Sentences with phrase «gallery spaces is given»

The second of the two gallery spaces is given over almost exclusively to works made with black ink on plain paper.

Not exact matches

A move in June from Wicker Park to the West Loop increased physical exhibition space by almost 400 percent, the bulk of which is given over to the organization's Coalition Gallery program, in which 16 juried artists manage and show in the space.

While waiting for the show to start, you can watch a «Victorian» astronomer give a magic lantern show of findings in astronomy in the year 1880 and, if there is time, take a stroll into the adjoining Space and Time galleries.

But this article has made me realize that I need to get out of the 2 gallery co-ops I'm in that have done nothing for me, to stop showing my work in the local art league shows that always make me depressed when I go to see them, and to quit buying booth space at holiday vendor shows next to Mary Kay because it might give me some exposure.

I am happy to give up a commission in order to get the exposure, and the reality is that I know what the rental rates for that space are and based on sales, commission rates, etc., the gallery owner is making a small profit but not an outrageous amount.

It is a simple truth that in any given month, if you added up all of the available space in commercial galleries around the country, the amount dedicated to painting would dwarf that of all other media.

No further mention was given on the nature or exact location of the new gallery space, nor was a reason for the move specified.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery gallery spaces.

In 1967, the announcement that Moore was going to give a selection of his sculptures to the Tate concerned young British artists who felt the gallery was dedicating too large proportion of its space and funding to a single artist.

Dunham says the show, in the Xcel Energy Gallery, was arranged so that larger pieces were given more space so viewers could take them in from a greater distance, while smaller paintings were hung in the hall.

I want to give a special shout out to my buddy Eddie Martinez, whose show at the new Kohn Gallery space in Los Angeles confirms what many already knew: Eddie is one of the best natural painters of his generation.

Fünf Räume presents five emerging artists who have been given the opportunity to transform a distinct space within the gallery of the Austrian Cultural Forum by creating new, site - specific installations.

In their juxtaposition, Shore II and Signal illucidate the dynamic relationships created between the sculptures, the viewer and the exhibition space; it is particularly significant in this context given that these works are the first to be shown in the gallery's new location.

«In the late»90s there weren't a lot of spaces that featured a lot of young, under - recognized artists of African descent,» said Adams, who said he gave Kehinde Wiley, Wangechi Mutu, Jacolby Satterwhite, and Leslie Hewitt their first Chelsea gallery shows during his 13 - year tenure there.

Lannan Foundation President J. Patrick Lannan has stated that the $ 1.5 million saved will be added to the foundation's grant - giving program, which since 1986 has awarded nearly $ 8 million to museums, university galleries and alternative spaces.

Given that the Courtauld Institute and Gallery, both part of the premises of London's iconic Somerset House, boast such an impressive and art - historically significant permanent collection, any temporary exhibition hosted within the space must be not only mindful of the location and its heritage, but equally must be seen to be doing, and saying, something different.

May 24 — September 5, 2011 Fünf Räume presents five emerging artists who have been given the opportunity to transform a distinct space within the gallery of the Austrian Cultural Forum by creating new, site - specific installations.

Five brand new steel sculptures will go on display in Gagosian's Brittania Street space today, while their Davies Street Gallery is given over to a new drawing until 22 November.

The entire Glyndor Gallery will be given over to this exhibition, presented in honor of the tenth anniversary of the Sunroom Project Space.

However, to distinguish the gallery space from a cinematic presentation, each projection is given its own distinct physical presence, and placed in such a way that they allow viewers to fluidly transition and carry with them impressions from one film to the next.

Running the length of these galleries is a sloping sort of gangway that gradually brings the visitor into the largest exhibition spaces and, combined with glassed - in ceiling and window walls, rather gives one the feeling of being on a cruise ship — especially on an appropriately dark and stormy night like the one that witnessed the opening of Gray Matters, the maiden voyage of newly appointed Senior Curator Michael Goodson.

All three galleries of Sprüth Magers's Berlin space are given over to the late artist's painterly evolution, much of which is long unseen

«We can divide the main gallery into eight spaces and give a reasonable size for everyone to work in... we want it to be part of an ongoing process which means we want them to get to know each other, show in each other's spaces, in the future develop contacts, and really build a much, much bigger integration of the art scenes here and in Berlin.

The khaki - colored linen of the canvas gives the work a necessary separation from the white gallery wall and emphasizes the fact that we are looking at a representation of space.

American artist Aaron Curry is in demand: CAPC Musée d'Art Contemporain in Bordeaux is giving him his first major solo show at a French institution, which also coincides with an exhibition of his paintings at Michael Werner Gallery in London (until 9 August); he will be included in «The Los Angeles Project» at the Ullens Center for Contemporary Art in Beijing, China, and a show of his works will occupy both spaces of David Kordansky Gallery in Spring 2015.

The Armory Show has been trimming the fat since Frieze's appearance in New York three years ago, cutting back on exhibitors in order to give galleries more space, in addition to tighter control on their curatorial choices.

Given that the gallery portion of the ground floor space is relatively small, each artist displays only a handful of works, showing whats truly representative of their own unique takes on art making.

Given Coolquitt's fascination with the little design solutions that organically unfold both inside and outside the home, and the connection between art and environment, it is no wonder that Coolquitt seizes on the installation of his solo exhibition as a chance to forge a relationship between his sculptures and the gallery space.

The illumination, the layering of blacks, and the patterns remind me of some of the best prints (usually grey on grey) of Jasper Johns or the untitled back - lit sculpture made in 1966 by Bruce Nauman, given to the Museum of Modern Art by Joseph Helman (who was connected to this space when it was known as the Blum Helman Gallery).

In gallery news: Thomas Dane Gallery now represents Dana Schutz in the UK, with an exhibtion planned in October 2019 at the London gallery (her first solo show in the UK capital); London's Victoria Miro now represents the estate of Ilse D'Hollander, with a solo show at its Mayfair space planned for November; Rome's Frutta Gallery is opening a new space in Glasgow with a solo exhibition by Santo Tolone; with a much publicized scandal of artists claiming nonpayment, LA gallery CB1 will close — «Given our cash flow and slow sales, in late March we made the difficult decision to close the gallery» founder Clyde Beswick told the LA Times; Copenhagen gallery David Risley has announced it is closing its doors, writing, «We need to remember that without artists there would be no art fairs, no sponsors, no collectors, no consultants, no critics, no magazines, no museums, no transport companies, no gala dgallery news: Thomas Dane Gallery now represents Dana Schutz in the UK, with an exhibtion planned in October 2019 at the London gallery (her first solo show in the UK capital); London's Victoria Miro now represents the estate of Ilse D'Hollander, with a solo show at its Mayfair space planned for November; Rome's Frutta Gallery is opening a new space in Glasgow with a solo exhibition by Santo Tolone; with a much publicized scandal of artists claiming nonpayment, LA gallery CB1 will close — «Given our cash flow and slow sales, in late March we made the difficult decision to close the gallery» founder Clyde Beswick told the LA Times; Copenhagen gallery David Risley has announced it is closing its doors, writing, «We need to remember that without artists there would be no art fairs, no sponsors, no collectors, no consultants, no critics, no magazines, no museums, no transport companies, no gala dGallery now represents Dana Schutz in the UK, with an exhibtion planned in October 2019 at the London gallery (her first solo show in the UK capital); London's Victoria Miro now represents the estate of Ilse D'Hollander, with a solo show at its Mayfair space planned for November; Rome's Frutta Gallery is opening a new space in Glasgow with a solo exhibition by Santo Tolone; with a much publicized scandal of artists claiming nonpayment, LA gallery CB1 will close — «Given our cash flow and slow sales, in late March we made the difficult decision to close the gallery» founder Clyde Beswick told the LA Times; Copenhagen gallery David Risley has announced it is closing its doors, writing, «We need to remember that without artists there would be no art fairs, no sponsors, no collectors, no consultants, no critics, no magazines, no museums, no transport companies, no gala dgallery (her first solo show in the UK capital); London's Victoria Miro now represents the estate of Ilse D'Hollander, with a solo show at its Mayfair space planned for November; Rome's Frutta Gallery is opening a new space in Glasgow with a solo exhibition by Santo Tolone; with a much publicized scandal of artists claiming nonpayment, LA gallery CB1 will close — «Given our cash flow and slow sales, in late March we made the difficult decision to close the gallery» founder Clyde Beswick told the LA Times; Copenhagen gallery David Risley has announced it is closing its doors, writing, «We need to remember that without artists there would be no art fairs, no sponsors, no collectors, no consultants, no critics, no magazines, no museums, no transport companies, no gala dGallery is opening a new space in Glasgow with a solo exhibition by Santo Tolone; with a much publicized scandal of artists claiming nonpayment, LA gallery CB1 will close — «Given our cash flow and slow sales, in late March we made the difficult decision to close the gallery» founder Clyde Beswick told the LA Times; Copenhagen gallery David Risley has announced it is closing its doors, writing, «We need to remember that without artists there would be no art fairs, no sponsors, no collectors, no consultants, no critics, no magazines, no museums, no transport companies, no gala dgallery CB1 will close — «Given our cash flow and slow sales, in late March we made the difficult decision to close the gallery» founder Clyde Beswick told the LA Times; Copenhagen gallery David Risley has announced it is closing its doors, writing, «We need to remember that without artists there would be no art fairs, no sponsors, no collectors, no consultants, no critics, no magazines, no museums, no transport companies, no gala dgallery» founder Clyde Beswick told the LA Times; Copenhagen gallery David Risley has announced it is closing its doors, writing, «We need to remember that without artists there would be no art fairs, no sponsors, no collectors, no consultants, no critics, no magazines, no museums, no transport companies, no gala dgallery David Risley has announced it is closing its doors, writing, «We need to remember that without artists there would be no art fairs, no sponsors, no collectors, no consultants, no critics, no magazines, no museums, no transport companies, no gala dinners.

Creating a variety of spaces, the gallery's aim is to have three to five exhibitions on view at any given time, changing several times a year.

Enjoyment certainly seemed key to the play of shadows and colored refractions on the white walls in this recent show, for which the ground - floor exhibition space at Tanya Bonakdar Gallery was entirely given over to Multiple shadow house, 2010.

The artists don't share the same space, but Frankenthaler is given two galleries, and Turner a large third one, and so these can be treated as free - standing exhibitions.

In addition to its exceptional program, the gallery is widely admired for a sympathetic approach to restoring historic buildings and giving them a new lease on life as contemporary art spaces that invigorate surrounding communities.

At Pace Gallery on 57th Street, the delicate Calder sculptures are generously spaced, including one relatively small one that is given a wall to itself.

By using archival material with printed fabrics to craft three - dimensional pieces, Opposite and Above are three unique works made directly within the gallery space, giving the exhibition its site - specific and voluminous character.

It is right to add that the conjunction of the gallery which provided the spaces, for this important exhibition in 6 Burlington Gardens (formerly the Museum of Mankind), abutting the rear of the Royal Academy at Burlington House, will in due course be resolved by the special skill of the architect David Chipperfield (also a Royal Academician) who successfully gave new life to the Neues Museum in Berlin.

Generous exhibition space is given to a piece of grey marley flooring, where a group of four dancers perform collaboratively - generated ballet in the gallery each day.

According to Chris Appleton, executive director of the nonprofit WonderRoot, which administers the Walthall, KSU gave the artists two options: a scaled - down version of the exhibition in other university spaces — former gallery spaces are small and in the library basement — or taking the exhibition off - campus.

With holes punched out to intimate a figure's gaze, they are experienced anthropomorphically, giving the gallery space a living energy.

The studios are behind the gallery and give a lot of life to the space, as well as help with a portion of the rent.

For COMMA at Bloomberg SPACE, David Lamelas was given the entirety of the gallery to invest.

Those on the West coast are in luck, too: David Kordansky Gallery in Los Angeles will be giving over both of its spaces to a gala exhibition of Armleder's work from January 13 through February 25.

Indeed, you have to wonder if giving this prime spot to a single artist for such a long time is the best use of space, at a time when attendance figures at our principle gallery of British art have been flagging, prompting the institution's entire purpose to be questioned.

Openly inspired by F.L. Wright's Guggenheim Museum in New York, the atrium is an imposing daylight - filled space from which a large spiral ramp gives access to the museum's art galleries, located on three levels.

The two artists, with very different styles, were given one week to create an interactive space in one of the galleries using what they found on the Marders Landscape property.»

«Every one of you have given us in the gallery a wonderful time in the art world,» she said, before letting on that it was Kentridge's desire to be in London that started her looking for space there.

Her work is shown in gallery spaces; she gives lectures and performances in contemporary art museums and biennales all over the world.

Varying in scale, her works are often fleeting in nature, as in the case of her ceramic skipping stones which she asks people to skip, while being photographed, on the street in a given city; or, in the gallery proper, in subtly but noticeably present architectural disruptions of the space itself.

At the same time, those prices had to rise, in part in order for galleries to finance the exposure they were giving the artists at fairs, to build competitive programs, and to build the spaces the artists demanded.