As if to embody this, a fellow
gallery visitor standing in front of a painting by (Sir) William Gillies raised his eyes heavenward.
Not exact matches
Visitors to the DuPont
stand were welcomed to a surprising
gallery built in the form of a giant kaleidescope to underline the endless design possibilities of Surlyn ®, including the use of Surlyn ® 3D Technology.
The island offers a seasonal concession
stand and Tillicum Village Gift
Gallery and Interpretive Museum are available for
visitors to browse.
At Vervoordt's
stand the
visitors of the fair are at the right address as the
gallery exhibits a historical masterpiece — a rectangular stele, Head of a Man, Sabaean Kingdom, Yemen, 3rd to 1st century BC.
The second
gallery was a space where museum
visitors could view documentation of Le Roy's previous works on computers or ask the performers questions — when I encountered the work, one performer
stood and addressed
visitors and the other sat at a computer.
Inside the fair, Jon Rafman will transform a
gallery stand into a secret movie theater, where
visitors can watch — and be watched while watching - a new video series fusing amateur 3D animation and niche genres of computer - generated erotica.
Sehgal, the anti-arts-objects artist, merely hired two interpreters to
stand in an otherwise empty
gallery waylaying mildly irritated
visitors and suckering them into conversations about the market economy.
The smallest cylinder,
standing not quite four feet tall, is somewhat shorter than the average
gallery visitor.
In addition to ambitious
stands featuring leading
galleries from around the globe, each show's singular exhibition sectors spotlight the latest developments in the visual arts, offering
visitors new ideas, new inspiration and new contacts in the art world.
In addition to ambitious
stands featuring leading
galleries from around the world, each show's exhibition sectors spotlight the latest developments in the visual arts, offering
visitors new ideas, new inspiration and new contacts in the art world.
Again they use a simple conceit: a machine draws vertical or horizontal lines on the
gallery wall according to some external stimulus — the noise made by an accompanying soundtrack,
visitors to the exhibition, or the rhythm of their sitting on and
standing from a bench placed facing the work.
Standing head bowed and in silence is a submissive stance and potentially uncomfortable, though it remains to be seen whether
visitors to the
gallery will be equally discomforted by what they experience.
The intended moral power of Abakanowicz's work becomes clearer still in the
gallery's main room, where 15 life - size bronzes
stand in two rows: armless, headless ciphers that confront the
visitor like accusing revenants.
The
visitor who enters Warsaw artist Magdalena Abakanowicz's exhibition at the Stephen Wirtz
Gallery comes face to face with a roomful of
standing figures made of resin - stiffened burlap.