Sentences with phrase «gallery walls in my house»

I told Matt I wouldn't hang ANY gallery walls in this house because it's a short term house and I didn't want to put a bunch of holes in the walls.

But I'm almost there, and I can only hope to have as wonderful a gallery wall in my house some day.

Can you have too many gallery walls in your house?

So much great inspiration... I think it's time to add another gallery wall in my house...

I have two small gallery walls in my house and I want to add more.

Not exact matches

I thought that now that there is a new family member in our house, now would be a good time to start that gallery wall.

I just can't get enough of gallery walls, and have them sprinkled throughout my house now (they're in the bathroom and basement, if need a refresher).

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Because Mom can never have enough family pictures in the house, this well - made set of seven frames will turn any blank wall into a photo gallery.

2004 Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY Beginning Here: 101 Ways, Curated by Jerry Saltz, Visual Arts Gallery, New York, NY Tokyo - Chicago - New York, Tokyo National University of Fine Art and Music, Japan Sympathetic Nerve, Capsule Gallery, New York, New York The Truck Stops Here, Plus Ultra Gallery, Brooklyn, New York Six Outdoor Projects, Long Island University, NY Slice and Dice, Visual Arts Gallery, New York, NY Transmotion, Lower Manhattan Cultural Council, NY 1800 Frames 2004, City Without Walls, Newark, NJ

So the wall text tells us in at a new joint exhibition by the two Atlanta - based artists at the Swan Coach House Gallery through...

While the walls of the west gallery carry the somewhat lighter - weight selfies of Ai sticking his middle finger up at some of the world's most recognisable landmarks (think the Sagrada Familia, the Houses of Parliament, the Sydney Opera House, the Eiffel Tower), the whole scene is watched over by the ominous marble surveillance camera in the corner — a replica of those installed outside the artist's house and studio by Chinese police in House, the Eiffel Tower), the whole scene is watched over by the ominous marble surveillance camera in the corner — a replica of those installed outside the artist's house and studio by Chinese police in house and studio by Chinese police in 2009.

Prior to a controversial gallery renovation, Tacita Dean documents the brown and beige jute walls, carpeted floor and other decor of the Hessisches Landesmuseum in Darmstadt, which houses the famous seven - room installation Block Beuys, 1970 - 86 by Joseph Beuys.

So the wall text tells us in a new joint exhibition by the two Atlanta - based artists at the Swan Coach House Gallery through February 17.

Photographing the work of artists in collectors» homes, in galleries, on the walls of auction houses, and in museum storage, Lawler is also known for her installation pieces and experimental works.

While the encompassing gallery walls house his many diptychs, his sculpture, Michael Jor - el Kelly stands alone in the main space.

(Tokyo Opera Art City Gallery, 2000), Counter Pieces (Galerie der Stadt Stuttgart, Germany, 2000), Count of Life (Art Sonje Center, Seoul and Art Sonje Museum, Gyeongju, Korea, 2002), Tatsuo Miyajima (Museo d'Arte Contemporanea Roma, Rome, 2004), Beyond the Death (Contemporary Art Museum, Kumamoto, Japan, 2005), Counter Voice (Contemporary Art Centre of South Australia, Adelaide, Australia, 2005), Art in You (Art Tower Mito, Japan, 2008), Time Train (Kunsthalle Recklinghausen, Germany, 2008), 38 (Mongin Art Center, Seoul, 2008), Time Train (Six, Osaka, Japan, 2010), Ashes to Ashes, Dust to Dust (Ullens Center for Contemporary Art, Beijing, 2011), Three Time Train / Counter voice on the Wall (Kunstmuseum St. Gallen, Switzerland, 2011), House Lives with Time (Han Family's House, Gahoe - dong, Seoul, 2012), LIFE I - model (SCAI THE BATHHOUSE, Tokyo, 2012), I - Model (Lisson Gallery, London, 2013), Life (Rhizome)(Buchmann Galerie, Berlin, 2013), KU (Lisson Gallery, Milan, Italy, 2014).

In the first room of Marian Goodman's new gallery, adjacent pairs of vast grey painted - glass panels are retwinned on opposite walls, so that the space contracts a little around a huge central sculpture, 7 Panes of Glass (House of Cards)(2013), that drolly invokes both Richard Serra's cliffs of leaning steel and Caspar David Friedrich's The Sea of Ice (1824).

In this biting but elegant 33 - piece retrospective set to Japanese court music, Hammons» gimlet eye transforms the gallery's white - walled East Side town house, pairing, among other things, a paint - splashed fur coat with a boarded - over mirror and redefining the meaning of art.

Nothing is Forever marks an important and transitional moment in the South London Gallery's history as the institution expands into a formerly derelict house and a new building incorporating the surviving walls of a former lecture theatre and library.

Inside the glass - walled corner of Jessica Silverman Gallery, located on the ground floor of a Mercy Housing SRO in the lively yet louche Tenderloin, visitors will never spot a red dot next to a sold artwork.

The ingeniously designed Picture Gallery has walls composed of large «moveable planes» (like large cupboard doors) that allow it to house three times as many items as a space of this size could normally accommodate (the original hang in this room was reinstated in January 2011).

Enjoyment certainly seemed key to the play of shadows and colored refractions on the white walls in this recent show, for which the ground - floor exhibition space at Tanya Bonakdar Gallery was entirely given over to Multiple shadow house, 2010.

The dark - walled, dimly - lit front gallery at Kent Fine Art housed a re-creation of Petlin's studio in Paris in 1960 — a desk and table with buckets of coated paint brushes.

Standout booths (naturally, aside from the light - pink corner wall housing Abramović's self - portrait) included New York galleries Johannes Vogt (who had just jetted back from ARTISSIMA in Torino just a month before) with Garth Evans, Y Gallery with a vivid typography of mural images from Carlos Motta.

Certain walls from museum shows, galleries, country houses and collections remain in the memory with or without the aid of photographs or notes.

Honors in Sculpture Skowhegan School of Painting and Sculpture 1982 Carnegie - Mellon University SELECTED SOLO EXHIBITIONS 2015 Les Guérillères, Sandra Gering Inc, New York, NY 2014 Julia Kunin & Jackie Gendel, Jeff Bailey Gallery, Hudson, NY 2013 Golden Grove, Barry Whistler Gallery, Dallas, TX 2012 Nightwood, Greenberg Van Doren Gallery, NY, NY 2002 Rotes Wildleder, Deutches Leder Museum, Offenbach, Germany 2000 Cephalopoden, Bellevuesaal, Wiesbaden, Germany 1999 Crimson Suede, Stefan Stux Gallery Project Room, New York, NY Rambling Conversation series, Four Walls, New York, NY Old Gallery, Tbsili, Georgia SELECTED GROUP EXHIBITIONS 2016 Dysfunction, BCA / Burlington City Arts, Burlington, VT In a Field with No Bounds, New City Galerie, Burlington, VT NY, NY: Clay, CAC / Clay Art Center, Port Chester, NY 2015 Who, Lesley Heller Workspace, New York, NY 2014 2Q13, Women Collectors Women Artists, Lloyd's Club, London, England The Body is Present: Women at Work, Ramapo College Art Galleries, NJ Cleaning House, MAMŰ Galéria, Budapest, Damjanich Zsolnay, Kapolna Gallery, International Ceramic Studio, Kecskemet, Hungary Natures Knot, Luise Ross Gallery, New York, NY 2013 Treasures for the German Leather Museuin Sculpture Skowhegan School of Painting and Sculpture 1982 Carnegie - Mellon University SELECTED SOLO EXHIBITIONS 2015 Les Guérillères, Sandra Gering Inc, New York, NY 2014 Julia Kunin & Jackie Gendel, Jeff Bailey Gallery, Hudson, NY 2013 Golden Grove, Barry Whistler Gallery, Dallas, TX 2012 Nightwood, Greenberg Van Doren Gallery, NY, NY 2002 Rotes Wildleder, Deutches Leder Museum, Offenbach, Germany 2000 Cephalopoden, Bellevuesaal, Wiesbaden, Germany 1999 Crimson Suede, Stefan Stux Gallery Project Room, New York, NY Rambling Conversation series, Four Walls, New York, NY Old Gallery, Tbsili, Georgia SELECTED GROUP EXHIBITIONS 2016 Dysfunction, BCA / Burlington City Arts, Burlington, VT In a Field with No Bounds, New City Galerie, Burlington, VT NY, NY: Clay, CAC / Clay Art Center, Port Chester, NY 2015 Who, Lesley Heller Workspace, New York, NY 2014 2Q13, Women Collectors Women Artists, Lloyd's Club, London, England The Body is Present: Women at Work, Ramapo College Art Galleries, NJ Cleaning House, MAMŰ Galéria, Budapest, Damjanich Zsolnay, Kapolna Gallery, International Ceramic Studio, Kecskemet, Hungary Natures Knot, Luise Ross Gallery, New York, NY 2013 Treasures for the German Leather MuseuIn a Field with No Bounds, New City Galerie, Burlington, VT NY, NY: Clay, CAC / Clay Art Center, Port Chester, NY 2015 Who, Lesley Heller Workspace, New York, NY 2014 2Q13, Women Collectors Women Artists, Lloyd's Club, London, England The Body is Present: Women at Work, Ramapo College Art Galleries, NJ Cleaning House, MAMŰ Galéria, Budapest, Damjanich Zsolnay, Kapolna Gallery, International Ceramic Studio, Kecskemet, Hungary Natures Knot, Luise Ross Gallery, New York, NY 2013 Treasures for the German Leather Museum.

Its down - value look and activist ethos are evident in everything, including the black house - paint mural he has brushed, single - handedly, across one of the museum's walls and the hand - printed, hand - bound books he has placed in the gallery he designates as chapel and library.

Installed in Gallery One is a 14 x 20 foot wall drawing, Perry Street Projects Wading Pool, Buffalo, NY that documents an intricate web of fissures and chipped paint traced from an abandoned, gigantic, octagonal wading pool in a city - sponsored housing project located in Buffalo, NY.

Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Ga..

Flying atop a pole in front of the old school building that now houses white - walled gallery spaces, the flag anticipated an inaugural exhibition of works by Nick Cave.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrintin One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrintin America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrintin Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrintin the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrintin the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrintin the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory LabyrintIn & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrintin Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Made for Inverleith House, all of the works in persistencebeatsresistance are being exhibited for the first time: paintings, sculptural plinths, cast objects and large wall drawings have been installed by the artist throughout the gallery in its seven ground and first — floor rooms.

For Serralves, Daniel Steegmann Mangrané has conceived a living landscape for the Museum's central gallery in which a glass pavilion housing a garden and mimetic creatures, a set of free standing sculptures, a wall drawing, a hologram and windows that alter the experience of viewing are brought together to create a living ecosystem of transfigurations and metamorphosis, both real and symbolic.»

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

Its down - value look and activist ethos are evident in everything, including the black house - paint mural he has brushed, single - handedly, across one of the museum's wall and the hand - printed, hand - bound books he has placed in the gallery he designates as chapel and library.

It's especially apparent at the 21st Street branch, where the gallery took the strange step of building a freestanding structure in the middle of the gallery to house the paintings and left the surrounding walls untouched.

It also highlights the great use of space in this exhibition; housed in the old Duke of York barracks the gallery has a number of vast rooms and the abundance of space available is perfectly exploited and handled to the benefit of the installations in a way that isn't as easily achieved in exhibitions focused on wall hangings.

Adian's wall - mounted abstract paintings, made by stretching canvas over shaped pieces of foam, will find themselves in a group show titled «Rascal House» with Blair Thurman, John Armleder, and Stephane Kropf at Half Gallery in January 2015, followed by an installation at Lever House in New York.

We are thrilled to announce that gallery artist Lucas Ferreira's striking wall sculptures are featured in this month's House & Garden where we lent the artwork for a photo shoot in a private home, in collaboration with interior designer Pippa Paton.

1997 Theories of the Decorative: Abstraction and Ornament in Contemporary Painting, Inverleith House, Royal Botanic Garden, Edinburg, Scotland; traveled to Edwin A. Ulrich Museum, Wichita State University, Wichita, Kansas, USA (curated by Paul Nesbitt and David Moos) Primarily Paint, Museum of Contemporary Art, San Diego, La Jolla, California, USA Pintura, Galeria Joan Prats, Barcelona, Spain; traveled to Galeria Marta Cervera, Madrid, Spain After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Staten Island, New York, USA (curated by Lilly Wei) Intimate Universe (Revisited): Seventy American Painters, Robert Steele Gallery, New York, USA (curated by Michael Walls) Schilderijen: Reinoud Van Vaught, Fabian Marcaccio, David Reed, Jonathan Lasker, Gallerie Tanya Rumpff, Haarlem, the Netherlands Wetterleuchten, Galerie Evelyne Canus, La Colle - sur - Loup, France (curated by Günter Umberg) Critiques Of Pure Abstraction, Independent Curators, Inc., New York, USA (curated by Mark Rosenthal)(traveled) Stepping Up, Andrew Mummery, London, England Relations Between Contemporary Architecture and Painting: Greg Lynn, Fabian Marcaccio, David Reed, Jesse Reiser / Nanako Umemoto, Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria Some Lust, Patricia Faure Gallery, Santa Monica, California, USA Installations / Projects, Institute for Art and Urban Resources / P.

Depending on how you draw distinctions, there are six objects on display in the gallery space of Fort Worth Contemporary Arts: three identical houses constructed from everyday items — reclaimed wood, video cassettes, Tupperware — and three paintings on an opposite wall.

Tylicki transformed the Now Gallery in Manhattan to a hen house in which live chickens watched realistic paintings of chickens, chicks and roosters hanging on the galleryGallery in Manhattan to a hen house in which live chickens watched realistic paintings of chickens, chicks and roosters hanging on the gallerygallery walls.

Following takeovers at Ballroom Marfa, Deitch Projects, Rudolph Schindler's Buck House, and Marlborough Chelsea, their current gallery, Freeman and Lowe's latest white - walled victim is Red Bull Studios in New York's Chelsea neighborhood.

Permanent murals by LeWitt can be found at, among others, the AXA Center, New York (1984 — 85); [24] The Swiss Re headquarters Americas in Armonk, New York, the Atlanta City Hall, Atlanta (Wall Drawing # 581, 1989/90); the Conrad Hotel, New York (Loopy Doopy (Blue and Purple), 1999); [24] the Albright - Knox Art Gallery, Buffalo (Wall Drawing # 1268: Scribbles: Staircase (AKAG), 2006/2010); [25] Akron Art Museum, Akron (2007); the Columbus Circle Subway Station, New York; The Jewish Museum (New York), New York; the Green Center for Physics at MIT, Cambridge (Bars of Colors Within Squares (MIT), 2007); the Embassy of the United States in Berlin; the Wadsworth Atheneum; and John Pearson's House, Oberlin, Ohio.

Ms. Kominsky - Crumb's self - excavation «Dream House,» all 33 original pages of which are pushpinned to the gallery's blindingly frigid - white walls, includes a panel in which the young Aline remarks that the modernist hard edges of her parents» aspirational new house make her feel «lonely and sorta scared,» while «Aline & Bob: In Troubles With Money,» recently published in Harper's Magazine, begins with an email from the gallery about a multimillion - dollar sale before plunging into a densely particular account of the couple's inability to manage or enjoy such a windHouse,» all 33 original pages of which are pushpinned to the gallery's blindingly frigid - white walls, includes a panel in which the young Aline remarks that the modernist hard edges of her parents» aspirational new house make her feel «lonely and sorta scared,» while «Aline & Bob: In Troubles With Money,» recently published in Harper's Magazine, begins with an email from the gallery about a multimillion - dollar sale before plunging into a densely particular account of the couple's inability to manage or enjoy such a windfalin which the young Aline remarks that the modernist hard edges of her parents» aspirational new house make her feel «lonely and sorta scared,» while «Aline & Bob: In Troubles With Money,» recently published in Harper's Magazine, begins with an email from the gallery about a multimillion - dollar sale before plunging into a densely particular account of the couple's inability to manage or enjoy such a windhouse make her feel «lonely and sorta scared,» while «Aline & Bob: In Troubles With Money,» recently published in Harper's Magazine, begins with an email from the gallery about a multimillion - dollar sale before plunging into a densely particular account of the couple's inability to manage or enjoy such a windfalIn Troubles With Money,» recently published in Harper's Magazine, begins with an email from the gallery about a multimillion - dollar sale before plunging into a densely particular account of the couple's inability to manage or enjoy such a windfalin Harper's Magazine, begins with an email from the gallery about a multimillion - dollar sale before plunging into a densely particular account of the couple's inability to manage or enjoy such a windfall.

His installation consists of two similar horizontal wooden structures which relate in color and height to several 12 - inch - wide horizontal bands applied with ordinary house paint on each gallery wall.

Our own retrospective begins with a review of Rauschenberg's 1958 show at Castelli gallery by poet John Ashbery, who notes that the artist's junk - covered canvases «look like walls in a house inhabited by very bad children.»

One of the newest pieces of furniture we've added to our house was the sweet little table you may remember at the bottom of our stairs in front of our gallery wall.