Sentences with phrase «gallery walls here»

We love the minimal vibes flirting with full gallery walls here!

I did a tutorial a while back on gallery walls here http://roughluxeperspective.blogspot.com/2013/01/gallery-wall-tutorial.html. The easiest... Read More

Custom - made acrylic boxes containing books hang from the gallery wall here and there.

Follow our steps for creating a DIY gallery wall here.

You can read the post on our Gallery wall here.

Not exact matches

Here, a colorful collection of wall art mounted on a clean white gallery wall brings fresh pastel accents and plenty of personality to this simple nursery room.

If you're a new reader around here, the gallery wall was completed back in October through a collaboration with Minted.

I'm also linking lots of the items I have used here, as well as giving the details on how I made the Thanksgiving print in my gallery wall.

Having a gallery wall in the kitchen or dining room can be a great focal point for the room, as Domestic Fashionista has shown so beautifully here.

I originally had our gallery wall on a larger wall above our entryway table, but I decided to change it up (You can read more about my changes and plans for this space HERE).

Speaking of affordable, here's an iconic framed NYC poster of John Lennon with one of his many famous quotes is perfect for a plain wall to look instantly like a gallery wall.

Here's some great gallery wall ideas, including some free printables to put in your own gallery walls!

Fortunately, this is not our first gallery wall rodeo (as seen here, here, here, here, and here), so we've put together a list of tips to keep in mind when creating your next gallery.

Here's the full list of 142 films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!

In conjunction with this week's wall - to - wall 2014 Corvette Stingray coverage across the entire Internet, here's a photo gallery of the...

50 % commission is standard out here, and we have heard rumours of 70 % commission rates — or even worse — the «vanity gallery» route — «you pay me lots of money to display your work on the wall, and if you are lucky, well I might be able to sell it for you.»

And what's on the paper is something that has been on a lot of museum and gallery walls lately, as we noted here early this year.

2004 Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY Beginning Here: 101 Ways, Curated by Jerry Saltz, Visual Arts Gallery, New York, NY Tokyo - Chicago - New York, Tokyo National University of Fine Art and Music, Japan Sympathetic Nerve, Capsule Gallery, New York, New York The Truck Stops Here, Plus Ultra Gallery, Brooklyn, New York Six Outdoor Projects, Long Island University, NY Slice and Dice, Visual Arts Gallery, New York, NY Transmotion, Lower Manhattan Cultural Council, NY 1800 Frames 2004, City Without Walls, Newark, NJ

Here, clockwise from left: Fred Sandback's «Untitled,» at David Zwirner; an installation view of Sol LeWitt's «Wall Drawing # 368» from its 1984 installation at the Walker Art Center in Minneapolis; Sean Scully's «By Night and by Day,» 1983, at Mnuchin Gallery.

By Stephanie Cristello > click here to download PDF You walk into an empty gallery — white walls, fluorescent lights — to encounter a series of electronic diffusers, each containing a molecule formulation designed to trigger certain olfactory receptors.

As her Whitechapel Gallery review show throws open its doors, Gillian will be here every day telling Guardian readers what makes her tick, and letting you into her world of confessions and obsessions, from cross-dressing photographer Claude Cahun (the subject of a new work by Wearing) to a notorious 1960s Frederick Wiseman fly - on - the - wall film about a mental institution, Titicut Follies.

Here, Burgin continued his reorientation of photography from floor to wall, but rather than transform his pictures into precious prints, matted and framed, Burgin fixed his images to the gallery as a series of posters, pasting them straight to the wall (although not, as with Possession, out in the streets).

Curiously some of the commercial galleries that represent the apotheosis of the contemporary art industry and market, such as, here in NY, Gagosian and Zwirner, have been able to mount museum quality shows the past few years, including for example excellent Picasso and Frankenthaler exhibitions at Gagosian and the recent exhibition of Ad Reinhardt's work at Zwirner, in spaces that either are as beautiful as any museum or that are just functional in a good way, with few frills, just good walls and space.

Richard Meier says the walls he designed for the Glass Gallery «make the space divided but also fluid... as you move around the space, you see the different relationships between the art shown here... It's a phenomenal exhibition space.

Industrial boxes lining the gallery walls make jibes at big brands and even recreate the ideal collection of art with a Picabia here and a Klein there.

Additionally, Riley has executed a wall drawing for Dia's galleries, which is documented here.

One painting here has no other home than Mead gallery, painted directly onto the wall by Francis Baudevin The Only Truth samples the cover for Paul Haig's 12 ″ single of the same title.

Entering the darkened recess of a separate chamber constructed on the gallery floor, the viewer finds a wall - sized shadow tableau of all the elements previously encountered, but here unified, like multiple different arts coming together to create an opera.

Here the walls are crowded with canvases, rubbing in the fact that 3D works have hogged all 60 per cent of the expanded gallery's additional space.

Here he's created a new room - size video installation consisting of «animated onomatopoeias» projected onto all four walls of the gallery; when the word «zoom» appears, it speeds along accordingly.

Here, three large vertical columns of ultramarine have been placed at specific locations on the gallery walls according to the same astronomical orientation.

Here's a sneak peak at Kate Clement's piece «Wall» (8» x 8» suspended; Bullseye Glass) in Emerge 2014 in the Bullseye Gallery in Portland, Oregon.

Recent group exhibitions include; «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2010); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Now Here is also Nowhere: Part 1», Henry Art Gallery, Seattle, Washington, USA (2013 - 2012); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London (2012); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas (2010); «Slash: Paper Under the Knife», Museum of Arts and Design, New York (2010); «Chasing Napoleon», Palais de Tokyo, Paris (2009); «The Shapes of Space», Solomon R. Guggenheim Museum, New York (2007); «Art in America», Now, MOCA Shanghai, Shanghai (2007); «Mapping the Self», Museum of Contemporary Art Chicago (2007); «Into me / Out of me», P.S. 1 Contemporary Art Center, Long Island (2006).

Here, López bisects the gallery with the framed - out structure of a wall supporting oversized woodcut prints of windows.

Here, they are placed on the floor and at obscure heights on the walls, questioning their function (or nonfunction) to create a linear framework for the viewer's movement through the first two rooms of the gallery.

«I am bowled over by the amazing transformation the Wadsworth Atheneum has undergone in the eight short years I've been here, from my earliest days of having to close galleries because water was seeping through the walls, to now watching in awe as row upon row of stunning paintings are installed in those same spaces, now exquisitely refurbished,» director Susan L. Talbott told the Observer in an email.

And you can read my text on the third show, Charlie Warde's «Disappearing Landscape», either here or on the basement gallery's wall.

As if in proof of a budding mainstream status, a major Chelsea gallery, Luhring Augustine, recently established an outpost here, and a very Chelsea place it is: blank and thick walled, like a bank vault.

You find everything here from white cube galleries to gritty cellar like spaces with bare brick walls; cliche hipster bars, small boutiques, a shop that only sells chocolate, a weekly flower market, juice places, parks, the bike shed, design hotels such as the Ace Hotel and Shoreditch House, fantastic restaurants, tiny cafes, record stores, even the canal is just a quick walk away.

The first time that the British artist George Henry Longly stepped into Red Bull Studios New York, the space where he'd eventually be installing his first - ever New York solo show, whose only real resemblance to a typical gallery is its white walls, he slightly panicked: «I was like, «God, this is a crazy space, how the hell am I going to do a show in here?»»

Here is an example of a gallery wall made solely of African Baskets.

Harrison has installed Marilyn with Wall multiple times since its first iteration in 2004, but here it sits atop the remnants of a former gallery wall, of which she asked Regen Projects to keep every last scWall multiple times since its first iteration in 2004, but here it sits atop the remnants of a former gallery wall, of which she asked Regen Projects to keep every last scwall, of which she asked Regen Projects to keep every last scrap.

Here they are divorced from the original environment and fitted seamlessly into the gallery walls, furthering the ambiguity of implied narrative.

2013 Fanfare for Crossing the Road — exhibition — PLATAFORMA REVÓLVER, Lisbon POWER — The 16th Annual Group Photograph — London, Markfield Beam Engine Museum & Lisbon, Museu da Electrcidade Game — Performance for Hidden River Festival — London N4 News — Performance for LUPAfete (lock - up performance art)-- London E2 Fanfare for Crossing the Road — 23rd St and 7th Ave — New York 2012 Rowing Home — The 15th Annual Group Photograph — 111 Charing Cross Road, London WC2 Encore — Performance for LUPA 13 — London E2 Ffanffer ar gyfer Croesi» r Ffordd — The crossing in front of Cardiff Castle Wall — Cardiff Fanfare for Crossing the Road — Photographic Gallery Hippolyte, Helsinki 1 and 14 — The Annual Group Photograph at Central Saint Martins — The Window Gallery — CSM, London 2011 Hive — Still Here — The 14th Annual Group Photograph, Central Saint Martins, Kings Cross, London Fanfarra Para Atravessar a Rua — Performance — Praça do Comércio, Lisbon Kadunylitysfanfaari — Performance — Central Railway Station, Helsinki Fanfare for Crossing the Road — Performance — Albert Memorial, London

True to the effect of Neff's earlier installations, A Prologue proffers an uncanny phenomenon of viewing: the main gallery acts as a literal reflection of itself — a section of wall is mirrored in a photomural across the room, while other photographs depict Neff's poetic images posed here in the gallery space or in her Philadelphia studio.

A freestanding wall on either end of the gallery frames the space, one covered with handwritten testimonials from the sitters in the photos («Here in South Africa you have judges sending women to jail for stealing a loaf of bread to feed her baby, but men who gang rape women, who murder lesbians, who beat their wives, they walk the street as free men.»)

The exhibition's starting point is LeWitt's Wall Drawing # 157, first drawn to his instructions by Nicholas Logsdail — owner and co-founder of the Lisson Gallery — in 1973 and re-drawn here.

2013 Everything You See is in the Past, Postmasters Gallery, New York Cold Void, KK Outlet, Los Angeles Over Here Over There, Salon 94, New York (video wall) Seoul Art Square, Seoul

2013 Everything You See is in the Past, Postmasters Gallery, New York Cold Void, KK Outlet, Los Angeles Over Here Over There, Salon 94, New York (video wall)

Here is a recent update from Boe of new work from recent exhibitions at Stroke Munich, Neongolden Gallery, Basementizid Gallery, as well as new walls.