Sentences with phrase «gallery visitors become»

Not exact matches

Today, Hanapepe Art Night has become its own attraction and thousands of visitors flock to the small town each year to stroll through the art galleries, shop the local crafts, and taste some delicious food truck delicacies.

Founded by Bushwick community organizer and artist Deborah Brown, this gallery has become a destination for all Bushwick residents and visitors.

While the city of Oakland is not without its own challenges, it was through official support that the Oakland Art Murmur, a walk between eight galleries in 2005, became the full - throated, monthly cultural event of 25,000 visitors that today is Oakland First Fridays.

That story will become all the more engaging in our renovated contemporary wing and across the museum as we reshape our galleries and the visitor experience in coming years.»

Still, the amount of space dedicated to stairways and places for the millions to «meet up» seems, to this visitor, to be excessive, with space in the galleries (which become smaller on the upper levels) sacrificed for public areas.

As the visitor enters the main gallery, a whirring noise circles around the room, becoming increasingly louder and high - pitched, until it reaches a deafening crescendo, then falls silent.

As a result, the documentation of this exploration became evident as Rowland addressed the relationship between gallery, historic home, and visitor while working at Wave Hill.

Performance and Interactive Works Across the fair, galleries are presenting immersive projects that invite visitors to become part of the artworks themselves.

Her Serpentine Gallery show, 512 Hours, promises another coup for durational work: visitors must enter minus their belongings and they themselves become the materials for Abramovic's performance.

The current Greene Family Learning Gallery space will become CREATE, a bright and open studio devoted to developing young visitors» art - making abilities and encouraging the creative process.

She then invites gallery visitors to reconsider items that can be easily discarded, especially when viewers are encouraged to become active participants by playing, creating, and performing.

Informed by RIBA's vast collection, Sam Jacob Studio has redesigned the Architecture Gallery at 66 Portland as a conceptual, interactive space, where the visitor becomes a participant within the space of representation, while viewing original drawings and rare books by some of the most talented designers in history.

Founded in 1985 by the Iraqi - born UK businessman and philanthropist Charles Saatchi, one of the great contemporary art collectors, the gallery attracts more than one million visitors a year, and has become one of the best galleries of contemporary art in Europe.

Given the gallery's high visitor attendance figures, along with Saatchi's continuing ability to source interesting works of art, it is impossible to deny that it has become one of Britain's best art museums as well as one of its leading cultural institutions.

That show became one of the most successful in the gallery's history, attracting more than 600,000 visitors.

In 2011, Turner Contemporary gallery, designed by Sir David Chipperfield, opened, and has fast become a visitor attraction of national and international importance.

Growing from 29 galleries and 12,000 visitors participating on its first edition to 84 galleries from 33 cities in 2015, ARTBO has proved that Colombia has become a key player in the international art circuit.

Love Life: Act 1 opens at PEER, where the gallery environment becomes a grotesque domestic space strewn with crudely made props, possessions, commodities, chattels, knick - knacks, gewgaws, bling, tools, trappings, and fixtures and fittings — with the visitor both participant and spectator.

Placed in the gallery and outside of the diegetic world of the film, the visitors to the gallery transcend the role of spectator and become active participants in the installation.

Waiting for visitors in the middle of the gallery was the work Kher has become more than a little famous for: The skin speaks a language not its own, 2006, a life - size white fiberglass elephant stretched out on the floor.

As spectators, our contact with the work also serves to emphasise its fragility: the nature of this piece means that it will inevitably become somewhat altered as visitors to the Turner exhibition tramp through the gallery in their masses; moreover, it will remain intact only as long as the Turner exhibition is running.

The result was that although most of Parsons's artists and her closest friends knew about the women she loved, this legendary art dealer did not permit her sexuality to become a part of her public persona, the Parsons she presented to visitors to her gallery.

Sculptures placed throughout the gallery invite visitors to become intimately acquainted with their uncanny shapes, sizes, and voids.

Chimes for a Wall Drawing Visitors are invited to become immersed in the sound of Sol LeWitt's Wall Drawing # 1136 as composer and sound artist Will Bolton performs in the gallery.

Visitors to the gallery become part of the work as the projection reflects off their bodies.

Yet I also admired Serota's cool response to the Stuckist détournement, by turning his enemies» weapons against them: he became the least likely visitor to The Stuckists Punk Victorian show at the Walker Art Gallery in Liverpool where he met the artists and described their work as «lively» — though he rejected their offer to donate their work to the nation on the grounds that it was not of «sufficient quality in terms of accomplishment, innovation or originality of thought to warrant preservation in perpetuity in the national collection».

Visitors to Venice's Palazzo Grassi become immersed within a space that appears to have no boundaries in an installation created by American artist Doug Wheeler in the gallery's atrium (+ slideshow).

The intended moral power of Abakanowicz's work becomes clearer still in the gallery's main room, where 15 life - size bronzes stand in two rows: armless, headless ciphers that confront the visitor like accusing revenants.

Colorful and imaginative, this Rosenquist piece has fast become a favorite among visitors to our Boca Raton Gallery.

In the adjacent booth of Carl Solway Gallery, the installation artist Ann Hamilton (who not long ago filled the Park Avenue Armory's entire drill hall) is in residence, engaging visitors with the sort of interactive project that's become common at contemporary fairs like Frieze (coming to New York in May) and at the Armory, but that is rare here.

I became an avid gallery visitor, often going to the Sidney Janis, Betty Parsons, Tibor de Nagy, Fischbach, Green, Pace, Knoedler, and other art galleries along 57th street as well as the Sam Kootz Gallery just north on 5th Avenue and the Poindexter Gallery on 56th gallery visitor, often going to the Sidney Janis, Betty Parsons, Tibor de Nagy, Fischbach, Green, Pace, Knoedler, and other art galleries along 57th street as well as the Sam Kootz Gallery just north on 5th Avenue and the Poindexter Gallery on 56th Gallery just north on 5th Avenue and the Poindexter Gallery on 56th Gallery on 56th street.