Sentences with phrase «gallery statement»

Now in its second installment, Mark Moore Gallery Statements features currently exhibiting artist Tim Bavington.

The resulting delicate drawings are reminiscent of web - like versions of abstract expressionist Philip Guston or Joan Mitchell, though the accompanying essay draws on Lacanian psychoanalytic theory while the gallery statement emphasizes the scientific use of saccadic movement studies in diagnosing neurological disorders.

The gallery statement for his current exhibit at Spoke Art further expounds on this by saying:

The gallery statement from her current exhibit describe the various concepts at play saying:

Thus, Sadie Laska's expressionist paintings feature abstracted, genderless figures in frenzies meant to suggest «avatars and icons emerging from the basic problems surrounding identity in the digital age,» notes a gallery statement.

The gallery statement says that the Naples branch will be «part residency, part project space, part exhibition space».

«The design incorporates Soviet - era design elements such as tiles, mosaic, and brick,» according to a gallery statement.

The gallery statement for Dummy Vexillography asserts: «[The work] defies -LSB-...] standards at each stage of making, from design to material and fabrication, and ultimately to intended function.

«I am interested in the relationship between worship and tourism,» the artist writes in her gallery statement, «and the physical barriers churches sometimes use to keep the tourists out of sacred spaces.»

A gallery statement assures us that Walker's works are «illustrations of the dissonant relationship between the sign and the signified.»

Eigenheer's perspective, according to a gallery statement, is feminist: «she views the new painting as patriarchy's last desperate stand.»

These are digital reworkings of old color photographs, described in the gallery statement as «autobiographical,» which have been enlarged and cropped so that a detail becomes the subject, and the subject is obscured by large black shapes.

The gallery statement «a group exhibition showcasing the work of local and national artists who use the letterform as their subject matter or inspiration» truly lived up to its name.

As guest curator Mark Fletcher noted drolly in his gallery statement, his concept was «conceived» to link two galleries that «lie one on top of the other.»

In her gallery statement, Bishop writes that the exhibition «explores the truths and fictions of the familiar in art of the last three decades.

The gallery statement cites Agnes Martin, Stanley Lewis, James Bishop and Blinky Palermo as other influences, a roster that «reflects her interest in the poetic notions of opposing dualities that weave time together in the history of painting.»

Most of the canvases at the Eleven Rivington space are vertical, but there are also two double - wide pictures, «Profile (Cop 663, Faye)» and «Profile (Pineapple, Cop 223)» (both 2015), which refer, again from the gallery statement, to characters from Wong Kar - Wai's 1994 film Chungking Express.