Sentences with phrase «game composer scene»

Not exact matches

Directed by the great Tomas Alfredson (Let the Right One In, Tinker Tailor Soldier Spy), with a screenplay written by the talented trio of Peter Straughan (The Debt), Hossein Amini (Drive) and Søren Sveistrup («The Killing»), featuring behind - the - scenes work from the likes of editor Thelma Schoonmaker (Raging Bull), cinematographer Dion Beebe (Chicago), composer Marco Beltrami (The Hurt Locker) and production designer Maria Djurkovic (The Imitation Game), and listing Martin Scorsese (Silence, The Wolf of Wall Street) as one of its primary producers, how things turned out so disastrously I have no idea.

The video pairs beautiful footage of the game with a special behind - the - scenes discussion about the music by legendary Composer Joe Hisaishi.

As such, composing for film or television will often involve more dramatic ups and downs in the music to closely match the scene whereas in video games, the composer is usually composing music layers (ambient exploration music, combat music, tension music etc.) that will transition between one another,» he noted, adding, «Trailer music is unique in that the music needs to make a very immediate and direct impact on the audience in a short amount of time.

If you're anxiously waiting for Ni No Kuni II: Revenant Kingdom (we know our editor - in - chief Ron is), you'll be happy to know that Bandai Namco has released a new video for the game, which highlights a behind - the - scenes featuring composer Joe Hisaishi.

Often times, especially in the indie game scene, composers are faced with the need to fulfill both roles as composers and sound designers.

It's often hard as one who simply appreciates game music and isn't in the industry to really know what happens behind the scenes with regards to how game music composers and game musicians are treated.

This offers a bit of clarity on exactly what does happen behind the scenes for some game composers, and not simply those just beginning to enter the scene.

Length of time spent within scenes and the timing of the events within them is therefore indeterminate — creating headaches for composers and game teams alike who a) wish to avoid annoying music repetition and b) want music to respond to the action like a movie score might.

The character designs and cut scenes were created by Studio Ghibli, and composer Joe Hisaishi — famous for his scores for Ghibli films — provided the game's phenomenal soundtrack.

Anything by Danny Baranowsky, he was one of the first indie game composers that I really looked to when that scene started to blow up.