Sentences with phrase «game cutscene makes»

The fact that every side quest, no matter how small, is fully voice acted and has an in - game cutscene makes the world so engaging.

Not exact matches

The mechanics and cutscenes capture the essence of the show quite well, making it one of the less - one - note Omega Force games I've played.

The game uses cutscenes from the Golden Age Arc movies, and then makes its own after those events are over.

Typically, a chit - chatty character like that would make me immediately skip lines of dialogue or turn down the volume of the game, yet Detective Pikachu made me consistently look forward to both the cutscenes and «Pika Prompt» interactions for more of Detective Pikachu's hilarious lines.

As part of that, we also added a brand new cutscene that didn't make it in time for the original game.

They could have made the game a bit more like WW with occasional touchscreen use with items like the boomerang and puzzles that needed it originally, kept the gameplay exactly the same but in HD with HD cutscenes or even redone the games completely.

Rise of Nations, Frontline studio reps tell developers how to make their games more Hollywood - like without using cutscenes.

If anything, the inclusion of Rage Arts and Interactive Cutscenes make Tekken 7 more appealing to the eye, interactive, and on - par to other fighting games currently out in the market.

Before any loading screens or cutscenes, the first choice you make in the game is a welcome one.

A poster child for the idea that Japanese developers are more interested in making movies than games, Metal Gear is notorious for making players spend as much time sitting through long, exposition - heavy cutscenes and codec conversations as they do actually playing the game.

In fact, if you want to change BGM volume, invert the camera, change video settings, etc., you'll have to wait till the game auto - saves, quit the game, go back to the title screen, make your changes, reenter your saved game, and mash your way through the repeated cutscenes until you're finally allowed to jump back into where you left off.

The game has only a little holding it back with some cheap cutscenes and short story length but it makes up for it by giving you all of the same things that Far Cry 3 did in an equal and sometimes better package.

There were also frequent (usually brief) cutscenes that made the game feel more like an RPG than past entries.

But charge Lubezki's work on Gravity with being nothing more than an elongated video - game cutscene if it makes you feel better.

Kojima Productions is making the cutscenes, at least partially, but as Kojima isn't in charge of the script, I don't expect the story to be on par with the canon MGS games.

The first Infinity's playsets were as bare as they come, and while 2.0 made positive strides, Twilight's cutscenes and open - world mission design make it feel much closer to a proper standalone video game than what's essentially a glorifed toolkit creation.

The cutscenes are gorgeous though and the game makes use of pre-rendered cutscenes to the fullest to deliver non-stop, adrenaline pumping action.

These cutscenes can also be unlocked by playing the game normally — the amiibo just makes the process faster.

That would make me feel pretty good if in the same breath Gibbons didn't admit that he doesn't «really know very much about the game,» having mainly been consulted to ensure the cutscenes retain the look and feel of Watchmen «s original artwork.

- the developers had to find way to convey the story in a way that didn't restrict players» freedom - they came up with this system of «watching a cutscene = Link regains a lost memory» - when you're gathering those «Memories», the cutscenes are shown without any context - this makes you wonder what happened (especially if you haven't seen them all)- a great advantage of that Memories system is that you can rewatch the cutscenes at any time, as many times as you want - the Sheikah Slate conveniently lists them in chronological order - Princess Zelda has two main roles in the game - The Princess who Seals (Zelda's traditional role, as seen in previous Zelda games)- The Princess who Researches (ways to stop Calamity Ganon, Zelda's new role)- taking those two roles into consideration, the image of «The Princess that can not use her sealing powers» was born.

The standard cutscenes do little more than utilizing the in - game graphics, these make up the bulk of the storytelling.

Board games are also a set of interwoven mechanics that aim to provide the player with a good time, they just lack the clearly presented cutscenes and audio used to craft entire digital worlds, relying instead on the player's imagination and attempting to create gameplay mechanics that thematically make sense.

They deserve a sequel for making a shiny engine, if they did want to recreate the look and feel of The Order again, it will have the same amount of cutscenes, the same amount of QTEs and hashed stealth sections so answer me this again; would you really want another Order game again?

Of course it's not all perfect; those famous lengthy cutscenes are back, and while this time around they're almost all fantastic there are still a couple of bad ones that might just make you get up, make a cup of tea, read the paper, walk the dog and do the dishes, especially in the first few hours when the game insists upon far too much exposition while providing very little actual gameplay.

When asked about what genre the game will be, he stated that it will be a first - person shooter, before going on to say that, «'' I don't ever want to make a game that has a cutscene or a scripted sequence in it ever again»

if on the PS3 it will be anything around 25 GB, then they will need at least 4 DVD if they are going to do the same thing (theoretically) and if they were planning to use a 50 GB BD, then more DVDs will be needed OR they can compress everything and stay at 720p or less for the whole game, (because I read somewhere that they are going 1080p for cutscenes) that will make more sense cost-wise and quality-wise and will require less storage space!

How can a game fill of long cutscenes, be made into a «short film» if it's anything as long as the cutscenes.

Order 2 just make it have The following aspects: rpg elements level up etc customisation weapons and loot in game crafting skippable cutscenes no black bars more collectable items timed arcade runs with leaderboards possible multiplayer all of the above have been done last gen, but hey the order needs to be more new?

Making games with average mechanics and story heavy cutscenes is expensive and usually means the game will have short legs.

I know the aspect of adding story and cutscenes to a multiplayer game is a divisive issue for gamers out there, so that's why make it in a single player mode or at least in an area where people can access it if they want it.

The game eventually transitioned into a Telltale - style interactive cutscene in which I had to press the right buttons at the right time to make sure my wide receiver made a game - winning play.

@iamtylerdurden1 It's not like the TellTale games; it's supposed to be a shooter, but falling back on cutscenes and QTEs to make up for how little of the game you're actually playing.

They act as if that takes them a lot of effort... The amount of work that went into the cutscenes makes me wonder why this wasn't just a PSN game.

BTW, I don't really care for many of the things that make current games expensive, such as voice - acting, cutscenes with movie production values, etc..

Hopefully they make cutscenes have voice acting in WWE 2K19, as the previous games seemed lifeless in career mode where you just had to read a lot of text.

Punctuated with dark humor and filled with the elements that make the Wild West so compelling, Red Dead Revolver's story is told through full motion cutscenes and breathtaking in - game visuals.

While there is one definitive ending, the choices you made during the game will affect the cutscenes you'll encounter as not one play through will be the same.

The cutscenes make the game a standout in its genre and are definitely where the narrative and graphics shine.

This has a number of benefits such as reducing the amount of space required for the game (thus allowing it to fit on a single DVD in the Xbox version), making the visuals more consistent, and allowing for a variable character appearances in cutscenes.

Often it makes sense to show different aspects of your game (gameplay vs cutscenes, different levels, different characters) to paint a broader picture of what your game is about.

- Wind and Water: Puzzle Battles [GP2X](Yuan Works)(«W&W is an arcade - action puzzle battle game featuring three skill levels, more than 30 hours of Story Mode with hundreds of dialogs, anime - style intro sequence, cutscenes, extensive tutorials, studio - recorded soundtrack, minigames, and hundreds of extras including art galleries and making of.»)

This essentially makes the narrative completely superfluous, and while not all games need engrossing stories to win me over (a few measly cutscenes would have done well), I personally see it as a missed opportunity.

So, it's unlikely that playing 29.97 fps games at 24 fps would make any difference to your gaming performance, and the 24 fps rate at which movies were filmed, for so long, give the cutscenes in PS2 games a slightly more «cinematic» quality, but that's a personal preference, not a general one.

The occasional cutscenes are also well made and give you a different perspective on the game world, utilizing the 3D levels well.

I don't want another cutscene heavy game with annoying QTEs thrown in to make it feel like a game.

Story in Platinum games does make the first playthrough feel longer than it really is and that's not counting the length some exposition cutscenes get near the end.

Adventure and Cruise did a great job and making everyone feel useful in the game and had notable moments in the cutscenes, World Red followed a lot of notes from other games but didn't make it.

Make something that more resembles a game and not a cutscene tech demo.

We also made all cutscenes into videos instead of in - game renders.»

The narrative frame of the game is executed in a very Japanese adventure game style — which is to say it has anime movies, fully voiced cutscenes of characters talking on and on, and occasional interactive decision - making (in this case, in the form of replying to mail messages from your girlfriend on your phone).