácio Quintela, Lisbon, PT Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles, California, US Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R. Guggenheim Museum, New York, US
With this work, Creed celebrates the mechanics of the everyday, and in exploiting the existing light fittings of the gallery space he creates a new and unexpected effect.
Miska Draskoczy's «Gowanus Wild» is the first time we've ever had one artist occupy our entire gallery space and we couldn't think of a more fitting context.
This may be the stated intention of SPACES, however, many of the works are plopped into the CAC's space, rather than the gallery being formatted to fit the work.
In the late 1950s, Smith and Newman helped to remodel Parsons» gallery, creating an almost cube - shaped main space framed by white walls with subtly curved corners and a concrete floor whose proportions fitted their ordered works.
Charles Saatchi's new gallery in Chelsea, at the old Duke of York's barracks, is a fantastic space, room after glorious, beautifully lit room, generous in size, fit for really major shows — if a little bland, certainly compared with the old Boundary Road premises.
Miami, Florida (commissioned project) Sign / Co-Sign, curated by Light and Wire, Miami, FL (commissioned project) Meeting Point, project with NYU Student Body, New York, (commissioned project) The Box Tour, various locations across North America (project) Hors Les Murs, Fette's Gallery, Los Angeles, California, (solo online project) In Real Life, curated by Laurel Ptak, Capricious Space, Brooklyn, NewYork (commissioned project) Innerseeing / Outerseeing, by Gabriel Saloman (commissioned online project) 2008 Miami Basel Art Fair, Art Metropole / Printed Matter, Miami, Florida, (commissioned project) One Size Fits All, Printed Matter, New York (commissioned project) Light and Wire, Los Angeles, CA (solo online project) http://www.six-years.com/ (solo online project)
I'm using it for everything from framing out the fireplace to paint, to creating a large space on the floor to lay out a plan for a gallery wall, to an art project that'll fit on that wall.
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