Sentences with phrase «gallery space the forms»
While her installation, Interior Complex, directly references the balusters on Wave Hill's Lower Lawn, in the gallery space the forms have been warped, stretched, broken and turned upside down.
http://blog.wavehill.org/ Not exact matches
These epiphytes form hollow tubers, known as domatia, with preformed entrance holes, which give access to a network of galleries that provide the ants with protected nesting space.
Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across space and time on many themes of character, identity, success, failure, anger and disappointment.
However, recent zoning regulations in favor of mixed - use development have opened the door for several other forms of business including restaurants, bars, condominiums, galleries, hotels, event spaces, and [most notably] Santa Barbara's famed Urban Wine Trail.
Slate floors and gallery - like white walls form a minimalist backdrop to the living spaces overlooking the pool, and landscape artwork adds color to match the scene outdoors.
Skid (New - Word Chaser Series), 2014, a 41 - foot procession of steel T - forms, led diagonally through the main space into the rear gallery.
This is not the case for all the work, and two pieces, radically different in form and composition, move beyond the intricacies of internal formal dialogue to effectively engage with the viewer, the gallery space, and larger questions about art's transformational power.
Viewed within the modern monastic space of the Paul Kasmin Gallery, with its cool white walls, polished floors, and concrete ceiling, the visceral earth tones and frantic forms of Lee Krasner's «Umber Paintings» emerge as fields of boundless energy.
1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.
Kenyon uses upholstery techniques to mount material to its wooden support, creating taut, pregnant forms that protrude into the gallery space.
The artist creates works as signifiers of the destruction of the natural world by «colonial powers», via a series of tabletops containing mineral fragments and photographs of equatorial scrublands.The minerals are representative of the original environment now re-contextualized within the white cube of the gallery space becoming «art», and forming a dialectic concerning «value».
Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988
Within a loft - like trussed gallery adjacent to the space containing the first American exhibition of Ross's new large - scale Hurricane prints, computer - generated renderings of complex fluid dynamics are projected onto large screens, which combine to form what the artist calls a Wave Cathedral.
Andrew Masullo demonstrates that less is more and tames Mary Boone Gallery's cavernous 24th Street space with and installation of his intimate, yet potent, explorations of color and form.
Exhibiting galleries are offered ca. 40 sq m (430 sq ft) of exhibition space at the fair, and START welcomes all forms of artistic production.
2016 Making and Unmaking curated by Duro Olowu, Camden Arts Centre, London, UK 30 Americans, Cincinnati Art Museum, Ohio, USA Remix, Columbia Museum of Art, Columbia, South Carolina, USA You go to my head, Galerie Templon, Paris, France The Human Form, Berggruen Gallery, San Francisco, California, USA A Material Legacy: The Nancy A. Nasher and David J. Haemseigger Collection of Contemporary Art, Princeton University Art Museum, Princeton, New Jersey, USA Framing Beauty, The Grundwald Gallery, Bloomington, Indiana Turn the Page, Virginia Museum of Contemporary Art, Virginia Beach, Virginia Versus Rodin: Bodies across space and time, The Art Gallery of South Australia, Adelaide, Australia
Throughout the duration of the exhibition, her performers continuously enact a form of live installation in the gallery and the museum's outdoor spaces, bridging the conceptual and physical divide between performer and object, bystander and viewer, while addressing the ways in which dance and the spectacle of performance are presented in theatrical and exhibition contexts.
Formed from an 18th - century house and two new, purpose - built exhibition spaces, it offers an intriguing mix of intimate domestic rooms, stripped down but full of period detail, alongside contemporary galleries — a union of old and new that echoes the dynamic of its location on the border between the East End and the City of London.
Jonas herself, back in those days, rejected gallery and museum showings of her performance - based videos since she claimed that the old spaces were unsuitable for the transgressive new form.
In the back gallery space four further paintings evidence an evolution in form that has been in development over the past two years.
Averse to the act of collecting as luxury consumption, Rogers and Weisenbacher find it essential to get to know and form dialogues with the artists they support, as well as other «passionate and thoughtful people in the art ecosystem» such as gallery owners and those involved in nonprofit art spaces.
Peckham has been ripe for blooming for a number of years now, placed between Camberwell School of Art and Goldsmiths, with the South London Gallery and a healthy number of alternative art spaces (both pop - ups and long term enterprises), art students and graduates form a substantial part of the community.
Several mirrors that belonged to another night club in Ciudad Juárez were taken out and form now a sculpture (152.5 x 91.5 cm) displayed within the gallery space, titled Espejos de la barra del bar RUV.
The self - portrait photographs on display in the upper gallery depict Al - Ghoussein's exploration of the physical, cultural, intellectual, and collective spaces through interactions with iconic locations that are the physical manifestation of efforts to form a modern nation - state.
Women's galleries like Soho 20 & AIR, cooperatives, artist - owned galleries and non-profits like Artist's Space and MUSEUM, A Project for Living Artists were formed.
With specimens from Hantaï's painterly «Mariale» series (1960 - 62) to the almost Matisse - like «Meuns» (1967 - 8) and the frenetic «Études» (1968 - 1971), where the negative space forms take on a wing - like nature, the Mnuchin Gallery succinctly paints a portrait of Hantaï's dramatic evolution in a short span of time.
INVENTING DOWNTOWN: ARTIST - RUN GALLERIES IN NEW YORK CITY, 1952 - 1965 Fourteen artist - run and experimental spaces, including Judson Church and the Tanager and Reuben Galleries, serve as test cases for examining the development of Happenings, video, performance and other new art forms.
The recent and new works on view at the gallery continue her innovative exploration of form, content, and space, while at the same time presenting a link to her artistic production from the past six decades.
2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)
At the Hammer Museum, Holtzman has created a site - specific immersive installation that merges the historical with the contemporary and thoughtfully and inventively transposes his concerns with space, color, and form to the three - dimensional space of the gallery.
Hosting national and international project spaces, galleries and residencies, Enclave forms a major part of a new masterplan for Deptford, South London and a major new addition to the art scene locally.
Hosting national and international project spaces and galleries, Enclave forms a major part of a new masterplan for Deptford, South London, recently hailed as a must visit destination by the New York Times.
According to the info posted on her previous gallery's website, Wanklyn «has long been interested in the relationship between form, shape, space, the limitation of the canvas surface, the idea of speed and the mechanism of memory.
Both galleries will provide the following support: - Artist fee - Accommodation - Working studio / space - Return flights - Presentation of the work in form of artist talks / workshops / studio visits
The Sim Smith booth will form part of RISE, a selection of galleries and art spaces launched in the past six years.
Caroline Achaintre, Sara Barker, Alice Channer is a three person exhibition forming the space of the gallery with discreet and autonomous moments of object making via careful labour.
The vast open space and in its «raw» form is a terrific venue for large - scale paintings such as Schapiro's, and is a gallery to watch in the future just as the Newtown Lane venue is on the list when gallery - goers are in East Hampton.
The gallery is aimed at being an art space featuring fresh and amazing shows of young emerging as well as established local and international artists and making regular focus on new media or new art forms.
This presentation of his work, the second at the gallery, seeks to draw attention to this critical yet underexposed period of intense experimentation with space, line, form and colour by one of the most important post-war Japanese artists.
With backgrounds in performance and interdisciplinary art forms, the creative duo install and design the gallery space themselves to create the perfect atmosphere for each new exhibition.
Additionally, a new series of «hoodie» works push the human form and showcase how balance can be found within the gallery spaces.
Milk's culture lives across physical and digital spaces in the form of a contemporary gallery and an editorial platform.
Solo Exhibitions 2017 «Dust,» Street Museum, Seoul, South Korea «Form,» Space Kaan, Seoul, South Korea «Real Illusion,» Klein Sun Gallery, New York, NY 2016 «Dust,» Christian Louboutin, Art Basel, Wan Chai, Hong Kong
His work has been exhibited around the world, including solo exhibitions Form, Space Kaan, Seoul, South Korea (2017); Civilized Landscape, Klein Sun Gallery, New York, NY (2015), Objectified Spectacle, Tang Contemporary Art, Beijing, China (2013) and In Situ, Ullens Center for Contemporary Art, Beijing, China (2008).
For an entire month, the gallery space was transformed into a dream with extreme colours in simplified forms.
The streams allude to an unseen topography leading away from the gallery, to fictional installational spaces, unknown architectural forms.
The Collection Teaching Gallery, where this material is presented, is a newly established teaching and viewing space in the Center for Curatorial Studies Bard Galleries created to foster diverse forms of engagement with a broader range of CCS Bard and Hessel Museum collection materials.
the union of these corridor - like spaces — formed by stitched panels of colored polyester — create a walk - through configuration of semi-transparent structures that occupy the 25 meter - long gallery space at victoria miro.
2016 Light, Form, and Symbol, Williamsburg Art & Historical Center, ブルックリンー ／ NY 2016 Synaesthesia Playground, Spectrum NYC, New York, NY 2016 * New York Electroacoustic Music Festival 2016, Abrons Arts Center ／ NY 2014 * Long Island Biennial 2014, The Heckscher Museum of Art, ハンティングトン ／ NY 2012 * Made in New York 2012, Schweinfurth Memorial Art Center, オーバーン ／ NY 2012 * BIG QUEENS DRAWING SHOW, W.P.M.Jr.Gallery, ジャマイカアートセンター, クィーンズ ／ NY 2011 個展 «Takafumi Ide» The Gallery （ オノンダガ ・ コミュニティ大学 ） シラキュース ／ NY 2010 個展» Life is fleeting; therefore, life is beautiful» AC Institute チェルシー ／ NY 2010 個展» Emotional Echo: Separation» イセ文化基金ギャラリー ソーホー ／ NY 2010 個展 «observe» Sunroom Project Space, Glyndor Gallery, Wave Hill ブロンクス ／ NY 2010 個展 «decipher» Second Street Gallery シャーロッツビル ／ VA 2009 Mapping Memories: Beili Liu and Takafumi Ide, Castle Gallery （ ニューロッシェル大学 ） ／ NY 2009 * Alpan International 2009, アルパンギャラリー ハンティングトン ／ NY 2009 Young Artists Exhibition, タマダプロジェクト 、 イセ文化財団 ／ 東京 2009 個展 «propagate» Hartnett Gallery （ ローチェスター大学 ） ／ NY 2008 In Residence, EFA Project Space Elizabeth Foundation of the Arts ／ NY 2007 Projects «07, The Carriage House アイスリップ美術館 ／ NY
Two galleries and a video darkroom exhibition space form the artistic core of the museum.