Sentences with phrase «gallery visitor standing»

As if to embody this, a fellow gallery visitor standing in front of a painting by (Sir) William Gillies raised his eyes heavenward.

Not exact matches

Visitors to the DuPont stand were welcomed to a surprising gallery built in the form of a giant kaleidescope to underline the endless design possibilities of Surlyn ®, including the use of Surlyn ® 3D Technology.
The island offers a seasonal concession stand and Tillicum Village Gift Gallery and Interpretive Museum are available for visitors to browse.
At Vervoordt's stand the visitors of the fair are at the right address as the gallery exhibits a historical masterpiece — a rectangular stele, Head of a Man, Sabaean Kingdom, Yemen, 3rd to 1st century BC.
The second gallery was a space where museum visitors could view documentation of Le Roy's previous works on computers or ask the performers questions — when I encountered the work, one performer stood and addressed visitors and the other sat at a computer.
Inside the fair, Jon Rafman will transform a gallery stand into a secret movie theater, where visitors can watch — and be watched while watching - a new video series fusing amateur 3D animation and niche genres of computer - generated erotica.
Sehgal, the anti-arts-objects artist, merely hired two interpreters to stand in an otherwise empty gallery waylaying mildly irritated visitors and suckering them into conversations about the market economy.
The smallest cylinder, standing not quite four feet tall, is somewhat shorter than the average gallery visitor.
In addition to ambitious stands featuring leading galleries from around the globe, each show's singular exhibition sectors spotlight the latest developments in the visual arts, offering visitors new ideas, new inspiration and new contacts in the art world.
In addition to ambitious stands featuring leading galleries from around the world, each show's exhibition sectors spotlight the latest developments in the visual arts, offering visitors new ideas, new inspiration and new contacts in the art world.
Again they use a simple conceit: a machine draws vertical or horizontal lines on the gallery wall according to some external stimulus — the noise made by an accompanying soundtrack, visitors to the exhibition, or the rhythm of their sitting on and standing from a bench placed facing the work.
Standing head bowed and in silence is a submissive stance and potentially uncomfortable, though it remains to be seen whether visitors to the gallery will be equally discomforted by what they experience.
The intended moral power of Abakanowicz's work becomes clearer still in the gallery's main room, where 15 life - size bronzes stand in two rows: armless, headless ciphers that confront the visitor like accusing revenants.
The visitor who enters Warsaw artist Magdalena Abakanowicz's exhibition at the Stephen Wirtz Gallery comes face to face with a roomful of standing figures made of resin - stiffened burlap.
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